PHOTOS TAKE PRECEDENT OVER ALL DESCRIPTIONS AND CONDITION IS EVERYTHING.  OUR  ALBUMS ARE GRADED TO YOUR BENEFIT NOT OURS! SHIPPING CAN BE COMBINED FOR $1 EACH ADDITIONAL ALBUM (WITHIN A 5 DAY PERIOD).   PLEASE TAKE A LOOK AT SOME OF MY OTHER RARE OR HARD TO FIND ALBUMS IN REMARKABLE CONDITION.    UNFORTUNATELY WE ARE UNABLE TO ISSUE PARTIAL REFUNDS (ONLY FULL)  SO PLEASE DO NOT ASK.   THANK YOU FOR YOUR PATRONAGE.  

Jeff Buckley ?– Grace

Label: Columbia ?– 88697779831,  Format: Vinyl, LP, Album, Reissue, 180 Gram
Country: US Released: 2010 Genre: Rock Style: Alternative Rock

Tracklist

A1 Mojo Pin Guitar [Magical Guitarness] – Gary LucasWritten-By – G. Lucas*, J. Buckley* 5:42 A2 Grace Guitar [Magical Guitarness] – Gary LucasWritten-By – G. Lucas*, J. Buckley* 5:22 A3 Last Goodbye Written-By – J. Buckley* 4:35 A4 Lilac Wine Written-By – J. Shelton* 4:32 A5 So Real Guitar – Michael TigheWritten-By – J. Buckley*, M. Tighe* 4:39 B1 Hallelujah Written-By – L. Cohen* 6:52 B2 Lover, You Should've Come Over Organ – Loris HollandWritten-By – J. Buckley* 6:41 B3 Corpus Christi Carol Written-By – B. Britten* 2:56 B4 Eternal Life Written-By – J. Buckley* 4:52 B5 Dream Brother Tabla – Misha MasudTabla [Additional] – Jeff BuckleyVibraphone – Matt Johnson (3)Written-By – J. Buckley*, M. Johnson*, M. Grondahl* 5:25

Companies, etc.

• Copyright (c) – Sony Music Entertainment
• Phonographic Copyright (p) – Sony Music Entertainment
• Distributed By – Columbia Records
• Mastered At – Masterdisk
• Engineered At – Bearsville Studios
• Engineered At – Quantum Sound Studios
• Engineered At – Soundtrack Studios
• Lacquer Cut At – Cohearent Audio
• Pressed By – Record Industry – 98084

Credits

• Arranged By [Strings] – Karl Berger
• Art Direction, Design – Christopher Austopchuk, Nicky Lindeman
• Bass – Mick Grondahl
• Design [Assistant] – Jennifer Cohen (2)
• Drums, Percussion – Matt Johnson (3)
• Engineer – Andy Wallace (tracks: A1 to A4, B1 to B5), Clif Norrell (tracks: A5)
• Engineer [Additional] – Clif Norrell (tracks: B3, B5)
• Engineer [Assistant] – Bryant Jackson, Chris Laidlaw, Reggie Griffith, Steve Sisco
• Executive-Producer – Steve Berkowitz
• Lacquer Cut By – KPG*
• Management – Dave Lory, George Stein
• Mastered By [Originally] – Howie Weinberg
• Mixed By – Andy Wallace
• Photography By – David Gahr, Merri Cyr
• Producer – Andy Wallace (tracks: A1 to A4, B1 to B5), Jeff Buckley (tracks: A5)
• Voice, Guitar, Harmonium, Organ, Dulcimer – Jeff Buckley

Notes

Pressed on 180-gram high quality, heavyweight vinyl; includes original artwork and printed insert       *Mint [M]: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.   *Near Mint [NM or M-]: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
*Very Good Plus [VG+]: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
 *Very Good [VG]: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.   Good [G], Good Plus [G+]: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear.