Jesus Christ Superstar - A Rock Opera - (LP's/Sleeve/Booklet): NM/EX/EX

$

25

Andrew Lloyd Webber & Tim Rice ?– Jesus Christ Superstar - A Rock Opera
Label: Decca ?– DXSA 7206
Format: 2 × Vinyl, LP, Album, Gate Fold, Booklet
Country: US
Released: 1970
Genre: Rock, Classical, Stage & Screen
Style: Symphonic Rock, Musical, Classical, Jazz-Rock

Tracklist
A1 Overture 3:59 A2 Heaven On Their Minds 4:23 A3 What's The Buzz / Strange Thing Mystifying 4:13 A4 Everything's Alright 5:15 A5 This Jesus Must Die 3:36 B1 Hosanna 2:07 B2 Simon Zealotes / Poor Jerusalem 4:49 B3 Pilate's Dream 1:28 B4 The Temple 4:43 B5 Everything's Alright 0:34 B6 I Don't Know How To Love Him 3:36 B7 Damned For All Time / Blood Money 5:11 C1 The Last Supper 7:10 C2 Gethsemane (I Only Want To Say) 5:33 C3 The Arrest 3:24 C4 Peter's Denial 1:27 C5 Pilate And Christ 2:46 C6 King Herod's Song (Try It And See) 3:02 D1 Judas' Death 4:17 D2 Trial Before Pilate (Including The 39 Lashes) 5:13 D3 Superstar 4:16 D4 Crucifixion 4:04 D5 John Nineteen: Forty One 2:10


Credits: Acoustic Guitar – Henry McCullough Art Direction – Bill Levy Bass – Alan Spencer Composed By, Arranged By [Orchestration], Directed By – Andrew Lloyd Webber Design – Ernie Cefalu Drums, Percussion – Bruce Rowland Electric Guitar – Henry McCullough, Neil Robinson (2) Engineer [Advision] – Martin Rushent Engineer [Chief Recording] – Alan O'Duffy Engineer [Cutting] – Tony Bridge Engineer [Recording] – Anton Matthews, Jeremy Gee, Steve Vaughan Lyrics By – Tim Rice Management – Don Norman Piano, Electric Piano, Organ, Organ [Positive] – Peter Robinson Producer – Andrew Lloyd Webber, Tim Rice Tenor Saxophone – Chris Mercer Trumpet – Kenny Wheeler Vocals [Annas] – Brian Keith (2) Vocals [Caiaphas, High Priest] – Victor Brox Vocals [Jesus Christ] – Ian Gillan Vocals [Judas Iscariot] – Murray Head Vocals [King Herod] – Mike D'Abo Vocals [Maid By The Fire] – Annette Brox Vocals [Mary Magdalene] – Yvonne Elliman Vocals [Peter] – Paul Davis (11) Vocals [Pontius Pilate] – Barry Dennen Vocals [Priest] – Paul Raven (2) Vocals [Simon Zealotes] – John Gustafson

Notes: Recorded At Olympic Sound Studios, Barnes, Advision Studios, Island Studios And Spot Productions Studios On 16-Track Tape. Released in a Gate Fold sleeve including a booklet. LP's housed in brown paper sleeves.

Here at Play Dome Nation customer satisfaction is our only commitment. We grade conservatively on all LP’s, Books, DVD’s and CD’s. All records are professionally cleaned before shipping. All LP’s are packed in sturdy LP Mailers with two padded inserts for extra protection. LP’s are removed from Sleeve to prevent seam splits during shipping. We offer a 100% GUARANTEE on all products.

ALL RECORDS & CD’s ARE VISUALLY GRADED USING GOLDMINE STANDARDS

GRADING

Albums are Visually Graded, Record, and then Cover, followed by any specific notes. If you have questions beyond the description given, please feel free to contact me.

Mint (M) All-around perfect, no signs of use.

NEAR MINT (NM OR M-) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)

NM covers are free of creases, ring wear and seam splits of any kind.

VERY GOOD PLUS (VG+) or EXCELLENT (E) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint. Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++ or E+). - VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience.

VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking

Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise.

VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cover where the edge of a record would reside, is obvious, though not overwhelming. Some more creases might be visible. Seam splitting will be more obvious; it may appear on all three sides, though it won’t be obvious upon looking. Someone might have written or it or stamped a price tag on it, too

Good (G), Good Plus (G+) or Very Good Minus (VG–)The record still plays through without skipping, but it has significant surface noise and groove wear, and the label is worn, with significant ring wear, heavy writing, or obvious damage caused by someone trying to remove tape or stickers.

VG– cover has ring wear to the point of distraction, has seam splits obvious on sight and may have even heavier writing, such as, for example, huge radio station letters written across the front to deter theft.

POOR (P) and Fair (F) Poor (P) and Fair (F) records go for 0 to 5 percent of the Near Mint value, if they go at all. More likely, they end up going in the trash. Records are cracked, impossibly warped, or skip and/or repeat when an attempt is made to play them