LED ZEPPELIN Physical Graffiti SCARCER UK PRESS 1975 EX LPs, GREAT SOUND/CONTENT

	£		27
	$		35

ONEADAYRECORDS – Simply Delivering Quality Music to the World in Quality, Safe Packing.

Postage: UK £4.95. Europe (including Russia) £12.95 (£1 per extra record). Rest of World £19.95 (£2 per extra record). All my records are sent in boxes and the price of them has increased over time and these are my first price increases for nearly 10 years. Royal Mail prices have also gone up again. I will never compromise on quality, safe packaging – I NEVER use mailing envelopes that offer virtually no protection at all, and records WILL arrive damaged in them at some time as most record buyers will already know. Here, you get what you pay for – SAFE PACKING in BOXES using 7mm DOUBLE-WALL STIFFENERS including full side protection and bubble wrap, the records removed from the covers of course. All this very safe packing means I lose money on every box I post, but safe delivery is, and will always be paramount. You WILL see the difference when my packet arrives. Also, I will pay for insurance on any record that sells for over £100 at NO extra cost – that is UK and abroad. Also I aim to post the very same day after payment is received if possible. PLEASE NOTE: I will NOT send any item, no matter what its value without a Royal Mail or courier tracking number. ALL my items must be signed and trackable to comply with Ebay delivery rules. Please do NOT ask me to make any exceptions to this rule as no country offers 100% reliable service without it.

Posting to Russia: Yes, I do post to Russia. But delivery can take longer from the UK. So please be patient. I will submit a tracking number to the winning bidder, and when the packet arrives there it can be followed online using the Russian post website.

ALSO: I now apply the Ebay ‘2-day’ rule for non-payment to keep things moving – cash-flow is important for any small business.

ANY ITEM or ITEMS TO BE PAID WITHIN A MAXIMUM OF 6 DAYS or they will be cancelled – NO EXCEPTIONS.

FINALLY: Late payers, non-payers and ‘0’ bidders will now be blocked or cancelled at my discretion, as will any bidder who cancels a bid. Please only bid on my items if you want them.

Artist or Band: LED ZEPPELIN

Album Title: Physical Graffiti

Producer: Jimmy Page

Executive Producer: Peter Grant

TRACK LIST:

Side 1: Custard Pie; The Rover; In My Time of Dying.

Side 2: Houses of the Holy; Trampled Under Foot; Kashmir.

Side 3: In the Light; Bron-yr-Aur; Down By the Seaside; Ten Years Gone.

Side 4: Night Flight; The Wanton Song; Boogie with Stu; Black Country Woman; Sick Again.

Label/Format: Swan Song – Beautiful designed original examples with ‘Made in UK’ text. This copy a FULL UK pressing, many versions sold in the UK were foreign pressings made for our market. These labels have matt surfaces with a gentle hint of texturing. As seen, these have the small Warner Bros logo on the rims meaning a slightly later ‘second’ press.

Label Conditions: All four are fresh, clean and highly attractive with deep, rich colour and any spindle marks (or traces) very gentle, few and faint. Both records sound great and both records appear hardly played.

Catalogue Number: SSK 89400

Mode / Speed: Stereo / 33.3 rpm.

Weight of Records: 126 / 118 grams.

Country of Manufacture: England, that is every part. Many were pressed in Germany and the early full English pressings are less common. This pair also very well pressed with sound to match.

Rarity & Info: The title itself is hardly scarce but hardly played UK copies are less easy to find. A high percentage of this landmark classic are found pressed and made in Germany for the UK market. The cover is always immensely difficult to find in better conditions. With 41 die-cut windows, the surfaces are delicate and fragile, many are seen badly damaged with tatty, feathered and burred window edges – or even torn. The edges always seem to fair worst, most are seen badly scuffed and rubbed, bashed or badly out-of-shape. Apart from a the odd gentle window scuff and thickening of the top entrance edge, this one has little else to fault and remains attractive. Sound quality always is the main factor for most, and these four sides did not disappoint.

Original Year of Release: February 1975

Matrix Nos: SSK 89400 A / SSK 89400 B / SSK 89400 C / SSK 89400 D

Other Details: S-43 E.G. 1 / S-4 E.G. 2 / W-2 E.G. 2 / W-5 E.G. 1

Musicians: Jimmy Page – electric, acoustic, lap steel, and slide guitar, mandolin; Robert Plant – lead vocals, harmonica, acoustic guitar; John Paul Jones – bass guitar, organ, acoustic and electric piano, Mellotron, guitar, mandolin, VCS3 synthesiser, clavinet, hammond organ; John Bonham – drums, percussion. Guest: Ian Stewart – piano on ‘Boogie with Stu’.

Brief Info: A monumental landmark double set from the mighty Led Zeppelin and containing a vast array of varied music, some of which must rate as their strongest ever. Issued nearly two years after Houses of the Holy, this album topped both the UK and American album charts and was their sixth release. Such was the astonishing strength of this album – their first issue on their own new Swan Song label – their entire back catalogue again re-entered the top 200 album charts simultaneously, a feat to that date never to have happened before. With over 80 minutes of powerhouse blues rock and some superb acoustic numbers, this awesome set has it all and this copy does it very fine justice with both records playing impressively with the packaging in very fine condition as well.

Cover Grade and Format: EXCELLENT: arguably better for such a wear-prone and fragile cover. A UK-made example with all the appropriate text that reads: “SWAN SONG / 484 KINGS ROAD, LONDON SW10 - Cullderstead Ltd., trading as Swan Song - A Swan Song/Atlantic recording distributed by WEA Records Ltd. P & © 1975”. Surfaces are matt and smooth and has 41 die-cut windows. Includes the two UK card inner sleeves with correct first issue details and the gatefold ‘white window’ insert sheet, also with original text matter.

Cover Front: Firstly, I always check the windows for damage – most are crisp and sharp with minimal burring, thickening or creasing. Finding this cover with zero issues to the windows is beyond difficult, and these have nothing serious to fault. The cutting mainly crisp and neat, overall these are impressive – the odd small rub burr and minor crease only. Any ageing or discolouration to the front minimal and light and still remains attractive with no sticker issues.

Cover Back: Being darker than the front any minor blemishes or rubbing will show more, but little on view here and this generally very similar to the front.

Top Edge: This is the entrance edge and hugely vulnerable and rarely seen totally sharp or unsoftened by usage. This has thickened a little with only a little mild very patchy burring, but is guaranteed untrimmed or enhanced in any way – as indeed is the entire cover. Given the facts however, these perilous areas have fared reasonably well and has no tears or splits.

Bottom Edge: This edge is also highly prone to wear. Wide and thick to hold the content weight, this uncrushed retaining its boxy shape. The lack of rubbing is close to remarkable and rarely ever seen, there is minimal scant trace. This vulnerable edge one of the very best I have seen to date.

Left (Spine) & Right Edges: Solid and still quite straight with any compression patchy and light. The text is strong and still a very deep red. Red ink very prone to light exposure, often going pale, even pink or fading away totally, this still easy to read and virtually fully intact. The right edge is better still with little to fault bar a hint of gentle compression towards the top, this being quite critical.

Corners: Most of any tip wear or rubbing is light, as stated, the top opening has thickened a little and slight loss of sharpness to the top ends is so hard to avoid. Both bottom corners have fared very well with little to fault.

Cover Summary: To say this this cover is fragile and damage prone is an understatement. With so many seen wrecked, this fine, clean and solid example should please many collectors.

The Inner Sleeves: NEAR MINT / EXCELLENT(++): Both have the correct SSK 89400/A and SSK 89400/B numbers with straight side entrances that have barely thickened at all. Both clean, fresh and attractive with barely any creasing. One side is dark, the other lighter, so different effects can be utilised as seen though the main covers various windows. These card inners were never lined, hence vulnerable to splits as movement is more rife on this unique style of cover. Just one edge has a fine thin, but no split, hence the slightly less grade for the ‘B’ inner. That apart, these inners are probably the best I have seen.

The Folded ‘Slip’ Insert: EXCELLENT: arguably better with any marks, blemishes or ageing gentle, few and faint. The credit details to confirm: “Gothic Print Finishers Ltd., London SE9 2EQ”. Also with the “Swan Song SSK 89400” catalogue number and address “SWAN SONG, 484 KINGS ROAD, LONDON SW10”. Made with fairly thick hard and printed one side with a single manufactured fold. Hardly creased, neat and crisp with no writing.

Vinyl Condition/Visual Grading: EXCELLENT: or close to. A fine visual pair that are clean with fine shine and solidly pressed. A copy with modest plays on all the evidence with any surface marks very light, fine, quite wispy and faint as seen critically under bright light. No penetrating stylus scratches, viewed in average room light, few even register. These hard card inners are never surface friendly and few copies of this album will avoid some fine surface marks at best. Visually fine records that play very impressively, they should please many collectors.

Album Played For Grading: Yes. [I play ALL records I offer before submitting to Ebay, also the record is played in its entirety unless clearly stated otherwise. I do NOT play snippets or joining grooves to check for sound quality and quietness – I play from the beginning to end via clinically revealing equipment, all listed further down.]

Sound Quality and Audio Grading: This legendary double album plays even above it’s high visual grading with little to fault. Offering strong, distortion-free sound, all frequencies are sharp and clear – sound quality is very high with a wide dynamic range and very detailed sound. Any surface sounds are minimal indeed and this pair very well pressed with no tracking issues* or inherent pressing noises – that often not the case. Mass-produced albums more often had pressing issues, faults and unwanted rasps or crackles with this pair have avoided. With a few quiet passages, the odd contact trace is near unavoidable over four sides. Few available copies will outperform these early UK-pressed records significantly I feel sure. Both channels are clean and sharp, I am certain these records have been played modestly lightly and has been quite well stored and carefully handled. Nothing of any real note spoilt my pleasure when play-grading this classic album. It could prove very difficult to find significantly better and can be strongly recommended.

* As played-graded on a high-end Linn LP12 Sondek turntable with Ittok Mk II arm and Ortofon Quintet Black moving coil cartridge tracking at 2 grams. Records are a ‘contact’ format, and few will avoid the odd minor sound blemish.

I am one of the most established sellers on Ebay, trading since 2001 and offering the finest records I can find. I pride myself on offering a variety of genres to keep my site as interesting as possible. I will rarely offer any record that falls below a true Excellent grading, unless its of a certain rarity which will justify offering a lesser grade. I try, to the best of my ability to describe as accurately and as honesty all elements of the items I offer for sale. You may notice I only submit records quite sparingly on Ebay as I Play-Grade every record I offer in their entirety – also on higher-end equipment – not just bits to guess a grade – visuals alone do not always tell a true story. I will try to mention any defects or flaws no matter how small that I notice to be fair as possible to any interested collector – I am very fussy and my buyers have the right to be too. Every record I offer, whether it be a common or rare item deserves the same respect as far as I am concerned and will be treated the same – just because an item is rare does not always mean it’s good. I get just as much pleasure offering a relatively common record in near mint condition as the real rare items. All the pictures I use for your guidance are the item being offered with no digital enhancements. Room light factors can make things vary sometimes, that is hard to control, especially in winter. I hope the item below is to your liking – any questions can be emailed and I will do my best to answer you. I am enthusiastic, and have a fair degree of knowledge about many genres and I promise quality items. Please assume all records I offer have NO jumps, sticks, major warps or writing on covers or labels unless clearly stated to the contrary. Thanks for your interest and Good luck – MIKE.

Deck: Linn LP12/Hercules/Cirkus with Ittok Mk II arm and Ortofon Quintet Black moving coil cartridge (tracks at 2 grams). Amps: Naim Supernait 2 with Project USB phono stage and Tellerium Black interconnects. Speakers: B&W 805 Nautilus (bi-wired with Tellurium Black terminated cable) with REL subwoofer. All records I offer on Ebay are cleaned on a professional Nessie vacuum machine before play-grading for the cleanest and best possible sound and will include a brand new lined inner and protective cover too. Pictures taken with a Nikon D7500 DSLR Camera.

PACKING – THIS IS WHAT YOU GET.

What You Get: To confirm to the strict Ebay rules on shipping, I must now send ALL my packets ‘Signed-For’ with NO exceptions. Both buyers and sellers want their packets to have a safer journey and this is not a bad thing.

PLEASE NOTE: I now exercise my right to open a dispute after the Ebay rule of TWO days if no payment is received. I will then cancel the dispute to end the bid, again after the mandatory FOUR days and then offer the item to the runner-up or relist. The non-payer will also be blocked from my Ebay site as will any suspicious bids or bid bid retractions. Small businesses need prompt payment to trade and these strict rules WILL be applied.

Payment Conditions:

I prefer PayPal from­ winning bidders. I only accept PayPal from overseas bidders or direct payment into my bank account.

Potential Bidders: I will cancel any bids I feel are time-wasters. A maximum 2 days for communication and 7 days for payment to arrive – if not I will relist the item or offer to the runner-up.

My Guarantee: If any winning bidder is not satisfied with their purchase I will offer a complete refund if the item is returned in the same condition is was sent e.g. as per the listing pictures.

SOME GENERAL GUIDES TO WEAR AND CONDITIONS TO HELP YOU DECIDE

My Use of Description Terminology: Surface Marks = Superficial, usually light marks, hairlines or light scuffs that rarely sound. Scratch = a needle mark that goes below the record’s surface, some will sound, some will not, my play-grade will inform. Original = a record that has been pressed with the first label design which does NOT necessarily mean a very first pressed record. First Pressing = A record that I believe or know to be a genuine very first pressed record. I do not claim to always know for sure, and that’s why I state the stamper and matrix numbers if at all possible, for those who claim to know what they all mean, the information is there for the collector to decide. I prefer to use terms like ‘Early Copy’ rather than ‘First Pressing’ if I am not totally sure. Surface Sound = Mild, light sound, usually light crackle or similar. Distortion = Break up of the actual sound caused by groove wear or damage from a chipped stylus – the most undesirable form of unwanted sound, vintage mono records were the most prone to this happening but not exclusively so. The symptoms of distortion are high frequency clipping, moderate constant crackle or an echo type sound quality. Violin, piano and vocals are most prone to groove-wear distortion. Feathering = Fraying or softening of the entry edge of a cover. Covers with feathered entrance edges are more likely to have had the actual record inserted and removed more than a non-feathered, sharp-edged cover which are always far more attractive. Set Off, a printer’s term for dark ink leaving mild residue on pale or white ink when rested upon. e.g. when a gatefold cover has black ink closed against white, this can leave some black residue on the pale area – this is mostly unavoidable or course.