Lp PINK FAIRIES Kings of Oblivion (re) Polydor PD 5537 - STILL SEALED

	£		22
	$		29

Lp PINK FAIRIES Kings of Oblivion (re) Polydor PD 5537 - STILL SEALED

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lp PINK FAIRIES

Kings Of Oblivion

 

 

Country of Release: USA, 2003

Original released: 1973

Label: Polydor

Catalog Number: PD 5537/22383 212

Barcode: -

 Condition record: mint

Condition Cover: mint

  lp is still welded / lp IS STILL SEALED !!!

(Photo from my own lp / Photo taken From my own copy

 

 

Tracks Side 1:

1. City Kids (3:40)

2. I Wish I Was A Girl (9:37)

3. When's The Fun Begin? (6:10)
    Tracks Side 2:   1. Chromium Plating (3:43)

2. Raceway (4:00)

3. Chambermaid (3:13)

4. Street Urchin (7:00 am)  

  Listen At YouTube:   https://www.youtube.com/watch?v=zEim9bUkAy8&list=PL8a8cutYP7foxXr0iSsCmcJw1Z6yXI_jT

 

This was The PINK FAIRIESThe Redof inactivityFrom paintof funds set in and canceled their Polydor contract. An album of soaring Marshall Superfuzz anthems and Ladbroke Grooves, this was their last album while they were STILLFORA shortTime , anyway)A cohesive unit. The undertow of Paul Rudolph leaving in 1972, TheOne shite single andATour canceled afterA few gigs leftThe Fairies downTo just The rhythm sectionof drummer Russell Hunter and bassist Duncan "Sandy" Sanderson. Their old friend Mick Farren suggested A replacement guitarist he knew FromThe Phun City festival he had organized. The guitarist was none other than Larry Wallis, who had moved onto later-period BLODWYN PIG and then UFO before Farren's suggestion. Lazza Wallis: A true PINKFairyif there ever somethingOne ! He brought not only HIS cranked STRATOCASTERA good senseof structured songwritingTo hillsideHIS flowing reckless guitar style upon, butA gleeful senseof humor and overall wiseacre rock and roll sensibility. “City Kids” (co-written by Wallis and Sanderson) is A street punk anthem ofThe line “ParkThe car / And ruuuuuun ”it's about as“ Under My Wheels ”-eraAlice Cooper as it gets. “I Wish I Was A Girl” begins another musical fray with soaring intro guitar and Russell Hunter spraying all HISA Merseybeat RingoOn methedrine andif that's SandersonOn bass it whatHIS most pronounced playing everOn record. An elongated bridge in The middle continues as Wallis' guitars have now four-folded into an overdubbed, pile driving ecstasy, yet it's BEYONDThe momentum keeps plateau-ing up and up. Lazza's guitar is not only melody but rhythm as well, as Hunter and Sanderson keep getting in and out of sync and overcompensate with just thrashing it out. The title gets repeated over and over as A faded mantra ToThe backof this rough and ready work out. "When's The Fun Begin?" is AA deserted west london street,The only lightHIS blurred visionCan see isTheReflection of street lightsOnThe wet tarmac. It's coiled and tense yet opiate-slackened at The SameTime , and Hunter's bashing over Wallis' foot-controlled police siren solo makeThe bust inevitable asThe vocals are shoved intoThe backofA police van - The last wordsA panned, repeated phraseOnThe fadeout.

By this Time TheA weirdly energetic and wasted atmosphere,You wonder how theyCan JUST keep itFrom falling apart. Larry Wallis' structured songwriting and stunningly raw liquid-feel guitar playing keeps The sole surviving rhythm section busy, and TheThe three-man Fairies blast-out inA mid-sized hall at full volume with brightWHITE overhead spotlights flickerOn and off in an off-beat pattern catchingThe three longhairs inThe act of proceedingTo pummel their disbelieving audience. if Russell Hunter had four arms, he STILL wouldn't be hitting half as many cymbals as he does here while multiple Wallis solos are bending in TheThe trio. The coda is A flurry ofA mandraxHAZE at twiceThe speed. “Chambermaid” and “Street Urchin” round out an album most PEOPLE weren't expecting FromThePINK FAIRIESAt This point inTime :A strong, vibrant testimonyTo their no-bullshit rock and roll. And Live it was even shatteringly LOUDER than before, which is damn near incomprehensible and frightening To even think about. ( The Seth Man, May 2000 / headheritage.co.uk)

Larry Wallis - lead guitar, lead vocals
Duncan Sanderson - bass, lead vocals
Russell Hunter - drums

 

Shipping within Germany (insured

No further shipping costs from the second lp !

  

More information or photos? Please ask

Need more info or photos? Please ask

 

 

This was The PINK FAIRIESThe Redof inactivityFrom paintof funds set in and canceled their Polydor contract. An album of soaring Marshall Superfuzz anthems and Ladbroke Grooves, this was their last album while they were STILLFORA shortTime , anyway)A cohesive unit. The undertow of Paul Rudolph leaving in 1972, TheOne shite single andATour canceled afterA few gigs leftThe Fairies downTo just The rhythm sectionof drummer Russell Hunter and bassist Duncan "Sandy" Sanderson. Their old friend Mick Farren suggested A replacement guitarist he knew FromThe Phun City festival he had organized. The guitarist was none other than Larry Wallis, who had moved onto later-period BLODWYN PIG and then UFO before Farren's suggestion. Lazza Wallis: A true PINKFairyif there ever somethingOne ! He brought not on Material Vinyl Hüllenart Papphülse Format Album Plattenzustand M (Mint) Sprache Englisch Sub-Genre Hard Rock, Progressive Rock Genre Rock Anzahl der Einheiten 1 Erscheinungsjahr 1973 / 2003 Interpret PINK FAIRIES Katalognummer Polydor PD 5537 Farbe Schwarz Plattengröße LP (12 Inch) Musiktitel Kings Of Oblivion Stilrichtung Hard Rock Musiklabel Polydor Records Epoche 1970er Innenhüllenzustand M (Mint) EAN Nicht zutreffend Anzahl der Audiokanäle Stereo Geschwindigkeit 33 U/min Herstellungsland und -region Vereinigte Staaten