LARRY CORYELL"Spaces LP NM/NM White Label Promo 1970 OG McLaughlin Corea Cobham
  $   18

 


$ 18 Sold For
Jun 15, 2015 Sold Date
Jun 14, 2015 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

Condition:  To my NON US customers, do NOT ask me to alter /  change the declared value of your purchase for purposes of avoiding taxes in your country.  I will NOT do so.

AMG Review by Scott Yanow

This album features the pioneer fusion guitarist Larry Coryell with quite an all-star group. Two selections match Coryell with fellow guitarist John McLaughlin, bassist Miroslav Vitous (doubling on cello) and drummer Billy Cobham, all important fusion players at the time. "Rene's Theme" is a guitar duet with McLaughlin, while "Gloria's Steps" (a Scott LaFaro composition) has Coryell, Vitous and Cobham jamming as a trio. Chick Corea sits in on electric keyboard for "Chris," and the 20-second closer ("New Year's Day in Los Angeles -- 1968") finds Coryell playing alone. Overall, the music has its energetic moments, but also contains some lyricism often lacking in fusion of the mid-'70s. In addition, all of the musicians already had their own original voices, making Spaces a stimulating album worth searching for.

Larry Coryell ?– Spaces

Label: Vanguard Apostolic ?– VSD 6558, Vanguard ?– VSD 6558 Format: Vinyl, LP, Album 
Country: US Released: 1970 Genre: Jazz Style: Post Bop, Fusion

Tracklist

A1 Spaces (Infinite) 9:16 A2 Rene's Theme 4:06 A3 Gloria's Step 4:29 B1 Wrong Is Right 9:00 B2 Chris 9:31 B3 New Year's Day In Los Angeles - 1968 0:20

Credits

  • Bass – Miroslav Vitous
  • Drums – Billy Cobham
  • Electric Piano – Chick Corea
  • Guitar – John McLaughlin, Larry Coryell

Notes

Larry Coryell solos first on Spaces and Wrong Is Right. 
John McLauglin solos first on Rene's Theme.

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GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.


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