LP SEALED THE FLOCK SELF TITLED 1969 COLUMBIA CS 9911 NO BAR CODE NOT CUTOUT
$
40
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Description
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The self-titled debut album by The Flock, released in 1969, is a compelling and often overlooked gem from the fertile period of jazz-rock fusion. Hailing from Chicago, much like their more commercially successful contemporaries Chicago and Blood, Sweat & Tears, The Flock carved out a distinctive sound, primarily due to their secret weapon: violinist Jerry Goodman.
Here's a brief review:
Sound and Style: "The Flock" is a vibrant melting pot of rock, jazz, blues, and even classical influences. While it embraces the "horn band" aesthetic of the era with a strong brass section (two tenor saxes and a trumpet), it's the prominent and often fiery electric violin of Jerry Goodman that truly sets them apart. His virtuosic playing frequently takes center stage, creating a sound that is both intricate and surprisingly soulful. The band's instrumental prowess is evident throughout, with tight rhythms, dynamic arrangements, and a willingness to explore extended improvisations.
Highlights: The album opens with "Introduction," an instrumental showcase for Goodman's violin, immediately signaling the band's unique direction. Tracks like "Clown" demonstrate their ability to blend rambunctious rock with progressive jazz, featuring strong vocals from Fred Glickstein alongside the impressive horn and violin work. They even tackle a Kinks classic, "Tired of Waiting," giving it their own jazzy, brassy twist. The album culminates with the lengthy "Truth," a 15-minute jam that allows the band to stretch out and showcase their collective talents.
Legacy: Though The Flock didn't achieve the mainstream success of some of their peers, "The Flock" is lauded by critics and fans of progressive rock and jazz-fusion for its adventurous spirit and exceptional musicianship. The album is particularly noteworthy for launching the career of Jerry Goodman, who would go on to greater fame with the Mahavishnu Orchestra. It's an album that rewards repeated listens, revealing new layers of complexity and interplay with each spin. While it certainly bears the sonic hallmarks of its late-60s origin, its inventive blend of genres makes it a timeless listen for those who appreciate instrumental dexterity and ambitious songwriting.
LISTEN “Clown”
- 1969 LP Released on Columbia Records # CS 9911 (Stereo). .
- This is a Sealed Album and will Provide you with Brilliant Sound Quality from your Player. Slight edge & corner wear. Slight shrink peel by upper right corner. Slight shrink separation by center bottom edge. No cut out marks.
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