Keith Jarrett - Sun Bear Concert 10 LP ECM Box Rare
  $   124

 


$ 124 Sold For
Mar 8, 2005 Sold Date
Mar 1, 2005 Start Date
$   20 Start price
14   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description


LP Condition (all): NM - (No surface marks. No skips. Shiny lacquer). All auction LP's are professionally cleaned using a VPI Record Cleaning Machine.

Cover/box Condition: VG +(Light surface & edge wear. No ring wear or seam splits.) Note: due to the weight of this set, the spine has become unglued. No damage has occurred. This is an easy fix that I will leave for the lucky winning bidder.

Notes:  ECM Records #ECM X 1100. Stereo. 1978.

This gargantuan package — a ten-LP set — once was derided as the ultimate ego trip, probably by many who didn't take the time to hear it all. You have to go back to Art Tatum's solo records for Norman Granz in the '50s to find another large single outpouring of solo jazz piano like this, all of it improvised on the wing before five Japanese audiences in Kyoto, Osaka, Nagoya, Tokyo, and Sapporo. Yet the miracle is how consistently good much of this giant box is. In the opening Kyoto concert, Jarrett's gospel-driven muse is in full play, up to the level of his peak solo performances in Bremen and Koln, and the Osaka and Nagoya concerts have pockets of first-rate, often folk-like, even profound, lyrical ideas. The Tokyo concert takes a while to get in gear, but when Jarrett finally locks into one of his grooving vamps, he carries us along, and there is a memorably melodic encore. In Sapporo, Jarrett breaks from a nicely flowing pattern into a jumpy rhythm that reminds one of C&W guitar fingerpicking, and there's some exuberant barrelhouse stuff and outbreaks of dissonance in part two. While Sun Bear breaks little ground that his earlier solo piano albums had not already covered, it is nevertheless richly inventive within Jarrett's personal parameter of idioms. If price is not a barrier, the Jarrett devotee need not hesitate.

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