Jellyfish Bellybutton Vinyl LP Original 1990 US TriFold Cover Promo VG+ Charisma

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Jellyfish Bellybutton Vinyl LP Original 1990 US Promo Press on Charisma with Trifold Cover and Original Printed Inner Sleeve
Vinyl VG+ Cover VG (Moderate shelf wear, Promo Stamp + Sticker, Small saw cut, Small damage on cover: Last photo) Inner Sleeve VG+
All records visually graded using goldmine system. (See list below) I ship in custom mailers with two cardboard stifffeners. I will be happy to combine shipping on multiple orders.
Mint [M]: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.Near Mint [NM or M-]: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. Mint | Near Mint | Very Good Plus | Very Good | Good/Good Plus | Poor/Fair An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap. Very Good Plus [VG+]: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable. Very Good [VG]: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them. Good [G], Good Plus [G+]: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear. A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it. Poor [P], Fair [F]: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon. Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each. Still Sealed [SS] : Let the buyer beware, unless it's a U.S. pressing from the last 10-15 years or so. It's too easy to reseal on. Yes, some legitimately never-opened LPs from the 1960s still exist. But if you're looking for a specific pressing, the only way you can know for sure is to open the record. Also, European imports are not factory-sealed, so if you see them advertised as sealed, someone other than the manufacturer sealed them.

By the early '90s, it was hardly unusual for a band of hip young upstarts to worship at the power pop altar of bands like Big Star, Badfinger, and the Raspberries, but Jellyfish were unusual in that they also folded in a healthy portion of Cheap Trick fandom, and rather than merely admiring Cheap Trick's impressive way with a tune, they also coveted their ability to pump this sound up to arena size, and were determined to go them one better. On Jellyfish's debut album, Bellybutton, group leaders Andy Sturmerand Roger Manning had all the key ingredients of classic power pop down cold -- the sweet but biting melodies, the addictive hooks, the gorgeous stacks of harmonies, and the '60s-styled musical accents -- and then revved them up with rock star-proportioned drums and guitars on tunes like "All I Want Is Everything" (itself a canny parody of hard rock excess) and "The King Is Half Undressed," while letting their savvy production polish do the talking on "I Wanna Stay Home" and the almost-hit "Baby's Coming Back." Even the more subdued tunes on Bellybutton have a charming swagger and the playful confidence that reveals a rock star in training, and if Jellyfish often sounded like they were projecting to the last row in the upper deck on Bellybutton, they also sounded like they had the talent and the savvy to actually fill an arena with this stuff in a better world, and having Jason Falkner joining them on guitar didn't hurt one bit. Nirvana would release Nevermind 14 months later, drastically changing the playing field for left-of-the-dial music, but Bellybutton made it clear Jellyfish had more than enough talent and charisma to break out of the "alternative" ghetto with the right breaks, and if they didn't quite get them, at least they left behind a great pop record that also rocks hard, no small achievement.