Jean Dubuffet Musical Experiences Rare 1973 1st Press Finnadar Experimental LP
$
50
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Description
Jean Dubuffet Musical Experiences Rare 1973 1st Press Finnadar Experimental LP.
Original release. Former achive copy, plays great!
LP: VG+ super clean and glossy, has a few light marks here and there. Each label has a small shelf # sticker from a former archive. Cover: VG Small cutout on spine. Solid seams. Promo sticker on cover. Shelf # stickers in top right and left corners. Back cover has same shelf # stickers, a music library stamp at the bottom right and track numbers and times underlined in red.
Jean Philippe Arthur Dubuffet French painter, sculptor, illustrator and writer, born 31 July 1901 in Le Havre, France and died 12 May 1985 in Paris, France. He was one of the main protagonists of 'Art Brut' (a term he invented in 1945).
Finnadar Records ?– SR 9002 Format: Vinyl, LP, Compilation Country: US Released: 1973 Genre: Jazz Style: Noise, Experimental, Free Improvisation
Tracklist
A1 Aguichements 7:10 A2 L'Eau 4:15 A3 Délibérants 5:30 A4 Pleure Et Applaudit 11:20 B1 Humeur Incertaine 7:43 B2 Bateau Coulé 9:03 B3 Diligences Futiles 4:17 B4 Gai Savoir 3:30Credits
- Edited By, Compiled By [Collation, Sequencing], Supervised By [Processing Supervison], Liner Notes –?lhan Mimaro?lu*
- Mastered By – George Piros
- Performer, Composed By, Recorded By, Artwork [Cover Art], Design – Jean Dubuffet
Notes
The eight selections on the present release were culled from a total of twenty pieces that were issued on six 10" LPs in a limited edition of fifty copies, each numbered and signed by Dubuffet. A book on the subject has been written by Beniamino dal Fabbro under the title of "Esperienze musicali di Jean Dubuffet", published by Edizioni del Cavallino, Venice, 1962. Eleven other pieces, realized by Dubuffet with Asger Jorn, between December 1960 and March 1961, were issued on four 10" LPs in a limited eidtion of 50 copies.The lacquers for the present release were cut directly from the original single-track tapes without the intervening tape duplication for mastering purposes. Processing for stereophonic reproduction was done at the mastering stage and the amount of equalization for each channel was determined in a way not to "improve upon" or alter the original sound.
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