LITTLE MISS SHARECROPPER BLUES 78 on National 9151-Lavern Baker 1949 VG++
$
27
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Description
Playing surface is VG++ (or E). This is LaVern Baker's debut in late 1949 or early 1950. She cut two records for National under the Miss Sharecropper name. Label has original Melody Radio and Appliance sticker from
Miss Sharecropper [LaVern Baker] (voc) with Red Saunders (d, ldr); Porter Kilbert (as); Leon Washington (ts); McKinley Easton (as -1; bars -2); Earl Washington (p); Jimmy Richardson (b); Sonny Blount (arr).
LaVern Baker was born Delores LaVern Baker in Chicago. When she began to hit it big, she was married to Eugene Williams and was going under the name Delores Williams.
She was first mentioned in advertisements on September 28 and October 19, 1946, when the Defender ran ads for the Timber Tap Lounge (217 East 31st), proprietor George Woods, with the Timber Tap Two as featured artists; the undercard consisted of a shake dancer and "Little Miss Sharecropper." LaVern Baker said that she signed a contract with the Club DeLisa in November 1946, and there is no reason to doubt this. The first mention of her name in an advertisement for that club was on February 8, 1947, when she was playing in the Favorites of 1947 show, under the name of "Midget LaVern" (actually spelled "Laverine," but that is well within the confidence limits for nightclub ads of the era). She was backed by the Fletcher Henderson band, with Sonny Blount at the piano.
In a Brookmont Lounge ad for August 7, 1948, she was listed as "Sharecopper, Queen of the Blues." On February 25, 1949, she cut her first recording; she sang "I Wonder Baby" on a session led by Eddie "Sugarman" Penigar (Victor 22-0016). She was listed on the label as Little Miss Sharecropper and in the company files as "D. L. McMurley" (see our Sax Mallard discography for details). On April 23, 1949, she was referred to as "Little Miss Share Cropper, Song Stylist" (the handle was blatantly patterned after Little Miss Cornshucks) in a Blue Dahlia ad. There were adverts for her in the Chicago Defender, all as Little Miss Sharecropper, pretty regularly thereafter up to the Fall of 1951: for instance, a breakfast dance at the Miramar Ballroom, December 24, 1949 (with Wardell Gray's Sextet); at the Club DeLisa on August 12, 1950, at Ralph's Club on October 21, 1950, at Joe's Rendezvous Lounge in February 1951, at the Indiana Theatre on September 15, 1951 (a midnight "Battle of Blues" with Memphis Minnie), and at the Crown Propeller Lounge, where she was the "new headliner" on September 22. She appears to have moved to Detroit after that point. She made one recording with the Detroit-based band Maurice King and his Wolverines (March 1951 for OKeh, supposedly in New York City; it was released on OKeh 6800, and on that occasion she went as Bea Baker); after that she began performing as LaVern Baker. In 1952 she recorded with Todd Rhodes.
Because of her later Detroit connections, some sources have incorrectly given Detroit as the location for this session and ca. 1950 as the date. Lord says ca. late 1950 and specifies no location; he renders "I've Tried" as "I'll Try."
The personnel were identified by ear. This is clearly the Red Saunders unit of the period. Porter Kilbert is featured on "Take out Some Time." Mac Easton solos on "I Want to Rock" and "How Long." Earl Washington does the Roosevelt Sykes thing on "I've Tried" and boogies on "I Want to Rock." The sax section writing on "Take out Some Time" (almost evanescent) and "I've Tried" suggests Sonny's involvement. It is unfortunate that "How Long" was never reissued, as it has prominent drumming from Red and concludes with a drum solo.
National 9151 and 9153 were 78-rpm singles released in 1951. The label was faltering at the time—its only known release after 9153 would be 9158. Savoy SJL2256 was an LP released in the early 1980s, a various artists collection titled Ladies Sing the Blues, Volume 2, in the Roots of Rock'n'Roll Series, #12. Our thanks to James Wolf for information about the Savoy LP.
All National matrix numbers were in chronological sequence; NSC650 and 651 came from a Kate Smith date on November 27, 1950.
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SHIPPING BOXES USED: Top of the line 78 boxes designed to allow the 78 to "float". Also protected with cardboard stiffeners on each side of the record.
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