Jesse Belvin "Goodnight My Love / I Want You With Me Xmas" 1956 E Nice
  $   30

 


$ 30 Sold For
Nov 15, 2015 Sold Date
Oct 24, 2015 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

 

~Jesse Belvin ~
"Goodnight My Love / I Want You With Me Xmas"
Vocals
Original

Modern Records # 1005 , 1956   E

Original Recording:
Jesse Belvin
   Vocals
  R&B
11 Year Old Barry White on Piano
78 RPM Single
  Shellac records  are clean with mostly all original (gloss) luster. Record has seen little play time.
Record grades a E.
No real flaws to list..
A few minor surface marks only.
Record plays and sounds terrific.
Both Modern labels are in at least a VG++ condition with some minor wear.
 No stickers.   No writing. 
Pictures do not do record justice. 

Jesse Lorenzo Belvin (December 15, 1932 – February 6, 1960) was an American R&B singer, pianist and songwriter popular in the 1950s, whose success was cut short by his death in a car crash aged 27.

Career[edit]

Belvin was born in Texarkana, Texas,[1][2] and moved with his family to Los Angeles at the age of five.

In 1950 he joined saxophonist Big Jay McNeely's backing vocal quartet, Three Dots and a Dash, and featured prominently on their record releases. In 1952 he joined Specialty Records. Although his early solo records were unsuccessful, his fourth record, "Dream Girl", credited to Jesse & Marvin and featuring Marvin Phillips on saxophone, reached #2 on the R&B charts in 1953.[3][4][5]

He was then drafted into the army, but continued to write songs. His composition "Earth Angel", eventually co-credited to Belvin and Hollywood Flames singers Curtis Williams and Gaynel Hodge after a legal dispute, was recorded by the Penguins, and became one of the first R&B singles to cross over onto the pop charts, selling a million copies in 1954/55 


"Goodnight My Love" is a popular song written by George Motola and John Marascalco in 1956. The song was recorded by Jesse Belvin. John Marascalco produced the song for Modern Records. The song reached #7 on the rhythm and blues charts in 1956. The pianist on the session was Barry White.


The VJM Record Grading System

N (78) M (LP). As new and unplayed (there are virtually no 78s that can categorically be claimed to be unplayed).

N- (78) M- (LP). Nearly Mint, but has been played. No visible signs of wear or damage. A few minor surface marks.

E+ (78) VG+ (LP). Plays like new, with very, very few signs of handling, such as tiny scuffs from being slipped in and out of jackets.

E (78) VG (LP). Still very shiny, near new looking, with no visible signs of wear, but a few inaudible scuffs and scratches.

E- (78) VG- (LP). Still shiny but without the lustre of a new record, few light scratches.  LP: Some wear, scratches and scuffs, but no skipped or repeat grooves.

V+ (78) G+ LP. V+ is an average condition 78 in which scuffs and general use has dulled the finish somewhat. Wear is moderate but playing is generally free from distortion. Surface noise not overly pronounced. LP: Below average with scuffs and scratches on fewer than half the tracks. No skips or repeat grooves.

V (78) G (LP). Moderate, even wear throughout, but still very playable. Surface noise and scratches audible but not intrusive.

V- (78) G- (LP). Quite playable still, but distortion and heavy greying in loud passages. Music remains loud in most passages. Surface noise and scratches well below music level. LP: Lowest Grade. Audible scratches, etc. on more than half the tracks. Listening uncomfortable.

G+ (78). Grey throughout but still serviceable. Music begins to sound muffled. Heavy scratches.

G (78). Quite seriously worn and scratched, but music level is still higher than surface noise.

G- (78). Music still prominent, but wear and scratch damage extensive.

F (78). Most of music remains audible over surface noise, but listening now uncomfortable.

P (78). Unplayable.

NB: Damage to labels and jackets (LP) should be noted whenever present.


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