Lp WERWOLF CREATION - Re-Release - LONG HAIR MUSIC LHC161 - STILL SEALED
  $   28

 


$ 28 Sold For
Nov 28, 2021 Sold Date
Sep 8, 2021 Start Date
1 Number Of Bids
  Germany Country Of Seller
eBay Sold at
 
 
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Description

 

lp WERWOLF

CREATION

 

Country of release: Germany, 2016

Original released: 1982

Label: Long Hair Music

Catalog number: LHC161

Barcode: 4035177001617

Fold Cover / Gatefold Sleeve: No / No

Includes insert

 

 Condition record: mint

Condition Cover: mint

lp is still welded / lp IS STILL SEALED

Photo from my own lp / Photo take From my personal copy

 

 

 

Tracks Side 1:

1. Flying high (5:17)

2. Journey To The Land Of The Flying Pigs (8:17)

3. Way To Paradise (6:05)

 

Tracks Side 2:

1. Daydream (4:45)

2. The Game Is Over (5:07)

3. The eighth day (10:31)

 

Listen At YouTube:   https://www.youtube.com/watch?v=eZNMyTsT20U
https://www.youtube.com/watch?v=dkHrbqC13xw
https://www.youtube.com/watch?v=CwYOLrS0b1o


 WERWOLF were named actually after The famous bandA lot atTheTime (around 1970). Original crew included also Hartwig Kugoth On guitar and Peter Lorenz On bass. The band hailed From Olpe and was rehearsing regularly at Besting's newly built HOUSE in Wenden since 1972. Around mid-70's they were joined by Jürgen Glöckler On keyboards, Michael Schlimm On saxophone / flute and Ellen Wiederstein OnRecordedA 3-track promotional demo, but no label showed particular interest inWERWOLF . Apparently this led To Theof This formation with the best gathering of new membersTo SaveTheband , Gerd HeuelOn guitar, Burkhard HuckesteinOn bass, Wolfgang Unthan On keyboards and Gitta Löwenstein as lead vocals. Finally, in 1982, The band1000 copiesof their debut ''CREATION ''.
WERWOLF played an elaborate and polished Symphonic Rock with strong CAMEL and RENAISSANCE influences, as many German bands did at TheTime , when facingTheNEW ERAof New Wave and SynthMUSIC , but refusedTo betray their progressive roots. They Sound similar ToofThe late-70's / early-80's, they did useThe synthesizers atA normal rate, but theySTILL sinked intoThe organ Sounds andThe beautiful, melancholic guitar movesofThe Teutonic Prog wave. Lengthy tracks with shifting climates, ethereal female vocals, some beautiful guitar soli, great keyboard themes and A certain symphonic background, propelled by TheThe synth-based monster layers,The pounding groovesOn guitar and organ andThe smooth lyricism. I can't say The material trully belongs among TheofThe what, butThe arrangements are well-crafted with clever useofThe organ in both rhythmic and symphonic lines (The latter remind strongly of GENESIS) andThe unmistakable and dominant spacious keyboardsof German Sympho Kraut Rock. All texts are sung in English and The 10-min. '' Der eightchte Tag '' shines through as an excellent piece of CAMEL-esque Symphonic Retro Prog.

With The original VINYLTime ().
Refined German Symphonic Rock From TheCAMEL overtones. (). Warmly recommended. (apps79 / progarchives.com)

Peter Besting - drums, vocals
Gerd Heuel - Guitar
Burkhard Huckestein - bass
Wolfgang Unthan - keyboards
Gitta Löwenstein - vocals
&
Jürgen Glöckler - Organ (Track 3)
Luis Lopez - Vocals, Rhythm Guitar (Track 1, 3)
 

Shipping within Germany (insured with GLS - generally within 24 hours) 6.00 euros

No further shipping costs from the second lp !

  

More information or photos? Please ask

Need more info or photos? Please ask

WERWOLF played an elaborate and polished Symphonic Rock with strong CAMEL and RENAISSANCE influences, as many German bands did at TheTime , when facingTheNEW ERAof New Wave and SynthMUSIC , but refusedTo betray their progressive roots. They Sound similar ToofThe late-70's / early-80's, they did useThe synthesizers atA normal rate, but theySTILL sinked intoThe organ Sounds andThe beautiful, melancholic guitar movesofThe Teutonic Prog wave. Lengthy tracks with shifting climates, ethereal female vocals, some beautiful guitar soli, great keyboard themes and A certain symphonic background, propelled by TheThe synth-based monster layers,The pounding groovesOn guitar and organ andThe smooth lyricism. I can't say The material trully belongs among TheofThe what, butThe arrangements are well-crafted


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