LINDSEY BUCKINGHAM. " GO INSANE " ELEKTRA USA 1984 LP. EX COND.
£
20
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27
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Description
Lindsey Buckingham ?– Go Insane Label: Elektra ?– 60363-1 Format: Vinyl, LP, Album, Stereo, Specialty Press Country: US Released: 1984 Genre: Rock Style: Pop Rock Tracklist A1 I Want You Written-By – Gordon Fordyce 3:20 A2 Go Insane 3:03 A3 Slow Dancing 4:06 A4 I Must Go 4:51 A5 Play In The Rain 2:48 B1 Play In The Rain (Continued) 4:16 B2 Loving Cup 4:58 B3 Bang The Drum 3:40 B4 D.W. Suite 6:45 Companies, etc. Mastered At – Sterling Sound Recorded At – Cherokee Studios Recorded At – L. B.'s Garage Manufactured By – Elektra/Asylum/Nonesuch Records Pressed By – Specialty Records Corporation Credits Art Direction – Vigon Seireeni Backing Vocals [Howling] – Gordon Fordyce (tracks: A5, B1) Bass – Bryant Simpson (tracks: A2) Engineer [Recording] – Gordon Fordyce, Lindsey Buckingham Executive Producer – Roy Thomas Baker Keyboards, Cowbell – Gordon Fordyce (tracks: A1) Mastered By – George Marino Photography By – Matthew Rolston Producer, Recorded By – Gordon Fordyce, Lindsey Buckingham Recorded By [Assistant] – John Boghosian Written-By – Lindsey Buckingham Notes Specialty Records Corporation pressing denoted by "SRC" stamp in runouts. Issued with printed inner sleeve with lyrics. Recording Studios: Cherokee Studios and L.B.'s Garage Barcode and Other Identifiers Barcode (Scanned): 075596036313
AllMusic Review by William Ruhlmann Lindsey Buckingham's second album, like his first, Law and Order, was a triumph of studio wizardry over songwriting craft. Buckingham's work was ear-catching, but once he'd gotten your attention with some gimmicky sound effect or busy arrangement, he had very little to tell you. The exception was Go Insane's most ambitious piece, the closing track, "D.W. Suite," on which Buckingham, always strongly influenced by the Beach Boys, took on what sounded like an elaborate tribute to Beach Boy Dennis Wilson, who died while the album was being made. The title track, which also had massed choral sounds (all made by Buckingham) reminiscent of a Fleetwood Mac track, became a Top 40 hit, but the album lacked the accessibility to make it more than a moderate seller, and at least at this point it appeared that Buckingham's solo albums were going to serve as laboratory experiments in which he tried out new musical ideas before bringing them to greater popular attention through Fleetwood Mac.
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