KEEF HARTLEY BAND THE TIME IS NEAR RARE ORIGINAL 1970 DERAM LP NEAR MINT

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31

    
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·       KEEF HARTLEY BAND - THE TIME IS NEAR - ORIGINAL 1970 DERAM/LONDON STEREO LP DES-18047

·       ORIGINAL U.S. PRESSING

·       ORIGINAL WHITE AND BROWN DERAM LABEL

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       THICK CARDBOARD GATEFOLD COVER, AMERICAN STYLE.

·       CLEAN, WEAR-FREE LABELS

·       THE RECORD HAS A 'BESTWAY' STAMP IN THE TRAIL-OFF VINYL (DEAD WAX) AREA, WHICH IS GENERALLY CONSIDERED A PROOF OF AUTHENTICITY OF THE FIRST PRESSING.

·       7-22-1970 DATE STAMP HAND-ETCHED IN THE TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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At the time, the transformation from R&B into hard rock and prog rock seemed seamless, swept along a current of subtly shifting styles, a view today cemented by hindsight into inevitability. But all one has to do is listen to bands that fell by the wayside to see that the end result was in no way insured, and that other paths beckoned, only to quickly become cul-de-sacs. Drummer Keef Hartley established his reputation upon joining British blues legends John Mayall's Bluesbreakers  in 1967, performing on four of their albums before his departure the following year. That same year, Hartley formed his eponymous band around the axis of himself, bassist Gary Thain, and singer/guitarist/composer Miller Anderson, with their musical horizons widened by a kaleidoscope cast of brass, keyboardists, and flügelhorn players. The group released The Time Is Near..., its third album, in 1970, a set that found the group moving into ever more esoteric pastures. Some critics complained the album was directionless, but au contraire, the band knew precisely where they were going and what their goal was -- to create a tapestry of sound that intricately weaves together American R&B with a decided Stax slant, intertwining funkier flavors with the brass flash of the earlier soul era, and criss-crossing it with jazz. Some songs are embroidered with a harder rock sound, others are threaded with bright splashes of Latin colors, and others still with more subdued acoustic passages. It takes several listens for the full aural impact to coalesce, a reflection of the song's lack of infectious hooks and strong melodies, a sign too of the band's growing proggy bend and jazzy leanings. But given enough time, the album begins to weave its spell, and its greatness starts to solidify. However, as a path to chart success, this album was a dead-end street; pop fans want instant gratification, and Time Is Near  wasn't supplying that. But for more discerning audiences, this set is a welcome return for a carefully crafted and gorgeously imagined set.

 (EXCERPT FROM AN ONLINE REVIEW BY JO-ANN GREENE, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

You are looking at one of top-5 greatest British Blues Revival albums ever - a masterpiece right up there with the works of John Mayall, early Fletwood Mac with Peter Green, Savoy Brown, Groundhogs, Aynsley Dunbar Retaliation, and others.

For additional historical information on this album, including track listing ►click here

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VG++, just a notch below NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record comes in the original stock inner sleeve.

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 4

-         Cover shows JUST A HINT of yellowing on both sides, apparently from aging.  Minor yellowing is also noted on the INSIDE gatefold

-         Cover has a few tiny wrinkles along the spine  (nothing significant)

-         Visible shelf wear noted on the bottom seam

-         Minor shelf wear noted on the top seam and spine (nothing significant)

-         Cover has three corners slightly worn (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams (yet -- but the bottom seam is close)

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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