LARRY YOUNG w/GRANT GREEN INTO SOMETHING RARE ORIG '64 BLUE NOTE LP EAR RVG NM

$

229

    
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·       LARRY YOUNG with SAM RIVERS, GRANT GREEN AND ELVIN JONES – INTO SOMETHIN’ – ORIGINAL 1964 BLUE NOTE RECORDS STEREO LP BST-84187

·       ORIGINAL U.S. PRESSING

·       ORIGINAL WHITE AND BLUE 'BLUE NOTE' LABEL WITH 'NEW YORK, USA'  ADDRESS ON THE LABEL

·       The record has a ►Rudy Van Gelder’s name or  his initials (RVG) clearly stamped or hand-etched in the trail-off vinyl (dead wax)

·       The record has an "EAR" symbol (a pretzel-like engravure about 1/4-inch/6mm long) in the trail-off vinyl, which on SOME jazz labels is associated with very early or first pressings)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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Larry Young: Into Something Organist Larry Young's Into Something is full of relaxed grooves, great melodies and strong performances from tenor saxophonist Sam Rivers and 1960s stalwarts Elvin Jones (drums) and Grant Green (guitar).

Soul Jazz? Groove Jazz? Whatever. It's good jazz and that's what matters. On the opening "Tyrone," Young plays deep blues at a straightforward, un-showy pace that gets enhanced and expanded, first by Green and then by Rivers who takes his saxophone the furthest out. Rivers, still a relatively new player here, hasn't reached the creative heights he'd hit in just a few years, but the pieces are clearly forming and his performance noteworthy.

Green's "Plaza De Toros" adds a little Latin rhythm to the date and provides the guitarist an opportunity for an extended workout. Like much of Young's playing on the date, he says more with less, eschewing flame-thrower licks to stay close to the rhythmic core of the song. Rivers plays with unusual attention to the melody, even as he clearly shows the greatest willingness to play hard. The consummate Jones taps out what, on the surface, sounds like a pretty tame backbeat. But careful listening reveals that he's actually doing three things at once: tapping the basic rhythm on the ride; adding a polyrhythmic round fill on the toms; and then throwing sharp fills into the short breaks. This isn't a thunderous drum performance. It's much subtler than that, but it's fully up to the standards expected from one of the era's premier drummers .

"Paris Eyes" is a funky, happy melody that provides Rivers with the first workout. He plays it loose, with a fair amount of breath through his horn, but flows along comfortably within the organ groove. It's too bad he doesn't get more time on the microphone, stepping off for Green to take his turn just when he's getting hot. But, then, there's that old saying: always leave them wanting more.

 (EXCERPT FROM AN ANONYMOUS ONLINE REVIEW)

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Larry Young who, like most organists, originally sounded close to Jimmy Smith, took a big step away from the organ's dominant influence on this adventurous and colorful set, which was his debut as a leader for Blue Note. Performing with a quartet also including tenor saxophonist Sam Rivers, guitarist Grant Green and drummer Elvin Jones, Young performs four of his originals plus Green's "Plaza de Toros." Other than the blues "Backup," the music is fairly complex, grooving in its own fashion and showing that Young was quite aware of John Coltrane's modal excursions.

 (EXCERPT FROM AN ONLINE REVIEW BY SCOTT YANOW, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical or discography information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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CONDITION:

RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record has a ►Rudy Van Gelder name, or  his initials (RVG) stamped or hand-etched in the trail-off vinyl (dead wax). On SOME  Jazz labels (Blue Note, Savoy, Regent, Prestige, Impulse, Verve…) this stamp signifies highly professional masterings either done by - or  personally authorized by - the legendary engineer himself.

(c)           The record has an "ear" symbol (a pretzel-like engravure about 1/4-inch/6mm long) in the trail-off vinyl, which on SOME  jazz and blues labels (such as Blue Note; Folkways; Period, etc…) is associated with very early or first pressings). The 'ear' symbol is actually a letter 'P' in italic script, denoting a pressing made by Plastylite Corporation’s pressing plant.

(d)          The record comes in the original stock inner sleeve.

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-         Cover shows some light yellowing on both sides, apparently from aging   (nothing significant).

-         Visible shelf wear noted on the bottom seam and spine

-         Minor shelf wear noted on the top seam (nothing significant)

-         Cover has one corner slightly worn / dinged / bent.  (nothing significant)

-         Cover has a partially split top seam (less than 1 inch / 2.5 centimeters)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No wrinkles or creases

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

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