LP Bobby Hutcherson Happenings VAN GELDER 43 west 61st St. BLUE NOTE Jazz Vinyl
  €   32
  $   37

 


€ 32 Sold For
Mar 18, 2019 Sold Date
Mar 11, 2019 Start Date
€   25 Start price
3   Number Of Bids
  Germany Country Of Seller
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Description

LP | Bobby Hutcherson: Happenings VAN GELDER 43 west 61st  St. BLUE NOTE Jazz Vinyl

 

Ich löse einen Teil meiner privaten Jazz-Sammlung auf, darunter einige Blue Note's und Impulse, meistenteils Bop, Hard Bop, Post Bop und Free Jazz Vinyls. U.a. John Coltrane, Horace Silver, Jimmy Smith, Charlie Parker, Sonny Rollins, Lou Donaldson, Thelonius Monk, Bobby Hutcherson, Hank Mobley und Lee Morgan.

 

BLUE NOTE 84231 LP Vinyl

Bobby Hutcherson: Happenings

LP: ex [VAN GELDER in dead wax]

Cover: ex

 

Allmusic.com says:

Bobby Hutcherson's first quartet outing, Happenings, casts the brightest spotlight on the vibraphonist's soloing abilities, matching him once again with pianist Herbie Hancock (who is also heavily featured) and drummer Joe Chambers, plus bassist Bob Cranshaw. For that matter, the album also leans heavily on Hutcherson's compositional skills; save for Hancock's "Maiden Voyage," six of the seven numbers are Hutcherson originals. Given his reputation as a modernist, most of the pieces here are structured pretty simply -- there's a lot of straightforward modal hard bop, giving Hutcherson and Hancock plenty of room to solo. They handle much of the material with a light, mellow touch, trading off meditative licks even on the more up-tempo pieces and poignant, lyrical lines on the ballads "Bouquet" and "When You Are Near." The two exceptions are the opening and closing numbers: "Aquarian Moon" is challenging post-bop, while the sinister "The Omen" finds Hutcherson opening up the bag of tricks he learned from the freely structured group dialogues Chambers wrote for albums past. Sharp stabs from the piano signal transition to a new, sometimes unaccompanied lead instrument, and Hutcherson's darting marimba lines build up a claustrophobic tension. That doesn't change the overall feel of the album, though, which ends up a charmingly relaxed, low-key outing and a nice addition to Hutcherson's Blue Note catalog.

 

 

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