LEE KONITZ-WARNE MARSH N/M ORIG '56 MONO LP BLACK LABEL

$

119

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·       LEE KONITZ AND WITH WARNE MARSH – THE SAME- TITLED ORIGINAL 1957 ALBUM – ORIGINAL 1957 ATLANTIC MONO LP 1217

·       ORIGINAL U.S. PRESSING

·       ORIGINAL BLACK ATLANTIC MONO LABEL WITH SILVER PRINT.

·       DEEP GROOVE PRESSING

·       Recorded and engineered by ►Rudy Van Gelder

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       THICK CARDBOARD COVER, AMERICAN STYLE.

·       ORIGINAL LAMINATED COVER

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)

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Mislabeled cool jazz and judged as too academic sounding and even soulless by some critics and musicians, the post bebop work of Lennie Tristano students like Lee Konitz, Warne Marsh, Sal Mosca, and guitarist Billy Bauer brought a mellifluous and oblique introspection to jazz. This is not to say, though, that their music didn't in some ways adhere to the twin staples of jazz: swing and the blues. On this Konitz and Marsh classic from 1955, the two saxophonists do compliment the subtle rhythmic flow supplied by bassist Oscar Pettiford and drummer Kenny Clarke with fluid work of their own, but they also nicely foil it with snaking, stuttering lines and a tart tonal attack. And as far as the blues go, no one would say Konitz and Marsh were blues players per se, at least not in the more forceful and almost transcendent sense of Parker's work in the idiom, but they do deliver some fine solos here on Pettiford's slow blues "Don't Squawk." Their airy style in part grew out of Tristano's harmonically advanced and expansive appreciation of jazz, which is reflected in the disc's mix of material by Eddie Durham (one of Count Basie's swing-era arrangers), Parker, Tristano, and Marsh. Enjoyable, challenging, and certainly swinging.

(EXCERPT FROM AN ONLINE REVIEW BY STEPHEN COOK, ALL MUSIC GUIDE /ALLMUSIC.COM/)

For additional historical information on this album, including track listing ►click here

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THIS IS A NO-RESERVE AUCTION!

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)

(a)            WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)            The record is STILL in its original inner, perforated plastic baggy, which has - apparently with success - shielded the record from the harmful impact of elements over many years!

(c)             The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)            The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(e)           Stereo copies of this album are NOT known to exist.

(f)              Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-         Cover has some light ring wear (nothing significant); (VISIBLE ON BACK SIDE ONLY); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 4

-         Cover shows some light yellowing on back side, apparently from aging.

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover has some minor grayish stains (nothing significant) (less than 1 square inch in size)

-         Cover has some writing on its back side (name of the previous owner written in blue ballpoint pen, about ½ x 1 inches in size)

-         Cover has two corners slightly worn / frayed / bent (just a beginning of the split seam)

-         Cover has some fraying/wear along the lower seam

-         The laminated cover has a slight loss (flaking) of lamination along the opening edge (this is a common problem with most laminated 50’s and 60’s covers; lamination is just beginning to peel-off along the opening edge; however, since the underlying layer of the cover is ALSO laminated, the peeled-off spots are only a minor visual distraction

-         Cover has a few tiny wrinkles along the spine

NO OTHER IMPERFECTIONS ON THE COVER:

-         No cut-out (drill) holes.

-         No cut-out corners

-         No saw-marks or indents

-         No stamps

-         No peel-off marks

-         No mold or mildew spots

-         No stickers or labels

-         No water damage

-         No razor marks, scratches, pressure marks, lines, streaks, or cuts.

-         No warping

-         No wax, glue, paint or liquid drops on the cover

-         No glue traces or wax residue.

-         No bar codes

-         No RIAA stamps or stickers.

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POSTAGE & SHIPPING:

Generally, US POSTAGE is $5.80 FOR THE FIRST ITEM shipped via USPS PRIORITY MAIL (this includes a small $1.00 packaging surcharge).

INTERNATIONAL POSTAGE- and insurance rates vary from country to country. For SPECIFIC international and domestic postage and insurance rates ►click here. While you can be rest assured that our packaging is careful, sturdy and impact-proof, please note we are NOT responsible for uninsured items.

Media- and Surface Mail rates are available ONLY to orders of $200.00 or more. NO EXCEPTIONS.

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OUR REFUND POLICY :

Cash refund will be granted only for DEFECTIVE items, but we are flexible and reasonable in reviewing the merits of each individual case. We do NOT play-grade records and can only make reasonable inference on the item's condition based on its visual appearance. Every bid carries a risk that purchased item might play worse than its visual grade may indicate. Still sealed items MUST be returned sealed in order to be eligible for a refund. Please read our complete refund policy before placing a bid. ►Click here for the full text of our policy .

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