John Coltrane Coltrane’s Sound orig UK MONO 1966

	A$		50
	$		33

John Coltrane Coltrane’s Sound orig UK MONO 1966

Original 1966 UK MONO release on orange & plum Atlantic label, Atlantic 587039.

Coltrane's Sound was released in 1966, six years after it was recorded, and during a period when listeners were beginning to embrace the soaring freedoms of Ascension. The eight post-bop songs here were recorded during the same two sessions (October 24 and 26, 1960) that produced some of My Favorite Things and most of the essential Coltrane Plays The Blues.

It was only pianist McCoy Tyner's third recording session with Coltrane - and drummer Elvin Jones's second occasion with sax legend. But both contribute exponentially to the success of Coltrane's conceptions. However, it's still the tenor sax which is most memorable throughout.

Coltrane's originals, "Liberia," "Satellite" and, most especially the disc's stand-out cuts, "Equinox" (featuring a marvelous solo from Tyner) and "Central Park West" (featuring Coltrane on soprano), are all worth hearing again and again. Coltrane also tears apart the standards "The Night Has A Thousand Eyes" and "Body and Soul" with an atypical fervor that invites even the most casual listener to stop and pay attention - and want to hear again. (© Douglas Payne, 1999)

From AMG Review:

This is one of the most highly underrated entries in Coltrane's voluminous catalog. Although the same overwhelming attention bestowed upon My Favorite Things was not given to Coltrane's Sound upon its initial release, both were actually recorded during the same three-day period in the fall of 1960. So prolific were those recording dates, they informed no less than five different Coltrane albums on Atlantic. The title could not have been more accurate, as each of the six pieces bear the unmistakable and indelible stamp of Coltrane's early-'60s style. "The Night Has a Thousand Eyes" and "Body and Soul" -- the only tracks not penned by Coltrane -- are given unique and distinctive voices. Animating the arrangements on these sessions were Coltrane (soprano/tenor sax), Steve Davis (bass), Elvin Jones (drums), and McCoy Tyner (piano). It's perhaps Tyner's recollection of the quartet as "four pistons in an engine" that most aptly explains the singular drive heard during Coltrane's extended runs on "Liberia." Tyner flawlessly complements Coltrane with full resonating chords that cling to his volley of sound. The rhythmic gymnastics of percussionist Jones is also showcased as his double-jointed bop swing and military band precision are distinctly displayed on the blues "Equinox." The opening six bars give Jones a chance to make a contrasting statement -- which he takes full advantage of.

Side 1:

A1    The Night Has a Thousand Eyes
A2    Central Park West

A3    Liberia

Side 2:

B1    Body and Soul
B2    Equinox 
B3    Satellite

CONDITION:

SLEEVE:  EX—  Slight rubbing to cover laminate. No tears, creases or splits.

RECORD:  EX—  Vinyl is glossy and unmarked, a few spindle trails on both labels; sound is clear and deep. Professionally cleaned.

RECORD GRADINGS

(May be further qualified by + or - )

M = Mint

Must be in perfect condition with no audible or visible defects whatsoever. The record and cover/sleeve should be exactly as brand new.

NM = Near Mint

Almost mint but has one or two minor visible marks on the cover/sleeve or surface with sound quality remaining perfect.

EX = Excellent

Not quite perfect. There may a slight chance of minor deterioration in sound quality. The cover/sleeve may show slight wear.

VG = Very Good

The surface and cover/sleeve shows visible signs of wear due to the fact that it has been played on a regular basis. There will be some audible surface noise but it will not effect the listening experience.

G = Good

The sound quality has deteriorated due to having been played often. The cover/sleeve and surface will show considerable signs of wear and tear with some possible damage.

F = Fair

Has been neglected, but is still playable. There will be major audible defects such as loud clicks or jumping. The cover/sleeve maybe badly damaged.

P = Poor

Technically playable, but with serious deterioration in condition and sound quality. The cover/sleeve will be badly damaged.

VP = Very Poor

In terrible condition and absolutely unplayable. Would only be of use as a last resort to complete a collection.

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