KING CRIMSON LARK'S TONGUES NR MINT ORIG 1973 PROMO LP
$
37
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Description
WE CURRENTLY HAVE NEARLY 700 LISTED ITEMS. TO DISPLAY ALL OUR AUCTIONS IN ALPHABETICAL ORDER (BY ARTISTS’ NAMES) ►CLICK HERE
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· KING CRIMSON – LARKS’ TONGUES IN ASPIC - ORIGINAL 1974 ATLANTIC RECORDS STEREO LP SD-7263
· ORIGINAL U.S. PRESSING
· *** PROMOTIONAL COPY; THE RECORD HAS STOCK LABELS; HOWEVER, THE PROMOTIONAL STICKER ON THE COVER AND THE UNIQUE “DJ” MATRIX STAMP IN THE TRAIL-OFF VINYL CLEARLY IDENTIFY THIS ITEM AS PROMOTIONAL ***
· ORIGINAL, FIRST VERSION OF THE COVER WITHOUT A 1-INCH WIDE RED RIM ALONG THE COVER’S EDGES.
· ORIGINAL RED (ORANGE) AND GREEN ATLANTIC RECORDS LABEL WITHOUT WEA LOGO ALONG THE LABEL’S EDGE AND WITH BROADWAY, NY ADDRESS.
· The record has a George Piros’ name or his initials (GP) clearly stamped or hand-etched in the trail-off vinyl (dead wax)
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· ORIGINAL "TEXTURED" (CRUDE FINISH) COVER.
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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King Crimson reborn yet again — the newly configured band makes its debut with a violin (courtesy of David Cross) sharing center stage with Robert Fripp's guitars and his Mellotron, which is pushed into the background. The music is the most experimental of Fripp's career up to this time — though some of it actually dated (in embryonic form) back to the tail end of the Boz Burrell-Ian Wallace-Mel Collins lineup. And John Wetton was the group's strongest singer/bassist since Greg Lake's departure three years earlier. What's more, this lineup quickly established itself as a powerful performing unit working in a more purely experimental, less jazz-oriented vein than its immediate predecessor. "Outer Limits music" was how one reviewer referred to it, mixing Cross' demonic fiddling with shrieking electronics, Bill Bruford's astounding dexterity at the drum kit, Jamie Muir's melodic and usually understated percussion, Wetton's thundering (yet melodic) bass, and Fripp's guitar, which generated sounds ranging from traditional classical and soft pop-jazz licks to hair-curling electric flourishes.
(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE /ALLMUSIC.COM/)
The PROMOTIONAL, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed among the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals", which is to say the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
THIS IS A NO-RESERVE AUCTION!
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS (WEAK) NEAR MINT. This album probably does not qualify to be graded NEAR MINT by using stringent, rigorous grading – but, in our opinion, it is very close to NEAR MINT. At our own risk, we will grade it as NEAR MINT, but be forewarned: if you are rigorous and demanding collector, this album may be VG++ for your standards, or below your expectations. Some light abrasions and sleeve scuffs are visible, but are probably not sufficient to significantly lower the overall grade. Please inquire if you need more information.
(b) The record comes in its original, custom, inner sleeve, which is UNIQUE to this album.
(c) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NICE --- ABOUT VERY GOOD+ (VG+).
The following flaws or imperfections are noted on the cover:
- Cover has a small cutout saw-mark (an indent about 3-5 mm long ) on one of its seams.
- Minor smear-type stain from the sticker on the ink that spilled over onto the cover (please see the photo)
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3
- Cover shows some light yellowing on both sides, apparently from aging.
- Cover has extensive writing on its back side (radio station library, name, date and filing code, covering about 3 square inches total)
- Cover has a small stamp with a name and/or address of the previous owner on the back panel
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover has a few tiny wrinkles along the spine (VISIBLE ON BACK SIDE ONLY)
- Cover has some fraying/wear along the upper seam
- Cover has a partially split top seam (between 1 and 2 inches / 2.5 to 5 centimeters)
NO OTHER IMPERFECTIONS ON THE COVER:
- No cut-out (drill) holes.
- No cut-out corners
- No wrinkles or creases
- No peel-off marks
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
We offer two postage rates for both Domestic and International Mail: Media Mail and Priority Mail for domestic, and First Class and Priority International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: you should select priority mail when making a payment, in order to prevent any lost, stolen, damaged or undelivered orders and to obtain tracking info, which is NOT available for First Class International shipments.
INTERNATIONAL POSTAGE- and insurance rates vary from country to country. For SPECIFIC international and domestic postage and insurance rates ►click here. While you can be rest assured that our packaging is careful, sturdy and impact-proof, please note we are NOT responsible for uninsured items.
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OUR REFUND POLICY :
Cash refund will be granted only for DEFECTIVE items, but we are flexible and reasonable in reviewing the merits of each individual case. We do NOT play-grade records and can only make reasonable judgment on the item's condition based on its visual appearance. Every bid carries a risk that purchased item might play worse than its visual grade may indicate. Still sealed items MUST be returned sealed in order to be eligible for a refund. Please read our complete refund policy before placing a bid. ►Click here for the full text of our policy .
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