KELLER SCHWARZENLANDER rare 1977 LP avant electronic robert ashley ina grm nww
$
72
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Description
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MAX E. KELLER / MARTIN SCHWARZENLANDER: SICHER SEIN… / ERST WOLLT IHR DEN PETERSBRUNNHOF, DANN HELLBRUNN, UND SCHLIESSICH GAR SCHLOSS MIRABELL / UNTER DEM PFLASTERSTEIN (NOCH IMMER) LIEGT, DER STRAND (SOZIALISTICHE MUSIKER INITIATIVE SMI-001 – SWITZERLAND 1977) LP ****** condition (record/cover): mint / mint ****** a great and rather obscure private political swiss electronic album in absolute mint (unplayed) condition, coming with xeroxed 8-page supplement of texts in german and french. an old description: “max keller’s composition, realized at his home studio in 1976, is for speaker and tape and is one of the spookier and more powerful electronic pieces ever recorded, with its masterful use of feedback, electronic noises and collages, and whispered and distorted voices (and banned from the swiss radio for 25 years because of its polemical contents). schwarzenlander’s two pieces are no less surprising, being two compositions realized at geneva’s institute for psycho-acoustic and electronic music in 1976 (first you want petersbrunhof, than hellbrunn and finally even mirabell-palace) and 1977 (under the pavement – still – lies the shore) with tape loops and collages, electronic sounds and synthesizer, and musique concrete techniques, which are up there with the best works in the ina/grm records series or by roger doyle’s operating theatre, early robert ashley or nurse with wound. a brilliant record of dramatic and intense experimental electronic music privately released by max keller, under the label s.m.i.****** unregistered priority mail is about $13 to europe and $20 to the rest of the world (except for $26 to oceania), while registered airmail is about $17 to europe and $24 to the rest of the world (except for $32 to oceania). winning multiple items can make you save on postage. preferred payments is paypal, although other options may be available. thank you for looking.
****** this is an auction for listeners invariably interested in electronic and electroacoustic music, musique concrete, avantgarde, experimental, minimal music, fluxus, sound sculptures, sound art, sound poetry, john cage, karlheinz stockhausen, mauricio kagel, luigi nono, giacinto scelsi, mauricio kagel, lamonte young, terry riley, steve reich, philip glass,robert ashley, gordon mumma, david behrman, alvin lucier, richard maxfield, toshi ichiyanagi, ilhan mimaroglu, nuova consonanza, musica elettronica viva, new phonic art, ennio morricone, luc ferrari, pierre henry, bernard parmegiani, pierre schaeffer, jean schwarz, francois bayle, edgardo canton, andre almuro, christian clozier, jacques lejeune, jean claude eloy dubravko detoni, costin miereanu, anestis logothetis, henri chopin, ake hodell, bengt emil johnsson, nurse with wound, organum, taj mahal travellers, gentle fire, paul panhuysen, structures sonores lasry-bachet, etc.
