Judy Garland at Carnegie Hall Live Vinyl 2 LP Sealed Capitol SWBO-1569 In Person

$

40

Judy Garland Judy at Carnegie Hall Vinyl 2 LP - Capitol SWBO-1569 Sealed First Pressing (1961)
Condition: New, Still Factory Sealed. The seal is partially broken near the top seam, but the record has never been opened.
Judy at Carnegie Hall is a double-LP live recording of a concert by Judy Garland at Carnegie Hall in New York, with backing orchestra led by Mort Lindsey. This concert appearance, on the night of April 23, 1961, has been called "the greatest night in show business history".
Garland's live performances were a big success at the time and her record company wanted to capture that energy onto a recording. The double album became a smash, both critically and commercially. The album won the Grammy Award for Album of the Year, making Garland the first woman to win the award, and spent thirteen weeks at #1 on the Billboard album chart.
Garland's career had moved from movies in the 1940s to vaudeville and elaborate stage shows in the 1950s. She also suffered from drug and alcohol abuse, and she returned in 1960 to the concert stage with a simple program of "just Judy," omitting the vaudeville and comic acts that usually preceded her. Garland's 1960–1961 tour of Europe and North America was a success, and her stage presence was highly regarded. At the time Garland was billed as "The World's Greatest Entertainer." Audiences were documented as leaving their seats and crowding around the stage to be closer to Garland, and often called her back for encore after encore, even asking her to repeat a song after her book of arrangements was completed.
Tracklist
Side one 1. "Overture": a) "The Trolley Song" b) "Over the Rainbow" c) "The Man That Got Away" a) Ralph Blane, Hugh Martin b) Harold Arlen, Yip Harburg c) Harold Arlen, Ira Gershwin 5:48 2. "When You're Smiling (The Whole World Smiles With You)" Mark Fisher, Joe Goodwin, Larry Shay 3:29 3. "Medley": a) "Almost Like Being in Love" b) "This Can't Be Love" a) Alan Jay Lerner, Frederick Loewe b) Richard Rodgers, Lorenz Hart 6:27 4. "Do It Again" George Gershwin, Buddy DeSylva 6:16 5. "You Go to My Head" J. Fred Coots, Haven Gillespie 2:43 6. "Alone Together" Howard Dietz, Arthur Schwartz 5:38
Side two 1. "Who Cares (As Long as You Care for Me)" George Gershwin, Ira Gershwin 1:46 2. "Puttin' On the Ritz" Irving Berlin 2:45 3. "How Long Has This Been Going On?" George Gershwin, Ira Gershwin 4:12 4. "Just You, Just Me" Jesse Greer, Raymond Klages 2:16 5. "The Man That Got Away" Harold Arlen, Ira Gershwin 5:03 6. "San Francisco" Walter Jurmann, Gus Kahn, Bronisław Kaper 4:45 7. "I Can't Give You Anything But Love" Dorothy Fields, Jimmy McHugh 6:46 8. "That's Entertainment!" Howard Dietz, Arthur Schwartz 6:38
Side three 1. "Come Rain or Come Shine" Harold Arlen, Johnny Mercer 7:23 2. "You're Nearer" Richard Rodgers, Lorenz Hart 2:33 3. "A Foggy Day" George Gershwin, Ira Gershwin 3:04 4. "If Love Were All" Noël Coward 2:53 5. "Zing! Went the Strings of My Heart" James F. Hanley 4:04 6. "Stormy Weather" Harold Arlen, Ted Koehler 6:11
Side four 1. "Medley": a) "You Made Me Love You" b) "For Me and My Gal" c) "The Trolley Song" a) Joseph McCarthy, James V. Monaco, Roger Edens b) George W. Meyer, Edgar Leslie, E. Ray Goetz c) Hugh Martin, Ralph Blane 3:56 2. "Rock-a-Bye Your Baby with a Dixie Melody" Sam M. Lewis, Jean Schwartz, Joe Young 5:22 3. "Over the Rainbow" Harold Arlen, Yip Harburg 5:47 4. "Swanee" Irving Caesar, George Gershwin 7:31 5. "After You've Gone" Henry Creamer, Turner Layton 4:20 6. "Chicago" Fred Fisher 5:15
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I use the Goldmine Grading System, and play-test all records. I note any differences between vinyl and cover, and make note of any inserts, special sleeves, or potential defects.

MINT (M) - Absolutely perfect in every way. Most often this is a still sealed record, records that have been opened are rarely if ever marked as Mint.

NEAR MINT (NM) - A good description is that it looks like it just came from a retail store and it was opened for the first time. In other words, it?s nearly perfect, with no visible defects. 

VERY GOOD PLUS (VG+) - Except for a couple minor things, this could be Near Mint. Most collectors will be happy with a VG+ record, especially if on the high end (VG++). VG+ records may show slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Covers should have only minor wear. 

VERY GOOD (VG) - VG records are among the biggest bargains, and for many, will be worth the money. They can lack the original gloss, may have surface noise, and some scratches may be audible, especially in soft passages. But the noise will not overpower the music. VG covers will have signs of handling, and may have minor splits. 

GOOD PLUS (G+) - Good+ does not mean bad! The record still plays through without skipping, but it has significant surface noise and groove wear. Cover may have significant ring wear, noticeable writing, or obvious damage.

GOOD (G) - Record may have some skipping, but is otherwise listenable. I generally avoid selling Good (G) rated records unless they are highly collectible or desirable, in order to enjoy until something better comes along. Cover has major wear or seam splits that need repair, or heavy writing like radio station call letters to prevent theft.

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