Jerry Goldsmith POLTERGEIST Horror Film Soundtrack LP Spielberg Heather O'Rourke

	£		25
	$		33

American import 1st release of the original film soundtrack to supernatural horror "Poltergeist” (1982, dir. Tobe Hooper), featuring an original score by film music maestro Jerry Goldsmith. The movie was produced by Steven Spielberg.

The film starred JoBeth Williams, Craig T. Nelson, Heather O'Rourke, and Beatrice Straight.
Jerry Goldsmith ?– Poltergeist (Original Motion Picture Soundtrack) (1982)

Condition (refer also to notes at bottom): Vinyl: F. Clean on visual inspection. A few scuffs, marks and hairlines across both sides but nothing major and no deep scratches. Played just pre-listing and sound is mixed. Side 1 has considerable surface noise with only the odd sequence unaffected. Run-ins on both sides have bad surface noise. Side 2 is less affected but still bad in places. Plays with one or two jumps. Perhaps little more than a collection filler. Outer Sleeve (Cover): G. Colours are bright, unfaded and clean front and back. Creasing in from most sides and corners, edges badly scuffed. Dents, marks and disc outline visible. Buckling and creasing in bottom right. Bottom edge detached/split along entire length. Spine worn at top and bottom with a few scuffs. Aperture has some peeling and wear but only mild. Back of sleeve has similar dents and creases, mainly in from spine and bottom edge. Overall good Inner Sleeve: EX. White paper with rounded corners. Minor folding and creasing but clean and intact.
Label: MGM Records ?– MG-1-5408
Format: Vinyl, LP, Album, Import
Country: US
Released: 1982
Genre: Electronic, Stage & Screen
Style: Soundtrack, Modern Classical, Score

Tracklist
A1. Carol Ann's Theme. 3:29
A2. Night Visitor. 7:28
A3. Escape From Suburbia. 6:18
A4. The Light. 2:03

B1. The Neighborhood - Day. 2:12
B2. Night Of The Beast. 2:16
B3. Twisted Abduction. 6:14
B4. Rebirth. 8:17

Companies, etc.
Published By – MGM Affiliated Music, Inc.
Recorded At – MGM Studios
Copyright (c) – Metro-Goldwyn-Mayer Film Co.
Phonographic Copyright (p) – Metro-Goldwyn-Mayer Film Co.
Manufactured By – Polydor Incorporated
Marketed By – Polydor Incorporated
Mastered At – The Mastering Lab
Pressed By – Hauppauge Record Manufacturing Ltd.

Credits
Composed By, Conductor, Producer – Jerry Goldsmith
Engineer [Recording] – Lyle Burbridge
Liner Notes – Steven Spielberg
Mastered By [Digital] – Doug Sax
Orchestrated By – Arthur Morton
Recorded By [Digital Recordist], Edited By – Jim Pace
Supervised By [Music] – Harry V. Lojewski
Supervised By [Sound], Engineer [Mixdown] – Bruce Botnick

Barcode and Other Identifiers
Matrix / Runout (A-Side Runout Etching): B-1 ? MG-1-5408 AS HRM-1 TMLX
Matrix / Runout (B-Side Runout Etching): A-3 ? MG-1-5408-BS HRM-1 TMLX EDP
Matrix / Runout (A-Side Runout Etching Var 2): A-1 ? MG-1-5408 AS HRM-1 TML M EDP [in oval]
Matrix / Runout (B-Side Runout Etching Var 2): A-4 ? MG-1-5408-BS HRM-1 TML EDP [in oval] X EDP
Pressing Plant ID: 53
Rights Society: BMI


Please see the other TV and Film Soundtrack LPs and CDs I have listed.
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ITEM CONDITION - items are graded according to Record Collector definitions - see below:

MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.