Keith Jarrett: Budapest Concert - 2x LP 180g Vinyl

The second complete show to be issued from Keith Jarrett’s 2016 European tour – following on from the widely-acclaimed concert released as Munich 2016 - this double album documents the pianist’s solo performance at the Béla Bartók National Concert Hall in Budapest. Jarrett, whose family roots reach back to Hungary, viewed the Budapest concert as akin to a homecoming, and the context inspired much creative improvisation. Where Jarrett’s early solo concerts shaped a large arc of music over the course of an evening, the later concerts have generated suite-like structures, comprised of independent “movements”, each of them a marvel of spontaneous resourcefulness. Creative energy is applied also to familiar songs given as encores, “It’s A Lonesome Old Town” and “Answer Me”, transformed in the Budapest concert. FEATURED ARTISTS Keith Jarrett   Piano  LISTEN TO MUSIC SAMPLES       A1 Part I       A2 Part II       B1 Part III       B2 Part IV       B3 Part V       B4 Part VI       C1 Part VII       C2 Part VIII       C3 Part IX        C4 Part X        D1 Part XI       D2 Part XII       D3 It's A Lonesome Old Town       D4 Answer Me TRACKLIST Budapest Parts I-XII A1 Part I 14:42A2 Part II 6:54B1 Part III 8:10B2 Part IV 7:53B3 Part V 5:13B4 Part VI 3:52C1 Part VII 5:45C2 Part VIII 5:35C3 Part IX 2:42C4 Part X 8:40D1 Part XI 5:54D2 Part XII - Blues 4:04Encores D3 It's A Lonesome, Old Town Written-By – Charles Kisco, Harry Tobias 8:01D4 Answer Me, My Love Written-By – Fred Rauch, Gerhard Winkler 4:55 BACKGROUND Budapest Concert is the second complete show to be issued from Keith Jarrett’s 2016 European tour, recorded two weeks earlier than the widely-acclaimed concert released as Munich 2016. The new double album documents the pianist’s solo performance at the Béla Bartók National Concert Hall in Budapest. Jarrett, whose family roots reach back to Hungary, viewed the concert as akin to a homecoming – also with regard to his lifelong affection for Bartók, as he explained to the audience - and the context inspired much creative improvisation. Where Jarrett’s early solo concerts shaped a large arc of music over the course of an evening, his later performances, particularly since the Radiance album, have generated suite-like structures, comprised of independent “movements”, each of them a marvel of spontaneous resourcefulness. Reviewing Munich 2016 in London’s Financial Times, Mike Hobart suggested that “the early recitals mixed classical musings, populist references and jazz spontaneity into extended streams of invention, but later recitals separated the strands.” If the process of improvisation was once the subject of the concerts, it could be said that Jarrett’s 21st century solo concerts are less about seeking than finding. There is nothing tentative about the music making on display here: its sense of assurance is among its striking characteristics - whether a ballad, a polyrhythmic study, a tone poem or an essay on the blues is being shaped in the moment. “His magnetism for the audience must come from his polygenre attitude,” wrote Gábor Bóta on Hungary’s Népsava news site. “Jarrett consumes all genres, from light to serious, and makes them his own. Since the entire performance is improvised, we witness the music being birthed right in front of us…One feels that he just sniffs the air, catches a moment’s feeling, clicks his fingers, squints his eyes and there we have it: the right notes, the right melodies, a completely unique performance.” Creative energy is also applied to more familiar songs given as encores, and “It’s A Lonesome Old Town” and a particularly rhapsodic “Answer Me” are transformed in Budapest. Lately, Keith Jarrett has been saying that he views Budapest Concert as his current “gold standard”, the reference work against which other solo recordings might be measured. Whether heard as a late high point in an unprecedented musical journey or enjoyed entirely on its own terms, it is a remarkable achievement.

Keith Jarrett: Budapest Concert - 2x LP 180g Vinyl

The second complete show to be issued from Keith Jarrett’s 2016 European tour – following on from the widely-acclaimed concert released as Munich 2016 - this double album documents the pianist’s solo performance at the Béla Bartók National Concert Hall in Budapest. Jarrett, whose family roots reach back to Hungary, viewed the Budapest concert as akin to a homecoming, and the context inspired much creative improvisation. Where Jarrett’s early solo concerts shaped a large arc of music over the course of an evening, the later concerts have generated suite-like structures, comprised of independent “movements”, each of them a marvel of spontaneous resourcefulness. Creative energy is applied also to familiar songs given as encores, “It’s A Lonesome Old Town” and “Answer Me”, transformed in the Budapest concert.

FEATURED ARTISTS

Keith Jarrett   Piano 

LISTEN TO MUSIC SAMPLES

      A1 Part I
      A2 Part II
      B1 Part III
      B2 Part IV
      B3 Part V
      B4 Part VI
      C1 Part VII
      C2 Part VIII
      C3 Part IX 
      C4 Part X 
      D1 Part XI
      D2 Part XII
      D3 It's A Lonesome Old Town
      D4 Answer Me

TRACKLIST

Budapest Parts I-XII
A1 Part I 14:42
A2 Part II 6:54
B1 Part III 8:10
B2 Part IV 7:53
B3 Part V 5:13
B4 Part VI 3:52
C1 Part VII 5:45
C2 Part VIII 5:35
C3 Part IX 2:42
C4 Part X 8:40
D1 Part XI 5:54
D2 Part XII - Blues 4:04
Encores
D3 It's A Lonesome, Old Town Written-By – Charles Kisco, Harry Tobias 8:01
D4 Answer Me, My Love Written-By – Fred Rauch, Gerhard Winkler 4:55

BACKGROUND

Budapest Concert is the second complete show to be issued from Keith Jarrett’s 2016 European tour, recorded two weeks earlier than the widely-acclaimed concert released as Munich 2016. The new double album documents the pianist’s solo performance at the Béla Bartók National Concert Hall in Budapest. Jarrett, whose family roots reach back to Hungary, viewed the concert as akin to a homecoming – also with regard to his lifelong affection for Bartók, as he explained to the audience - and the context inspired much creative improvisation.
 
Where Jarrett’s early solo concerts shaped a large arc of music over the course of an evening, his later performances, particularly since the Radiance album, have generated suite-like structures, comprised of independent “movements”, each of them a marvel of spontaneous resourcefulness. Reviewing Munich 2016 in London’s Financial Times, Mike Hobart suggested that “the early recitals mixed classical musings, populist references and jazz spontaneity into extended streams of invention, but later recitals separated the strands.” If the process of improvisation was once the subject of the concerts, it could be said that Jarrett’s 21st century solo concerts are less about seeking than finding. There is nothing tentative about the music making on display here: its sense of assurance is among its striking characteristics - whether a ballad, a polyrhythmic study, a tone poem or an essay on the blues is being shaped in the moment.
 
“His magnetism for the audience must come from his polygenre attitude,” wrote Gábor Bóta on Hungary’s Népsava news site. “Jarrett consumes all genres, from light to serious, and makes them his own. Since the entire performance is improvised, we witness the music being birthed right in front of us…One feels that he just sniffs the air, catches a moment’s feeling, clicks his fingers, squints his eyes and there we have it: the right notes, the right melodies, a completely unique performance.”
 
Creative energy is also applied to more familiar songs given as encores, and “It’s A Lonesome Old Town” and a particularly rhapsodic “Answer Me” are transformed in Budapest.
 
Lately, Keith Jarrett has been saying that he views Budapest Concert as his current “gold standard”, the reference work against which other solo recordings might be measured. Whether heard as a late high point in an unprecedented musical journey or enjoyed entirely on its own terms, it is a remarkable achievement.

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