KEITH HUDSON - PLAYING IT COOL & PLAYING IT RIGHT - VINYL REGGAE LP - MINT
  £   18
  $   24

 


£ 18 Sold For
Mar 8, 2020 Sold Date
Feb 27, 2020 Start Date
£   16 Start price
3   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description

Keith Hudson - Playing it Cool

Condition: Vinyl MINT / Sleeve MINT
Stored in plastic sleeve since new.

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Side.1

 A1  Playing It Cool

 A2  Playing It Right Dub

 A3  Trust & Believe

 A4  In I Dub

 A5  California

 A6  By Night Dub


Side.2

 B1  Not Good For Us

 B2  Formula Dub

 B3  Be What You Want To Be

 B4  Be Good Dub

 B5  I Can't Do Without You

 B6  Still Need You Dub


Keith Hudson – as is Lloyd Bullwackie Barnes, his collaborator here – was a one-off innovator with impeccably classical lineage: his first studio recording involved former Skatalites; his earliest releases provided solid-gold hits for Ken Boothe (Old Fashioned Way, 1967), John Holt, Delroy Wilson, U-Roy and the rest. Also like Bullwackies, his splitting from this tradition is dynamic and all his own: Hudson’s mature music finds its conditions away from JA, in London and New York studios and transatlantic audiences, with his dark experimentalism increasingly better suited to the the LP than the cardinal 7" reggae format. Playing It Cool & Playing It Right was released in 1981 on the Joint International label, in NYC. It was originally intended that one of Hudson’s teenage sons would voice the dubs: in the event the Love Joys, Wayne Jarrett, and most inimitably Hudson himself featured at the microphone. Like Wackies, Hudson was a Studio One devotee – ‘I used to hold Don Drummond’s trombone for him so I can be in the studio’, he once recalled – and the album follows Coxsone’s recent strategy of overdubbing signature rhythms. The Studio One sides were aimed at the dancefloor; Hudson’s reworks of tracks like Melody Maker are more psychological. Here deep Barrett Brothers rhythms are remixed deeper with reverb, filters and other distortion, pitched down, everything; and overlaid with new recordings, often heavily treated, of guitar, percussion, keyboard, voice. Playing It Cool is legendary, strange, utterly compelling music.


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