Lucien Muratore Pathe 54010 1919 80 RPM 11.5" Rigoletto Donna e Mobile 1-Sided
$
20
$ 20
Sold For
Apr 24, 2018
Sold Date
Mar 25, 2018
Start Date
1
Number Of Bids
USA
Country Of Seller
eBay
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Description
- This 1919 One-Sided Pathe 80 RPM Record by Lucien Muratore is going to sound great on your Player and look great in your Collection
- It features a fantastic version of "La Donna e Mobile" from the Opera Rigoletto
- Satisfaction is Guaranteed, I have over 1,000 Positive Reviews
- Shipping is 100% Free and Very Safe
- Buy It Now or make an Offer so I can send it to you!
Lucien Muratore
Pathe 54010
Rigoletto "La Donna e Mobile"
1919 11 1/2" 80 RPM Shellac 1-Sided
- VERY GOOD Condition
- Light scratches and scuffs
- NO Cracks
- NO Breaks
- NO Chips
- Very Shiny
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How I will Pack and Ship your Records:
- Records will be sandwiched between bubble wrap and cardboard
- Then packed into a 13”x13”x6” Box with packing material all around
- Box will be shipped to you for FREE using Media Mail.
- If you have other questions concerning packing or shipping, please write to me
Lucien Muratore (29 August 1876 - 16 July 1954, Paris) was a French actor and operatic tenor, particularly associated with the French repertory.
Lucien Muratore was born and trained in Marseille, first as a cornist, and later as an actor. He made his debut at the Odéon theatre in Paris, where he played opposite such actresses as Sarah Bernhardt and Réjane. He then studied at the Paris Music Conservatory, and made his operatic debut in 1902, at the Opéra-Comique, creating the King in Reynaldo Hahn's La carmélite.
He made his debut at La Monnaie in 1904, as Werther, and the following year at the Palais Garnier, as Renaud in Lully's Armide.
He created several Massenet operas such as Ariane and Bacchus, at the Opéra, and Roma, in Monte Carlo. He also took part in the creation of La Catalane by Le Borne, Monna Vanna by Henry Février, Déjanire by Camille Saint-Saëns, and Pénélope by Gabriel Fauré.
He became principal French tenor with the Boston Opera Company, the Chicago Grand Opera Company (1913–1914), the Chicago Opera Association (1915–1921), and the Chicago Civic Opera (1922). He also appeared at the Teatro Colón in Buenos Aires.
Muratore retired from the stage in 1931. He was married first to soprano Marguerite Bériza, and later to soprano Lina Cavalieri, with whom he appeared in a silent movie, Manon Lescaut, in 1914.
In 1944 Muratore was for a few weeks Director of the Opéra-Comique but was removed on the Liberation of Paris.
His art of singing was at times almost overshadowed by his immense talent as an actor and elegance on stage.
His students included Kenneth Neate, to whom he gave some of his own costumes for Don Jos
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