Jan Hammer MIAMI VICE I+II TV Soundtrack 2LP Set Glenn Frey Tina Turner Crockett

	£		26
	$		34

Classic British 1st release double LP set of TV soundtracks to 'Miami Vice' (1985/1986) in superb condition.
Score music by Jan Hammer and featuring Glenn Frey, Patti Labelle, Phil Collins, etc.
Various ?– Miami Vice (Music from the TV Series starring Don Johnson and Philip Michael Thomas) (1985)

Condition (refer also to notes at bottom):
Vinyl: VG-EX. Very clean on visual inspection. A few light surface scuffs on side 1, side 2 clean. Played just pre-listing and sound clarity is great throughout. Some mild surface noise and light clicks in places. Plays with no skipping, jumping or sticking. A fantastic listening experience to an 80s classic.
Outer Sleeve (Cover): VG. Colours are clear and unfaded. Gloss front and back. Corners torn, buckled and worn. Aperture clean and unscuffed. Edges show mild wear, spine has more obvious scuffs. Light creasing and disc ring outline. Reverse side shows more creasing and scuffing around edges but overall very good.
Inner Sleeve: EX. Original. White paper with angled corners. Minor creases/folds though normal handling.
Label: BBC Records ?– REMV 584
Format: Vinyl, LP, Album
Country; UK
Released: 1985
Genre: Electronic, Pop, Stage & Screen
Style: Soundtrack, Synth-pop

Tracklist
A1. Jan Hammer - The Original Miami Vice Theme (Instrumental) -
A2. Glenn Frey - Smuggler's Blues -
A3. Chaka Khan - Own The Night -
A4. Glenn Frey - You Belong To The City -
A5. Phil Collins - In The Air Tonight -

B1. Jan Hammer - Miami Vice (Instrumental) -
B2. Grandmaster Melle Mel - Vice -
B3. Tina Turner - Better Be Good To Me -
B4. Jan Hammer - Flashback (Instrumental) -
B5. Jan Hammer - Chase (Instrumental) -
B6. Jan Hammer - Evan (Instrumental) -

Companies, etc.
Phonographic Copyright (p) – MCA Records, Inc.
Phonographic Copyright (p) – Virgin Records Ltd.
Phonographic Copyright (p) – Capitol Records, Inc.
Copyright (c) – MCA Records, Inc.
Phonographic Copyright (p) – Universal City Studios, Inc.
Licensed To – MCA Records Ltd.
Manufactured By – PRT Ltd.
Distributed By – PRT Ltd.
Pressed By – Lyntone Recordings Ltd. – LYN-16664
Pressed By – Lyntone Recordings Ltd. – LYN-16665

Credits
Composed By, Performer, Producer, Arranged By – Jan Hammer (tracks: A1, B1, B4 To B6)
Plated By – .Z.*

Notes
(C) 1985 Universal City Studios, Inc.
(P) 1985 MCA Records Inc. except:
track A5 - (P) 1981 Virgin Records Ltd.
track A2 - (P) 1984 MCA Records Inc.
track B3 - (P) 1984 Capitol Records Inc.

Made & printed in England.

Barcode and Other Identifiers

Barcode (Scanned): 5011755600013
Rights Society: MCPS
Matrix / Runout (Side A runout, etched): REMV-584-A LYN-16664-1Y .Z.
Matrix / Runout (Side B runout, etched): REMV-584-B LYN-16665-1Y .Z.
Matrix / Runout (Side A runout, etched): REMV-584-A1 NOEL N MT DAMONT B
Matrix / Runout (Side B runout, etched): REMV-584-B1 N MT DAMONT B M


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Various ?– Miami Vice II (New Music From The Television Series, "Miami Vice") (1986)

Condition (refer also to notes at bottom):
Vinyl: EX. Very clean on visual inspection. Played just pre-listing and sound clarity is fantastic throughout. Plays with no skipping, jumping or sticking.
Outer Sleeve (Cover): VG-EX. Colours are clear and unfaded. Gloss front and back. Mild wear to edges, corners buckled, dented and worn. Aperture and spine lightly nicked. Reverse side clean and unmarked. Light disc ring.
Inner Sleeve: EX. Original. White paper with central hole. Minor creases/folds though normal handling.
Label: MCA Records ?– MCG 6019 Format: Vinyl, LP, Album, Compilation
Country: UK
Released: 1986
Genre: Electronic, Rock, Funk / Soul, Pop, Stage & Screen
Style: Pop Rock, Synth-pop, Soft Rock, Rhythm & Blues, Soundtrack, Score

Tracklist A1. Steve Jones – Mercy. 4:27
A2. Gladys Knight And The Pips – Send It To Me. 4:12
A3. Phil Collins – Take Me Home. 5:51
A4. Bill Champlin And Patti LaBelle – The Last Unbroken Heart. 3:53
A5. Jan Hammer – Crockett's Theme. 3:25

B1. Andy Taylor – When The Rain Comes Down. 3:52
B2. Roxy Music – Lover. 3:52
B3. Jackson Browne – Lives In The Balance. 4:13
B4. The Damned – In Dulce Decorum. 4:34
B5. Jan Hammer – New York Theme (Instrumental). 3:00
B6. Jan Hammer – The Original Miami Vice Theme (Instrumental). 0:59

Credits
Composed By [Original Score For "Miami Vice"], Performer [Original Score For "Miami Vice"] – Jan Hammer
Executive-Producer – Michael Mann
Mastered By – Steve Hall
Other [Creative Consultants] – Danny Goldberg, Irving Azoff, Kathy Nelson
Other [Music Coordination] – Don Kurt, Kathy Coleman, Randee Lynne Jensen
Photography By – Alejo Menendez

Notes
Starring Don Johnson and Philip-Michael Thomas.

Barcode and Other Identifiers
Barcode: 5011781601916
Barcode (Text): 5 011781 601916
Matrix / Runout (Runout, side A): MCG-6019-A1 NIT BrB2TAPG01x 3 T
Matrix / Runout (Runout, side B): MCG-6019-B1 NIT BrB2TAPG01x 3 T


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Postage and packaging FREE to UK.

Will post worldwide.
Europe (Royal Mail International Standard) – £9.
Europe (Royal Mail International Tracked and Signed) – £12.50
N and S America, USA, Canada (Royal Mail International Standard) – £12
Asia, Australia, Japan (Royal Mail International Standard) – £14

Sorry but no returns are accepted.

Payment by cheque (UK only) or Paypal please.

Please see my other soundtrack listings.

Thanks for looking and happy eBaying!



ITEM CONDITION - items are graded according to Record Collector definitions - see below:

MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.