The record is located in Italy

NOTE: Original  1976 US  1st press 

Record conditions  (VISUAL): NMint (or better)

Description: The record is perfect, looks unplayed no sign, no scratch, no remove hairline visible, even under a 100 watt spot I find it hard to even see a blemish on the playing surface,. The vinyl lays perfectly flat on the turntable and is free of any warping.

 (Playgrade is M) 

Cover conditions : EX+

Description: No major defects, light shelf wear, Saw-cut (corner) in album cover.(see photos)

Label conditions : M

Description: Perfect, no spindle hole lines visible

Original Inner Sleeve conditions : M-

Description: Some signs of handling. (does not have the corner cut like the cover ???)

‎NOTE:         Yesterday And Today – Yesterday And Today

Elenco tracce

Società, ecc.

• Copyright © – Hitman Music
• Copyright fonografico ℗ – London Records, Inc.
• Copyright © – London Records, Inc.
• Prodotto per – Spreadeagle Productions
• Studio di registrazione – His Master's Wheels
• Masterizzato presso – Sterling Sound
• Inciso presso – Columbia Records Pressing Plant, Terre Haute

Crediti

• Arranged By – Yesterday And Today*
• Artwork [Coordination] – Lucy Kleps
• Bass, Lead Vocals, Backing Vocals – Phil Kennemore
• Design – Queens Graphics
• Drums, Percussion, Lead Vocals, Backing Vocals – Leonard Haze
• Engineer, Mixed By – Smiggy*
• Lead Guitar, Lead Vocals, Backing Vocals – Dave Meniketti
• Mastered By – Greg Calbi
• Music By – David Meniketti* (tracce: A1 to A5, B1 to B4), Joe Alves* (tracce: A1, A2, B3), Leonard Haze (tracce: A2, B1), Phil Kennemore (tracce: A1, A3)
• Photography – Buddy And Bob
• Producer – A. Louis Bramy*
• Rhythm Guitar, Backing Vocals – Joey Alves
• Written-By – David Meniketti* (tracce: A3, A5, B1), Joe Alves* (tracce: A1, A4), Leonard Haze (tracce: A2 to A4, B1 to B4)

Codice a barre e altri identificatori

• ID dello stabilimento di incisione (Labels): TH
• ID dello stabilimento di incisione (Runouts): T
• Matrice / Runout (Label, side A): SAHS 1690 TH
• Matrice / Runout (Label, side B): SAHS 1691 TH
• Matrice / Runout (Runout, side A etched): T1 SAHS 1690 - 1
• Matrice / Runout (Runout, side A stamped): STERLING
• Matrice / Runout (Runout, side B etched): T1 SAHS 1691 - 1
• Matrice / Runout (Runout, side B stamped): STERLING

The record is located in Italy

My grading scale is :  M-, EX, VG+,VG, G

Cover> Vinyl

MINT

NM

EX

VG

G

MINT

100%

NM

95%

Ex

85%

VG

75%

G

50%

Check  out my Other itemsi! 

Dai una occhiata ai miei  altri oggetti!

Payment must be made within 6 days from the end of listing except you are watching more items of mine so let me know about it.

I ship in strong cardboard mailers with two pads and record accurately separated from cover to prevent splits during shipment.

Read accurately for shipping and payment infos before sending payment!!!!
If in doubt ask for an invoice especially for multiple items purchases.

Visto il gran numero di persone che non rilascia feedback, il mio feedback verrà rilasciato soltanto dopo il vostro

Appropriate Feedback Is Left AFTER Yours Is Left.

Good luck!!!

Cover> Vinyl

MINT

NM

EX

VG

G

MINT

100%

NM

95%

Ex

85%

VG

75%

G

50%

Record Collector Magazine Grading System

MINT The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint. 

NEAR MINT (NM OR M-)
A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect.

NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)

NM covers are free of creases, ring wear and seam splits of any kind

EXCELLENT The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing. 

VERY GOOD The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable. 

GOOD The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc. 

FAIR The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced. 

POOR The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing. 

BAD The record is unplayable or might even be broken, and is only of use as a collection-filler.