KAREN DALTON In My Own Time (50th Anniversary Edition) SILVER vinyl SEALED LP
  $   40

 


$ 40 Sold For
Jun 7, 2026 Sold Date
Dec 25, 2023 Start Date
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Description

KAREN DALTON

In My Own Time (50th Anniversary Edition)

SEALED limited edition SILVER Vinyl LP. Light In The Attic LITA 200. Limited edition reissue. MINT still sealed, never played, gatefold cover, pressed on SILVER vinyl.

Special 50th Anniversary Edition on silver colored vinyl!

Definitive edition of Karen Dalton's 1971 Acid Folk masterpiece!

All tracks from 2021 transfers and newly remastered by Dave Cooley

Lacquers cut by Phil Rodriguez at Elysian Masters

Karen Dalton's 1971 album, In My Own Time, stands as a true masterpiece by one of music's most mysterious, enigmatic, and enduringly influential artists. Celebrating the album's 50th anniversary, Light in the Attic is honored to present a newly remastered (2021) edition of the album on LP.

The LITA Anniversary LP edition features the original 10-track album, pressed at Record Technology Inc. (RTI) and housed in an expanded gatefold LP jacket.

All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters.

A newly expanded 20-page booklet — featuring rarely seen photos, liner notes from musician and writer Lenny Kaye, and contributions from Nick Cave and Devendra Banhart - rounds out the LP package.

The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear "the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York."

Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early ‘60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries, including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. "My favorite singer in the place was Karen Dalton," he recalled in Chronicles: Volume One (Simon & Schuster, 2004). "Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed."

Those who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It's So Hard to Tell Who's Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious, to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.

Producing the album was bassist Harvey Brooks, who played alongside Dalton on It's So Hard to Tell Who's Going To Love You The Best. Brooks, who prided himself on being "simple, solid and supportive," understood Dalton's process, but was also willing to offer gentle encouragement, and challenge the artist to push her creative bounds. "I tried to present her with a flexible situation," he told Kaye. "I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I'd present options. Everyone was sensitive to her. She was the leader."

Dalton, who rarely performed her own compositions, selected a range of material to interpret — from traditionals like "Katie Cruel" and "Same Old Man" to Paul Butterfield's "In My Own Dream" and Richard Tucker's "Are You Leaving For The Country." She also expanded upon her typical repertoire, peppering in such R&B hits as "When A Man Loves A Woman" and "How Sweet It Is." In a departure from her previous LP, Dalton's new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.

While '70s audiences may not have been ready for Dalton's music, a new generation was about to discover her work. In the decades following her death, a slew of artists would name Karen Dalton as an influence, including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recent acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton's unique appeal: "There's a sort of demand made upon the listener," he explains. "Whether you like it or not, you have to enter her world. And it's a despairing world." Peter Walker, who also appears in the film, elaborates on this idea: "If she can feel a certain way in her music and play it in such a way that you feel that way, then that's really the most magical thing [one] can do." He adds, "She had a deep and profound and loving soul...you can hear it in her music."

1
Something on Your Mind 2
When A Man Loves A Woman 3
In My Own Dream 4
Katie Cruel 5
How Sweet It Is 6
In A Station 7
Take Me 8
Same Old Man 9
One Night Of Love 10
Are You Leaving for the Country


***FACTORY SEALED***NEVER PLAYED***

 

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WE ACCEPT PAYPAL ONLY

*** PLEASE WAIT FOR AN INVOICE IF YOU ARE BUYING MORE THAN ONE ITEM AT A TIME. ANY MULTIPLE ITEMS PAID FOR SEPARATELY (INSTEAD OF GROUPED TOGETHER AND PAID FOR ON ONE INVOICE FOR COMBINED SHIPPING DISCOUNT) WILL BE SHIPPED IN SEPARATE PACKAGES. NO EXCEPTIONS. NO REFUNDS!

OUR SHIPPING COSTS INCLUDE COST FOR PACKAGING, TRANSPORTATION, AND FREIGHT.

We can NOT bear responsibility for packages lost or damaged by the Postal System.  If you do not agree with this Please DO NOT purchase or bid!

GRADING. Grading is visual only unless otherwise stated. I go by Goldmine standards and try to be conservative. I will play grade on certain items only - it is just impossible for me to play grade everything I put on EBAY.

RECORD GRADING:

MINT (M) ---- It should be SEALED and appear to be brand new. Mint means STILL SEALED, NEVER PLAYED. NEAR MINT (NM or NM-) ---- OPENED or UNSEALED. Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident.
VERY GOOD PLUS (VG++ or strong VG++ or VG+++) The record or cover that all but the most particular collector would say looks outstanding. Cover may have insignificant manufacturers defect such as notch hole or cut corner.
VERY GOOD PLUS (VG+ or strong VG+) The record has been handled and played infrequently or very carefully.  On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptable  for most collectors.  Cover has most of its original gloss and has been well taken care of.  Minor seam splits may be acceptable.
VERY GOOD (VG or strong VG) ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, non-feelable marks that might or will affect the sound as mild occasional surface noise or periodic pops/clicks. Usually a cover is VG when one or more of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
VERY GOOD- (VG- or G+) Record will show signs same as VG with heavier wear including noticeable groove wear and feelable marks that will likely pop or click.  Popping or clicking will be most evident through quieter passages.  Record should play all the way through, but may skip.
GOOD (G) ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping, but may skip. Several cover flaws will be apparent, but should not obliterate the artwork.  Filler copy until a better one can be found.
POOR (P) ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Only the rarest of records should ever be graded as Poor while the others should go to the trash heap.

DISCLAIMER. Due to the number of frivolous returns which were unwarranted, and due to the nature of sound recorded products that can be easily copied, there will no longer be a free return policy. I will charge a $10.00 return fee for all returns - this amount will be deducted from the Paypal refund of the returned item. If item is truly defective the entire purchase amount will be refunded as long as the item is in the same condition as it was sent. 

***BUYER PAYS FOR ALL RETURN SHIPPING FEES.***

                                                                                    ATTENTION!!

INTERNATIONAL BUYERS: USPS has done away with Surface and Air mail. Replaced with First Class International (FCI) which is supposed to be Air Mail.  Also, FCI cannot be tracked.  Bidders must agree to take full responsibility if they select FCI. We can NOT bear responsibility for packages lost or damaged by the Postal System.  If you do not agree with this Please DO NOT purchase or bid! If you want protection it is available using Priority Mail. Any package over 4 pounds (4 or more LPs) it is automatically sent Priority.  Please wait for an invoice when purchasing 4 or more LPs so that we may get an exact shipping quote from the Post Office. Media and Priority still in effect in US..  

                                                                                                       SHIPPING FEES (USA only):

US MEDIA MAIL (USA customers only):$ 6.00 (LP) plus $1.00 per each additional LP purchased:

US PRIORITY MAIL (USA customers only): $18.00 (LP) plus $1.00 per each additional LP purchased.  

 

INTERNATIONAL SHIPPING ONLY...........................................

 

CANADA ONLY (USPS First Class Mail International): $28.00 (LP) plus $4.00 per additional LP. 

FIRST CLASS MAIL INTERNATIONAL: (All non-USA overseas buyers) $35.00 (LP) plus $8.00 per each additional item purchased.

PRIORITY MAIL INTERNATIONAL: $55.00 (LP) plus $8.00 per each additional item purchased. This shipping method will be used when shipping weight exceeds 4 pounds (4 or more LP records).

All other combinations are actual weight and can only be provided after packing. ***SHIPPING & HANDLING COSTS ARE INCLUDED IN THESE PRICES.  NOTE: I combine shipping! So buy more and save on shipping!!   

 

WE ACCEPT PAYPAL ONLY! 

 



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