Kevin Devine/Cymbals Eat Guitars "Devinyl split No. 4" 7" Brand New Bad Books
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Description
Kevin Devine/Cymbals Eat Guitars "Devinyl split" 7" Devinyl/Bad Timing Records (US)
Record is NM/MT!! Jacket is NM/MT in shrink!
Out of Print!
Pressed on Baby Blue Wax!!
Limited Edition of /500 on this color
Track Listing:
A –Cymbals Eat Guitars Aerobed B –Kevin Devine & The Goddamn Band Magic MagnetKevin Devine is an American songwriter and musician from Brooklyn, New York, who is known for melodic, acoustic songs with alternately introspective, political lyrics. He is a contemporary member of the underground indie rock and indie folk musical scenes, and his influences range from older indie artists such as Neutral Milk Hotel, Elliott Smith and Pavement to more mainstream and well known acts such as Nirvana and Bob Dylan. Recently, Kevin Devine has rejoined his previous band, Miracle of 86, for a series of reunion shows.
On January 14, 2013, Kevin launched a Kickstarter to help fund his next two albums. Later that day, it was announced the entire goal amount was raised, and on February 28, when the project finished being funded, the fans of Kevin Devine had pledged $114,805 (USD). Both albums were released in the United States on October 15, 2013 via Devinyl Records/Favorite Gentlemen/Procrastinate! Music Traitors labels. His seventh studio album, Bulldozer, is a solo album, with Rob Schnapf as collaborator and producer of the album. His eighth studio album, Bubblegum, made with the contribution of his backing band The Goddamn Band, was produced by Jesse Lacey of Brand New.
On January 27, 2015, Kevin announced Devinyl Splits, a six part split series featuring artists such as Matthew Caws, Meridith Graves of Perfect Pussy, and Tigers Jaw to be released on Bad Timing Records.Devinyl Splits No. 1: Matthew Caws x Kevin Devine will be released February 24. The remaining five splits will be released every other month in April, June, August, October, December.
Cymbals Eat Guitars is an indie rock band from Staten Island, New York, founded by high school friends Joseph D'Agostino and Matthew Miller. The band's name comes from a Lou Reed quote describing the sound of The Velvet Underground.
Cymbals Eat Guitars was founded in 2007 by guitarist Joseph D’Agostino and drummer Matthew Miller, who both graduated from Southern Regional High School in Manahawkin in 2006. Neil Berenholz, guitarist Matt Cohen, and keyboardist Daniel Baer joined the band after responding to an ad D'Agostino posted on Craigslist. 90's alternative bands such as Pavement heavily influenced the band's sound. An early version of the song "Share" was released on the Indiecater Vol. 1 compilation in June 2008.
The band first gained buzz in 2009 when their self-released debut album Why There Are Mountains was included in Pitchfork Media's "Best New Music", earning 8.3/10 in the website's review. Later that year, Cymbals Eat Guitars went on tour with The Pains of Being Pure at Heart and opened a couple of shows for The Flaming Lips. In addition, the band played at the 2009 College Music Journal festival and the Pitchfork Music Festival. In late 2009, the band was chosen as of one Beyond Race Magazine's "50 Emerging Artists," resulting in a spot in the publication's No. 11 issue (with Bodega Girls and J. Cole on the cover), as well as an exclusive Q&A for the magazine's site.
2009 also saw a change in Cymbal Eat Guitar's lineup. Dan Baer, the band's original keyboardist, left the band due to an illness, while the band's original bassist, Neil Berenholz, left due to his dislike of touring. Baer and Berenholz were replaced by Brian Hamilton and Matthew Whipple respectively.
In March 2011, Cymbals Eat Guitars signed with Barsuk Records to produce a follow-up to Why There Are Mountains. The band released their second albumLenses Alien on August 30, 2011. In May 2014, the band announced that their third studio album LOSE will be released on August 26, 2014. In October 2015, the band released the song "Aerobed" in Kevin Devine’s Devinyl Split series. SPIN gave the song a favorable review, noting its juxtaposition of a quiet acoustic melody and vigorous guitar lines.
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