Condition:  To my NON US customers, do NOT ask me to alter /  change the declared value of your purchase for purposes of avoiding taxes in your country.  I will NOT do so.

All Music Review by Bill Dahl

Another eminently solid outing by the legendary harpist that captures his trademark barroom bravado in a studio setting. The band is quite tight -- Buddy Guy and Lefty Dizz are the guitarists, Douglas Fagan plays sax, and Clark Terry, believe it or not, occupies a third of the trumpet section -- and the set list is dominated by oldies from both Sonny Boys, Willie Dixon, and John D. Loudermilk (Junior invests his "Tobacco Road" with a lights-out toughness that the Nashville Teens could never even imagine).

Junior Wells ?– Coming At You

Tracklist

Companies etc

• Copyright (c) – Vanguard Recording Society, Inc.

Credits

• Arranged By [Brass Arrangements] – Edward Bland*
• Bass – Tom Crawford (3)
• Design – Jules Halfant
• Drums – Levi Warren
• Harmonica, Vocals – Junior Wells
• Lead Guitar – Buddy Guy
• Photography By [Back Cover Photo] – Jay Verhulst
• Photography By [Front Cover Graphic] – Fred Burrell
• Producer – Samuel Charters*
• Rhythm Guitar – Walter Williams (3)
• Saxophone [Tenor] – Douglas Fagan
• Trombone – Tom Mcintosh (tracks: A1, B1, B5)
• Trumpet – Clark Terry, Jimmy Owens, Wallace Davenport

Notes

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GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.