LP LATTE E MIELE Passio - Secundum Matthæum The Complete Work - BWR 165 - MINT
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€ 20 Sold For
Aug 15, 2015 Sold Date
Jan 17, 2015 Start Date
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  Germany Country Of Seller
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Description

 

LP LATTE E MIELE

Passio -

Secundum Matthæum

- The Complete Work

 

Country of release: Italy, 2014

Label: Black Widow Records

Catalogue number BWR 165

Barcode: -

Klappcover/Gatefold Sleeve: Nein/No

Includes Insert

 

Condition Record: Mint (Unplayed)

Condition Cover: Mint

 

 

Tracks Side 1:

1. Introduzione (3:11)

2. Il Giorno Degli Azzimi (1:14)

3. Ultima Cena (2:46)

4. Il Pane E Il Sangue Dell'Alleanza (3:54)

5. Getzèmani (5:26)

6. I Falsi Testimoni (2:41)

7. Il Pianto (1:51)

8. Il Rinnegamento Di Pietro - Il Mantello (2:46)

 

Tracks Side 2:

1. Il Prezzo Del Sangue (3:41)

2. Giuda (1:05)

3. Il Re Dei Giudei (1:54)

4. Barabba (1:00)

5. Toccata Per Organo (Take Originale Del 1972) (2:29)

6. Il Calvario (3:40)

7. Aria Della Croce - Tra I Soldati E La Polvere (2:37)

8. La Spartizione Della Tunica (2:48)

9. Dall'ora Sesta All'ora Nona (1:03)

10. Il Velo Del Tempio - Dies Irae (2:17)

11. Come Un Ruscello Che... (3:53)




Latte e Miele were an Italian symphonic progressive band that released three or four albums, depending upon on how you count them, in the 70s. Passio secundum Mattheum (1972), Papillon (1973) (both Italian and English versions), and Aquile e scoiattoli (1976). They were compared to ELP because of the heavy organ influence, but they never really took the world by storm. Through the efforts of Si-Wan in South Korea, Black Widow in Italy, and the resurgence of Italian prog there is renewed interest in Latte e Miele. So 40 years after the release of their debut album, they decided to remake it with new arrangements, a string quartet, additional musicians, and seven new songs. The result is actually one long rock symphony of nineteen movements with the original band plus a who's-who of contemporary Italian prog: Silvana Aliotta (Circus 2000), Paolo Carelli (Pholas Dactylus), Giorgio D’adamo (New Trolls), Aldo De Scalzi (Picchio dal Pozzo), Sophya Baccini (Sophya Baccini’s Aradia), Alvaro Fella (Jumbo), Paolo Griguolo (Picchio dal Pozzo), Elisa Montaldo (Il Tempio Delle Clessidre), and Lino Vairetti (Osanna). Rather than playing instruments, these guests read different passages from the Book of Matthew as introductions to the various songs. Passio Secundum Mattheum is basically a rock interpretation of the Stations of the Cross without being in-your-face religious. There are times when the music is reminiscent of Le Orme and of course there are the Keith Emerson moments. For example, “Ultima cena (The Last Supper)” sounds a lot like The Nice’s “Intermezzo from Karelia Suite” and “Tocata per organo” evokes immediate comparisons to the first ELP album. But these are relatively minor complaints. Taken in its entirety, the sheer majesty of the music, arrangements, and choirs is a vast improvement on the original and worth its addition is anyone’s musical library. (Henry Schneider/expose.org)

Marcello Giancarlo Dellacasa - Classical Guitar, Electric Guitar
Oliviero Lacagnina - Piano, Keyboards
Alfio Vitanza - Drums, Vocals
Massimo Gori Bass, Vocals
&
Evangelists Narrators – Silvana Aliotta, Paolo Carelli, Giorgio D'Adamo, Aldo De Scalzi, Sophya Baccini, Alvaro Fella, Paolo Griguolo,  Max Manfredi,  Elisa Montaldo, Simonluca, Lino Vairetti

 

 


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