KAREN DALTON In My Own Time LP folk dylan Original

$

53

KAREN DALTON In My Own Time LP
1971 Just Sunshine (PAS 6008) Both Vinyl and Sleeve are in NM condition. super clean…purchased sealed and played once for taping purposes, filed ever since…Karen J. Dalton (born Karen J. Cariker) (July 19, 1937 – March 19, 1993) was an American folk blues singer and banjo player associated with the early 1960s Greenwich Village folk music scene, particularly with Fred Neil and the Holy Modal Rounders as well as Bob Dylan.
Contents
[hide]
    •    1 Biography
    •    2 Discography
    •    3 References
    •    4 External links
[edit] Biography
Dalton, whose heritage was Cherokee, was born Karen J. Cariker in Enid, Oklahoma.[1] Her bluesy, world-weary voice is often compared to that of jazz singer Billie Holiday. She sang blues, folk, country, pop, Motown -- making over each song in her own style. She played the twelve string guitar and a long neck banjo.
In his 2004 autobiography,[2] Bob Dylan wrote this in his description of discovering and joining the music scene at Greenwich Village's Cafe Wha? after arriving in New York City in 1961: "My favorite singer in the place was Karen Dalton. Karen had a voice like Billie Holiday and played guitar like Jimmy Reed... I sang with her a couple of times."
Dalton's second album, In My Own Time (1971), was recorded at Bearsville Studios and originally released by Woodstock Festival promoter Michael Lang's label, Just Sunshine Records. The album was produced and arranged by Harvey Brooks, who played bass on it. (Harvey Brooks played bass also on the Miles Davis album Bitches Brew, on the Bob Dylan album Highway 61 Revisited and on the Richie Havens album Mixed Bag.) Piano player Richard Bell guested on In My Own Time. Its liner notes were written by Fred Neil and its cover photos were taken by Elliott Landy. Less well-known is Dalton's first album, It's So Hard to Tell Who's Going to Love You the Best (Capitol, 1969), which was re-released by Koch Records on CD in 1996.
Both Dalton's albums were re-released in November 2006: It's So Hard To Tell Who's Going To Love You The Best, on the French Megaphone-Music label, included a bonus DVD featuring rare performance footage of Dalton. In My Own Time was re-released on CD and LP on November 7, 2006 by Light In The Attic Records.
Known as "the folk singer's answer to Billie Holiday" and "Sweet Mother K.D.", Dalton is said to be the subject of the song Katie's Been Gone (composed by Richard Manuel and Robbie Robertson) on the album The Basement Tapes by The Band and Bob Dylan. She struggled with drugs and alcohol for many years. She reputedly died in 1993 on the streets of New York after an eight-year battle with AIDS.[3] However, an article in Uncut magazine,[4] confirmed that Dalton was actually being cared for by the guitarist Peter Walker in upstate New York during her last months…Track listing
    1.    "Something on Your Mind" (Dino Valenti) - 3:23
    2.    "When a Man Loves a Woman" (Calvin Lewis, Andrew Wright) - 2:59
    3.    "In My Own Dream" (Paul Butterfield) - 4:18
    4.    "Katie Cruel" (Trad.) - 2:22
    5.    "How Sweet It Is (To Be Loved by You)" (Lamont Dozier, Brian Holland, Eddie Holland) - 3:43
    6.    "In a Station" (Richard Manuel) - 3:52
    7.    "Take Me" (George Jones, Leon Payne) - 4:40
    8.    "Same Old Man" (s.) - 2:45
    9.    "One Night of Love" (Joe Tate) - 3:19
    10.    "Are You Leaving for the Country" (Richard Tucker) - 3:14…

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PACKAGING: I pack and mail items with care, I ship all LP’s in a new rigid custom LP mailer and filler pads with the disc, in the inner sleeve, placed behind cover to prevent seam splitting. I DO NOT use flimsy "freebie" post office priority mailers!

GRADING
(M) Mint : Absolutely perfect in every way — certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.

(NM or M-) Near Mint : A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45-rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cutout holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink-wrap.

(VG+) Very Good Plus: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.

(VG) Very Good : Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches (deep enough to feel with a fingernail) that will affect the sound. Writing may mar labels, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.

(G) Good, (G+) Good Plus: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear. A jacket or sleeve has seem splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it.

(P) Poor , (F) Fair: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon. Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.



ABBREVIATIONS: WOC-writing on cover, WOL-writing on label, DH-drillhole/punchhole, PRST-promo stamp or sticker, RSST-radio station stamp, TSM-taped seam, SPSM-split seam, TOC-tear on cover, SMW-seamwear/scuffed seams (not split), STKRES-sticker residue/glue, s, CC-cut corner….