Jan Garbarek & the Hilliard Ensemble - Officium

€ 22

$ 26

€ 22 Sold For

Oct 1, 2015 Sold Date

Aug 21, 2015 Start Date

1 Number Of Bids

Switzerland Country Of Seller

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Description

Allgemein

Artikel Name: Officium
Genre: Sonstige Klassik Produkt Typ: LP (Vinyl) Label: ECM New Series Titelanzahl: 15

Trackliste LP - 1

1. Jan Garbarek & the Hilliard Ensemble - Parce Mihi Domine 2. Jan Garbarek & the Hilliard Ensemble - Primo Tempore 3. Jan Garbarek & the Hilliard Ensemble - Sanctus 4. Jan Garbarek & the Hilliard Ensemble - Regnantem Sempiterna 5. Jan Garbarek & the Hilliard Ensemble - O Salutaris Hostia 6. Jan Garbarek & the Hilliard Ensemble - Procedentem Sponsum 7. Jan Garbarek & the Hilliard Ensemble - Pulcherrima Rosa

Trackliste LP - 2

8. Jan Garbarek & the Hilliard Ensemble - Parce Mihi Domine 9. Jan Garbarek & the Hilliard Ensemble - Beata Viscera 10. Jan Garbarek & the Hilliard Ensemble - De Spineto Nata Rosa 11. Jan Garbarek & the Hilliard Ensemble - Credo 12. Jan Garbarek & the Hilliard Ensemble - Ave Maris Stella 13. Jan Garbarek & the Hilliard Ensemble - Virgo Flagellatur 14. Jan Garbarek & the Hilliard Ensemble - Oratio Ieremiae 15. Jan Garbarek & the Hilliard Ensemble - Parce Mihi Domine

Beschreibung

Fearlessly searching for new conceptions of sound and not caring where he found them, Garbarek joined hands with the classical early-music movement, improvising around the four male voices of the Hilliard Ensemble. Now here was a radical idea guaranteed to infuriate both hardcore jazz buffs and the even more pristine more-authentic-than-thou folk in early music circles. Yet this unlikely fusion works stunningly well -- and even more hearteningly, went over the heads of the purists and became a hit album at a time (1994) when Gregorian chants were a hot item. Chants, early polyphonic music, and Renaissance motets by composers like Morales and Dufay form the basic material, bringing forth a cool yet moving spirituality in Garbarek's work. Recorded in a heavily reverberant Austrian monastery, the voices sometimes develop in overwhelming waves, and Garbarek rides their crest, his soprano sax soaring in the monastery acoustic, or he underscores the voices almost unobtrusively, echoing the voices, finding ample room to move around the modal harmonies yet applying his sound sparingly. Those with nervous metabolisms may become impatient with this undefinable music, but if you give it a chance, it will seduce you, too. ~ Richard S. Ginell

Richard S. Ginell