LOVE Black Beauty LP HIGH MOON 2012 US orig+ltd+number+book HMRLP-01 ARTHUR LEE
  €   35
  $   41

 


€ 35 Sold For
Aug 8, 2025 Sold Date
May 17, 2025 Start Date
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Description

THIS IS THE 2012 US ORIGINAL PRESSING on HIGH MOON Records. IN SHRINK SINGLE COVER + LIMTED & NUMBERED EDITION + BOOKLET + INNER SLEEVE + 180GR. The cover is in EX condition, normal wear but crease/wrinkles on right corners/right edge (where missing shrink), left spine is fully readable; INNER & BOOKLET also in great condition; for details see photos. The vinyl is in EX condition [barely played].

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LOVE

One of the best West Coast folk/psych bands and producers of the seminal Forever Changes, 

a symphonic explosion of lush textures and surreal lyrics

"BLACK BEAUTY"

2012     LP     HIGH MOON RECORDS     HMRLP-01

PRINTED IN U.S.A.     ORIGINAL PRESSING

IN SHRINK SINGLE COVER + INNER + BOOKLET + HYPE STICKERS + 180GR

NOTES: First pressing, 180g, numbered edition of 5000 copies.  

THIS ONE 1320 / 5000 (gold stamp on rear).     28-page booklet.

Produced in 1973. Previously unreleased.

'Product Of Our Times' recorded live at Boston Tea Party, 1970.

All other tracks recorded Spring-Winter, 1973 at Valentine's, North Hollywood, CA; Paramount Recording Studios, Hollywood, CA; Wally Heider Studios, Hollywood, CA.

Barcode and Other Identifiers

Barcode: 6 41444 09621 3

LABEL: HIGH MOON  - BLACK/RED LABELS - RED/BLACK TEXT 

Catalog on cover: HMRLP-01    

Catalog on labels: HMRLP-01

Matrix / Runout (Side A, Etched/Stamped]): HMR LP012511-REI GH A TML-M RH Ⓤ 7724-A

Matrix / Runout (Side B, Etched/Stamped]): HMR LP012511-REI-B GH TML-M RH Ⓤ 7724-B

On labels: ℗ 2012 Arthur Lee........All Rights Reserved."

BMI      Produced by Arthur Lee

On Back Cover: Tracklist

ALL SELECTIONS PREVIOUSLY UNRELEASED

1320/5000

Licensed from Arthur Lee............HMRLP-01

tracklisting

Side 1: MISSISSIPPI BREAKS - WHAT EVERY WHITE NIGGER KNOWS - I'M HELL - DROWN

Side 2: NOW I TRULY UNTERSTAND - MAMA'S REASON TO CRY - LUCKY - SUGARCANE ZUZU

grading

RECORD EX but (please, read above description)

SLEEVE EX but (please, see pictures and read above description)

Featuring drummer Jim Kimball and bassist Kevin Munro (aka Kevin Strickland) from the Laughing Hyenas and former Wig frontman P.W. Long (aka Preston Cleveland) on guitar and vocals, Mule came out of the gate as a gang of Midwest roots-punk all-stars, and if their self-titled debut album is sometimes flawed by Long's overly mannered vocals, musically they hit the ball out of the park their first time at bat. Kimball and Munro don't hit quite as hard as they did on the Laughing Hyenas' bruising Life of Crime, but they sound tighter than ever and fill out the songs with an impressive show of both force and dynamics. And Long's fierce, choppy guitar work may not be overly melodic, but it fits this material like a hand in a glove. Unfortunately, Long's tales of white-trash life (complete with moonshine and incest) are more Erskine Caldwell than William Faulkner, and his phrasing mixes the worst parts of a number of hillbilly clichés into one really unfortunate mixture (in this case, Steve Albini's habit of burying vocals in a mix turns out to work in the band's favor). As a writer and vocalist, P.W. Long would get a lot better with time, but musically Mule knew where they wanted to go from the start, and on this album they get there right on time; ignore the vocals and you've got a great record...(AllMusic)

 


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