Judas Priest - British Steel - vg+/vg+ cleaned & tested
$
20
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Description
Competitive pricing is my goal to get rid of the hundred's of Lp's. I try my best to grade lp's, and on occasion I will play test if time allows... I am trying to clean records that raises my ire of suspicion, but am finding my self these days cleaning everything. My only method of cleaning is a soft brush and cloth and some Audio Advisor product. I do not have a vacuum. I listen with my turntable & needle when I play grade an LP. If a stubborn noise erupts I will then look under a light and microscope. It is quite time consuming. So I may miss a thing or two sometimes on my listings, but I will always be here to help resolve the issue. All I ask is my buyers realize these points and be rest assured I offer a refund policy but I would prefer you email me so we can work something out first, I may have a back up copy... I have been collecting records since my 20's... Its has been a passion and a part-time hobby, I hope you love and enjoy music as much as I do, and selling is another way to get to know other people with a like minded interest as I. I offer a refund policy, so please give me the opportunity to make good if there is a problem with a transaction. I reserve the right to cancel a transaction after the sale If I find a missed defect on your behalf.
check prices, email me with concerns please.
jacket vg+ record vg+ ~ ex
shipping: 1-2 Lp's: $4.00 3-3 Lp's: $4.25 4-5 Lp's: $4.50 6-6 Lp's $5.00 7-9 Lp's $6.00
Judas Priest was formed in 1969 in Birmingham, England, by lead vocalist Al Atkins and bassist Brian "Bruno" Stapenhill, with John Perry on guitars and John "Fezza" Partridge on drums. Perry soon died of suicide at age 18, and amongst the replacements the band auditioned was future Judas Priest guitarist Kenny "K. K." Downing; at the time, they turned him down in favour of 17-year-old multi-instrumentalist Ernest Chataway, who had played with Birmingham band Black Sabbath when they were still called Earth. Stapenhill came up with the name Judas Priest from Bob Dylan's song "The Ballad of Frankie Lee and Judas Priest" on the album John Wesley Harding. Partridge was replaced in 1970 by drummer Fred Woolley, who later re-joined Chataway and Stapenhill in the band Bullion. No member of that early line-up lasted long enough to play on the band's recordings, though several songs co-written by Atkins appeared on their first two albums.
The band recorded a two-song demo "Good Time Woman" and "We'll Stay Together" and eventually gained a three-album recording contract with the label Immediate in late 1969 after a gig in Walsall, but the label went out of business before an album could be recorded, and the band split in 1970. Late in the year, Atkins found a heavy rock band called Freight rehearsing without a singer, made up of K. K. Downing on guitars, his childhood friend Ian "Skull" Hill on bass, and drummer John Ellis. He joined them, and they took on Atkins' defunct band's name. Their first gig was on 6 March 1971. Ellis quit later that year and was replaced with Alan Moore. Early shows included Hendrix and Quatermass covers, and in 1972, the set list included the originals "Never Satisfied", "Winter", and the show-closer "Caviar and Meths". July 1971 also saw them making a 45 rpm demo of "Mind Conception" with "Holy is the Man" on the B side for the Zella Records label.
Moore left and was replaced with Chris Congo Campbell (born Christopher Louis Campbell, 19 December 1952, Birmingham) and the band joined Black Sabbath guitarist Tony Iommi's management agency Iommi Management Agency. Atkins continued to write material for the band—including "Whiskey Woman", which became the base for the Judas Priest staple "Victim of Changes"—but as finances were tight and he had a family to support, he played his last gigs with the band in December 1972. Campbell left soon afterwards, later to surface in the band Machine, and the band enlisted two members of the band Hiroshima: drummer John Hinch and vocalist Rob Halford, the brother of Hill's girlfriend. Halford and Hinch played their first show with Judas Priest in May 1973 at The Townhouse in Wellington. The show was recorded and part of it released in 2019 on the compilation "Downer-Rock Asylum" on the Audio Archives label along with one live song from the Atkins era.
Judas Priest made their first tour of continental Europe in early 1974 and they returned to England that April to sign a recording deal with the label Gull. Gull suggested adding a fifth member to fill in the band's sound; they took on as a second lead guitarist Glenn Tipton, whose group The Flying Hat Band were also managed by Iommi's agency. A precursor of The Flying Hat Band called Shave'Em Dry featured future Starfighters drummer Barry Scrannage, who had played with original Priest members Ernest Chataway and Bruno Stapenhill in the band Bullion.
Judas Priest went into the studio in June–July 1974 with Black Sabbath producer Rodger Bain. The band released their debut single "Rocka Rolla" that August and followed in September with an album of the same name. The album features a variety of styles—straight-up rock, heavy riffing, and progressive.
Technical problems during the recording contributed to the poor sound quality of the record. Producer Rodger Bain, whose resume included Black Sabbath's first three albums as well as Budgie's first album, dominated the production of the album and made decisions with which the band did not agree. Bain also chose to leave fan favourites from the band's live set, such as "Tyrant", "Genocide" and "The Ripper", off the album and he cut the song "Caviar and Meths" from a 10-minute song down to a 2-minute instrumental.
The tour for Rocka Rolla was Judas Priest's first international tour with dates in Germany, the Netherlands, Norway and Denmark including one show at Hotel Klubben in Tønsberg, one hour from Oslo, Norway, which scored them a somewhat negative review in the local press. The album flopped upon release, leaving Priest in dire financial straits. Priest attempted to secure a deal with Gull Records to get a monthly pay of £50, however, because Gull Records were struggling as well, they declined.
The band performed "Rocka Rolla" on BBC Two's The Old Grey Whistle Test in 1975, as well as the "Dreamer Deceiver"–"Deceiver" pair the year before the songs appeared on Sad Wings of Destiny. Hinch left the band for reasons that are disputed and was replaced with Alan Moore, who returned to the band in October 1975. Finances were tight: band members restricted themselves to one meal a day—and several took on part-time work—while they recorded their follow-up album on a budget of £2,000. The group intended to make an album mixing straight-ahead rock with a progressive edge.
The band recorded Sad Wings of Destiny over two weeks in November and December 1975 at Rockfield Studios in Wales. The band stayed sober during the 12-hour recording sessions. The cover depicts a struggling, grounded angel surrounded by flames and wearing a devil's three-pronged cross, which became the band's symbol. The album was released in March 1976, with "The Ripper" as lead single. The band supported the album with a headlining tour of the UK from April to June 1976. By this time Halford joked that fans should burn their copies of Rocka Rolla.
The album had little commercial success at first and had difficulty getting noticed due to critical competition from the rise of punk rock, though it peaked at No.?48 in the UK and had a positive review in Rolling Stone. Fans, critics, and the band have since come to see Sad Wings of Destiny as the album on which Judas Priest consolidated their sound and image. It features heavy riffing and complex song arrangements that Tipton and Downing have said were inspired by the factories of The Black Country. The album's centrepiece "Victim of Changes" evolved from a combination of Atkins' "Whiskey Woman" and Halford's "Red Light Woman", and went on to become a fan favourite.
The band grew dissatisfied with Gull; the tight finances led Moore to leave the band a second time this time permanently. Sad Wings of Destiny caught the attention of CBS Records, and with the help of new manager David Hemmings, the band signed with CBS and received a £60,000 budget for their next album. The signing required breaking their contract with Gull, resulting in the rights to the first two albums and all related recordings—including demos—becoming property of Gull. Gull periodically repackaged and re-released the material from these albums.
Judas Priest recorded their major-label début in January 1977 at The Who's Ramport Studios, with Deep Purple bassist Roger Glover as producer. Moore left again during the sessions and was replaced with session drummer Simon Phillips. The album features significant developments in heavy metal technique, in particular its use of double-kick drumming on tracks such as "Dissident Aggressor", and includes a pop-metal cover of "Diamonds & Rust" by folk singer Joan Baez.
Sin After Sin appeared in April 1977. It was the first Priest record under a major label, CBS, and the first of eleven consecutive albums to be certified Gold or higher by the RIAA. Phillips declined to become a permanent member of Judas Priest, so the band hired Les Binks on Glover's recommendation. Together, they recorded 1978's Stained Class, produced by Dennis MacKay, and Killing Machine (released in America as Hell Bent for Leather). Binks, credited with co-writing "Beyond the Realms of Death", now regarded as one of the band's classics, was an accomplished and technically skilled drummer and his addition added a dexterous edge to the band's sound. Binks also played on Unleashed in the East (1979), which was recorded live in Japan during the Killing Machine tour. While the first three Judas Priest albums had considerable traces of Black Sabbath, Led Zeppelin, and Deep Purple in them, as well as ballads, Stained Class did not contain any ballads aside from "Beyond the Realms of Death". Killing Machine was the first nod to a more commercial sound, with simpler songs that brought back some blues influences. At about the same time, the band members adopted their now-famous "leather-and-studs" image.
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