Lp stoned jesus The Harvest - BLACK VINYL - 400 Copies NASONI 161 STILL SEALED

$

25

lp stoned jesus

The Harvest

Limited Edition of 400 Copies in BLACK VINYL

Country of Release: Germany 2015

 Label: NASONI

Catalog Number: NR 161

Barcode: 4260107842118

 Gatefold sleeve: Ja / YES

incl. Text supplement / incl. lyricsheet

Condition record: mint

Condition Cover: mint

  lp is still welded / lp IS STILL SEALED !!!

(Photo from my own lp / Photo taken From my own copy)

Tracks Side 1:

There has been A genuine stylistic exploration over Theofstoned jesus 'three full lengths. The latest From TheThe Harvest , which introduces drummer ViktorToThe lineup with guitarist / vocalist Igor Sidorenko and bassist / backing vocalist Sergey “Sid” Slusar, and sure enough, it'sA departureFrom wherestoned jesus were three years ago On their last outing. That album, Seven Thunders Roar was itself AFromThe reef worshipof their 2010 debut,First Communion , and moved intoA jammier sensibility. A core of songwriting remained, but tracks were more open-ended and Psychedelic . With The Harvest , stoned jesusA six-track / 42-minute long-player that's neither indebtedToOne side orThe other - straightforwardHEAVY rock or psychedelia - but cops elementsof both and puts them To use conveyingA varietyof moods and evenA bitof theatrics. One of The most impressive aspects of stoned jesusThe outfit seems in switching tone emotionally, as evenThe jump betweenTheFirstTwo tracks, “Here ComeThe Robots ”and“ Wound ”showcases. Musically, they're both uptempo HEAVY rockers, and though there are changes in melody, even their runtimes are similar at 3:18 and 3:14, respectively. Where they're really more distinct is in The lyrics. The opener takes an almost defiant tone. The line "I'm getting away" features in The verse and sums up TheofThe song nicely, while with "Wound,"The idea is justThe opposite. Its chorus, “All these words unspoken / Leave another wound,” doesn't want To run away. It wants To talk it out.

Both those songs deal with relationships - The FirstA staffOne ,The second, which talks aboutThe downtime between shows seems more aboutTheband itself - and make FORA raucous opening duoTo what feels like an intended sideA , but there's an outward-looking sensibilityToThe Harvest too, as institutionally-minded songs like “RitualsofThe Sun "And" BLACK Church "make useof religious themes and side A closer “YFS” - an acronymFOR “Youth FOR Sale” - speaks pointedly aboutThe military conflict inThe Ukraine between Russian-backed separatist rebels andThe state. Sidorenko isn't quoting news reports or anything, but lines like, “Poison is boiling in brainwashed minds / But eye FOR an eye makes TheThe nails / All I see now is youthFOR sale, ”getThe point across nonetheless. There is sonic diversity To match, as TheofThe Sun "Pulls backOn paceFrom “Here comeThe Robots ”and“ Wound ”and delves into more severe chugging in its central riff before spending muchof its second half in an instrumental exploration, keys and guitar intertwining over The bass and drums onlyTo be interrupted twice byA gang-shouted chorus. "YFS" is funkier all around, bringing To MindThe more extended “Silkworm Confessions” (9:11) and “BLACK Church ”(14:45) only branch out furtherOn an immersive side B,The chorusFORThe former an almost Mastodonic shout and The latter gradually fading intoA pummeling, militant snare march and doomed vibe early and breaking off after 10 minutes inTo organ-laced, brooding cult rock. What unites The closing duo (which Make UpThe runtime between them) isA senseof drama inThe vocal delivery,stoned jesus toying with these various performance elements and their audience alike. Much To their credit, they make it work.

And The musical turn ofThe closer,From militarismTo mystique, is not random. One Can trace A religious theme all Thestoned jesus 'workToThe titleFirst Communion , and particularly in lightofThe ongoing armed conflict in Kyiv, Theband tying these ideas together gives their workA new, broader context. That said, The Harvest rocks, and OneCan engage itOn that level as well and find it rife with hooks, movement and heft. Whether it's The tonal largesse ofofThe Sun ”OrThe opening shoutof “Jesus Christ!” that marksThe full sprintrush of “Here ComeThe Robots ”orThe melodic catchinessof "Wound,"The album offers as many sonic pointsof satisfaction as conceptual ones, andThe palette gets richer as they move into “YFS,” “Silkworm Confessions” - in whichA “ Harvestof souls ”is mentioned From whichThe album's title derives and, accordingly, its artwork with The figureofDeathOnThe front cover - and "BLACK Church. "The loadTwo cuts bring aboutA shift in method, but acrossThe Harvest 's span,stoned jesus remain firmly in controlof where they wantTo take their material and how they wantTo get there, so that byTheTimeThe album is done,The only conclusionTo draw is that after initially feeling their way out sound-wise, they're that much closerTo what they wantTo be. of their three albums To date, The HarvestThe most individualizedofThe bunch, and while it may be that subsequent releases will present changes in approachof their own asstoned jesus continueTo experiment and progress, The foundationFrom which they launch those explorations will be that much sturdierFORThe work they've done here andFOR how muchof their own style,of themselves, they have put into it. (theobelisk.net)



Igor Sydorenko - Vocals, Guitars, Hammond Organ, Occasional Keyboards And Percussion
Sergii Sliusar - bass, FX, drum machine, backing vocals
Viktor Kondratov - drums, percussion, backing vocals
&
Alex Ditch - Backing Vocals (Track 2)

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