LOVE w/ARTHUR LEE+JIMI HENDRIX FALSE START RARE ORIG '69 BLUE THUMB LP VERY NICE

$

27

WE CURRENTLY HAVE  NEARLY 500  LISTED ITEMS

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·       LOVE featuring ARTHUR LEE  (WITH JIMI HENDRIX, GUEST STAR -- THIS WAS ONE OF HIS LAST STUDIO RECORDINGS) - FALSE START - ORIGINAL 1970 BLUE THUMB RECORDS STEREO LP BTS-8822

·       ORIGINAL U.S. PRESSING

·       ORIGINAL BEIGE BLUE THUMB LABEL WITH BLUE "THUMB" IMPRINT (NO OTHER PRESSINGS OR LABELS EXIST)

·       CAPITOL RECORDS, LOS ANGELES (HOLLYWOOD), CA PRESSING

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       THICK CARDBOARD (AMERICAN-STYLE) GATEFOLD COVER.

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-D1/-D2'.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Arthur Lee (rhythm guitar/lead vocals/piano) chose to keep the Love moniker alive after disintegrating the band's original incarnation. By the close of the 1960s, Lee was joined by a new lineup featuring a rhythm section of Frank Fayad (bass) and George Suranovich (drums), with Jay Donnellan (lead guitar) and then Gary Rowles (lead guitar) holding court as the band's primary stringman with the latter present on False Start (1970). While the Lee-supplied material isn't his most memorable, one positive factor is the combo's consistency and cohesiveness. This can be traced back to Love having just completed a successful European tour and Lee being able to collaborate with his longtime pal Jimi Hendrix, who would not only help Lee write the LP's jammed-out opener "The Everlasting First," but also even stick around long enough to lend his unmistakable southpaw to the recording. The track starts abruptly -- as if someone inadvertently jostled a power cord loose -- joining the action in-progress. Ostensibly, Hendrix's instrumental interaction is the impetus behind the number, but it is Lee's sorely underappreciated lyrical abilities that turn it into a bluesy love ballad. The catchy "Flying" typifies the early-'70s boogie that Jo Jo Gunne was able cash in on. Otherwise, it is pretty much fluff. Considerably more interesting is the heavier poppy (think the Raspberries) sound of "Gimi a Little Break" with engaging chord progressions that conjure up Lee's work on "August" from their previous outing Four Sail (1969). The concert extract "Stand Out" -- a prime example of Love's aforementioned on-stage unity -- does just that as the spirited side was derived from the then-recent round of live dates that preceded False Start's creation. It's packed with a compact, hard-edged energy that could be mistaken for Grand Funk or even a mellowed-out MC5. Proving his uncanny ability to jump from genre to genre, Lee heads down-home for the countrified "Keep on Shining" with a chipper disposition somewhat undermined by Lee's ragged vocals. Like "Stand Out," the soulful "Anytime" is another reason for this project not to be dismissed. The quaint narrative "Slick Dick" is as anachronistic as the actual concept of hippies. Similarly, it substantiates how seriously the "counterculture" took themselves at the time. To a certain extent the same can be said of the compact "Love Is Coming" with hints of Crosby, Stills, Nash & Young harmonies behind a sassy, upbeat melody. Rounding out the disc are the seductive rocker "Feel Daddy Feel Good," and the syncopated "Ride That Vibration" -- bringing to mind "You Set the Scene" from Forever Changes (1968). Perhaps this is a fitting nod back to Arthur Lee's undiminished skills as a composer as it is the final song prior to the breakup of the band literally weeks after False Start was issued.

 (EXCERPT FROM AN ONLINE REVIEW BY LINDSAY PLANER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

Unfairly and unjustly underrated, overlooked and neglected Love's sixth album included Jimi Hendrix on one track (“Everlasting First”), but, take our word, the album is actually much, much better than its reputation implies. Mighty hard to find in decent condition.

Of all the albums by other artists Jimi Hendrix played on (and there is only a handful of those - we can think of about 5-8 titles at most; works by Love, Stephen Stills,  Heir Apparent, Timothy Leary, Isley Brothers, Cat Mother…), this Love collaboration is one of tougher pieces to find.

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·                               CONDITION:

·                               THE RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS ABOUT VERY GOOD+(+)

The following flaws or imperfections are noted on the cover:

-        Cover has a tiny, barely visible cutout hole in one of the corners

-        The cover has a few tiny scratch marks on both sides.

-        Visible shelf wear noted on the seams (some touching-up with black marker visible on the spine, possibly the bottom seam)

-        Cover has three corners slightly worn / dinged (nothing significant)

-        Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 4. Inside gatefold has some light ring wear also.

-        Cover has a few tiny wrinkles along the spine

-        Cover has a minor (BARELY VISIBLE) curly ("wavy") warp across the front panel; this will have absolutely no effect on the record.

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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