Lonnie Johnson / Lazy Woman Blues / In Love Again Rare Bluebird 78 Blues 8748
$
30
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Description
Lonnie Johnson
(February 8, 1899– June 16, 1970)
Lazy Woman Blues / In Love Again
Rare Bluebird Blues 78
b-8748
Alonzo "Lonnie" Johnson (February 8, 1899 – June 16, 1970) was an American blues and jazz singer/guitarist, violinist and songwriter who pioneered the role of jazz guitar and jazz violin, and is recognized as the first to play an electrically-amplified violin.
Johnson was not only one of the few black blues musicians invited to be 'guest featured' on a number of jazz recording sessions, he was also one of the only classic 1920's blues artists to have a revived a high-charting career after WWII.
Lonnie Johnson's early recordings are the first guitar recordings that display a single-note soloing style with use of string bending and vibrato. While it cannot be proven that this contains the influence of earlier players who did not record, it is the origin of Blues and Rock solo guitar. Johnson's influence is obvious in Django Reinhardt, T-Bone Walker and virtually all electric blues guitar players.
One of Elvis Presley's earliest recordings was Johnson's blues ballad, "Tomorrow Night" written by Sam Coslow and Will Grosz, which was also recorded by LaVern Baker. In 1957, it was also recorded by Jerry Lee Lewis.
In the liner notes for Biograph, Dylan describes his encounters with Johnson in New York City. "I was lucky to meet Lonnie Johnson at the same club I was working and I must say he greatly influenced me. You can hear it in that first record. I mean Corrina, Corrina...that's pretty much Lonnie Johnson. I used to watch him every chance I got and sometimes he'd let me play with him. I think he and Tampa Red and of course Scrapper Blackwell, that's my favorite style of guitar playing." Also, Bob Dylan wrote about the performing method he learned from Robert Johnson in Chronicles, Vol. 1. Dylan thinks Robert Johnson had learned a lot from Lonnie. Also some of Robert's songs are seen as new versions of songs recorded by Lonnie.
My Record Grading is as follows:
N (78) M (LP). As new and un-played (there are virtually no 78s that can categorically be claimed to be un-played).
N- (78) M- (LP). Nearly Mint, but has been played. No visible signs of wear or damage.
E+ (78) VG+ (LP). Plays like new, with very, very few signs of handling, such as tiny scuffs from being slipped in and out of jackets.
E (78) VG (LP). Still very shiny, near new looking, with no visible signs of wear, but a few inaudible scuffs and scratches.
E- (78) VG- (LP). Still shiny but without the lustre of a new record, few light scratches. LP: Some wear, scratches and scuffs, but no skipped or repeat grooves.
V+ (78) G+ LP. V+ is an average condition 78 in which scuffs and general use has dulled the finish somewhat. Wear is moderate but playing is generally free from distortion. Surface noise not overly pronounced. LP: Below average with scuffs and scratches on fewer than half the tracks. No skips or repeat grooves.
V (78) G (LP). Moderate, even wear throughout, but still very playable. Surface noise and scratches audible but not intrusive.
V- (78) G- (LP). Quite playable still, but distortion and heavy greying in loud passages. Music remains loud in most passages. Surface noise and scratches well below music level. LP: Lowest Grade. Audible scratches, etc. on more than half the tracks. Listening uncomfortable.
G+ (78). Grey throughout but still serviceable. Music begins to sound muffled. Heavy scratches.
G (78). Quite seriously worn and scratched, but music level is still higher than surface noise.
G- (78). Music still prominent, but wear and scratch damage extensive.
F (78). Most of music remains audible over surface noise, but listening now uncomfortable.
P (78). Unplayable.
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