LP ZZ TOP El Loco (Re) PINK VINYL Warner Bros. 0603497856190 - STILL SEALED
  €   25
  $   29

 


€ 25 Sold For
Sep 6, 2020 Sold Date
Jun 7, 2019 Start Date
1 Number Of Bids
  Germany Country Of Seller
eBay Sold at
 
 
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Description

 

LP ZZ TOP

El Loco

Limited Edition In Pink Vinyl

 

Country of release: EU, 2019

Original released: 1981

Label: Warner Bros.

Catalogue number: RCV1 3593

Barcode: 0603497856190

Klappcover/Gatefold Sleeve: Nein/No

Includes Innersleeve

 

 

 Condition Record: MINT

Condition Cover: MINT

  LP ist noch verschweißt / LP IS STILL SEALED !!!

(Photo von meiner eigenen LP / Photo taken from my own copy)

 

 

 

Tracks Side 1:

1. Tube Snake Boogie (3:02)

2. I Wanna Drive You Home (4:44)

3. Ten Foot Pole (4:19)

4. Leila (3:13)

5. Don't Tease Me (4:19)


 

Tracks Side 2:

1. It's So Hard (5:12)

2. Pearl Necklace (4:01)

3. Groovy Little Hippie Pad (2:40)

4. Heaven, Hell Or Houston (2:31)

5. Party On The Patio (2:48)


 

Listen At YouTube:

https://www.youtube.com/watch?v=KgC8eyBUP1A&list=PLxdssidp8egBASUeoU-LnM_scXWm30_wt



On one level, El Loco – released ( ) in 1981 – was a continuation of ZZ Top's Texas-steeped blues aesthetic. “Tube Snake Boogie” and “Pearl Necklace,” for instance, stand as the pinnacle of their lip-smacking boogie songs – no small feat. But something else was in play, as a new synth-driven decade dawned.

“This was a really interesting turning point," Billy Gibbons told Music Radar in 2013. "We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage."

Deep cuts like "Groovy Little Hippie Pad," "Party on the Patio" and even "Heaven, Hell or Houston" – with a synthetic vocal element straight out of The Empire Strikes Back – found ZZ Top charging toward a musical shift highlighted by the glossy, early-MTV smash Eliminator. Gibbons had recently become intrigued by the rising punk, New Wave and synth-pop movements, something hinted at on 1979's Deguello. The closing moments of El Loco made ZZ Top's '80s intentions clear.

"I saw Devo doing a soundcheck at a Houston club – a country and western bar, of all places," Gibbons told Rolling Stone in 2015. "I had heard their first album [1978's Q: Are We Not Men? A: We Are Devo!] and kind of dug it. One of the guys in the band was playing a Minimoog, and he did this [riff] on it. He was just noodling around. But it was enough. What came out of that was 'Groovy Little Hippie Pad' — same figure. It was a direct derivative of punk."

Around the same time, ZZ Top had become fans of the B-52s, specifically "Party Out of Bounds" from 1980's Wild Planet. "Our song 'Party on the Patio' was an extension of that," Gibbons added, noting that music critic "Lester Bangs played it for some punks in New York, and they dug it. It proved we weren't just a boogie band. We had this New Wave edge."

This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for El Loco – though the album was again officially overseen by Bill Hamm. Hudson helped construct ZZ Top drummer Frank Beard's home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983's Eliminator.

“Linden had no fear and was eager to experiment in ways that would frighten most bands," Gibbons told Music Radar. "But we followed suit, and the synthesizers started to show up on record. Manufacturers were looking for ways to stimulate sales, and these instruments started appearing on the market."

Elsewhere, ZZ Top downshifted into the purpled emotions of “I Wanna Drive You Home,” which featured a desperately sad guitar figure and an oh-so-lonesome vocal. The blues ballad "Leila" served as lead single from El Loco, followed by "Pearl Necklace" and "Tube Snake Boogie." But none of that necessarily hinted at either the breakout successes to come – or, really, the fizzy experimentation which made this project so different.

Inspired by the new music surrounding him, Gibbons was eager to update ZZ Top's sound. "You think you can get punky? We're gonna get punky!," Gibbons enthused in a 2012 interview with the Guardian. "I knew it was okay because there was no way ZZ Top would lose their blues."

Moments like "Groovy Little Hippie Pad" pointed the way. "Right at the very opening, there it is – the heavy sound of a synthesizer," Gibbons told Music Radar. "For us, there was no turning back." (Nick Deriso, September 15, 2016/ultimateclassicrock.com)



Billy Gibbons - Lead Guitar , Slide Guitar, Harmonica, Vocals
Dusty Hill - Bass
Frank Beard - Drums

 

Versand innerhalb Deutschland (versichert mit GLS - generell innerhalb von 24 Stunden)  6,00 Euro

Egal wieviele LPs gekauft werden, Versand immer 6,00 Euro. Keine weiteren Versandkosten ab der zweiten LP!!


International Shipping With Tracking 8,50 Euro

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