M- Brian Jones Pipes of Pan at JouJouka VTG VINYL Rolling Stones Records AFRICAN
$
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Description
This Auction Is For This Original Vintage Vinyl 33 1/3 LP Record
by Brian Jones Presents "The Pipes of Pan at JouJouka" Rolling Stones Records ST-RS-712309
Grades -- Vinyl Record: M- Label: M- Cover: Strong VG+
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Grades
Record: M- Very Nice Record, High Gloss, Few Minor Sleeve Scuffs
Label: M- Crisp & Clean, Shows No Spindle Marks
Cover: Strong VG+ Gatefold Cover, High Gloss, Bright Colors, Shows Slight Rounding or Bumping at Corners, Does Have a Slight Musty Odor
Brian Jones Presents "The Pipes of Pan at JouJouka" Rolling Stones Records ST-RS-712309
In 1968 Brian Jones of the Rolling Stones traveled to Morocco and taped parts of music at the Rites of Pan Festival. It's uncertain whether this should be considered a Brian Jones album, or an album by the Pipes of Pan at Jajouka, or an album by the Master Musicians of Jajouka, as the performers on this recording are most commonly known in the West. The important thing to know is that it's a document of Moroccan traditional music that achieves trance-like effects through its hypnotic, insistent percussion, eerie vocal chanting, and pipes. Originally divided into two untitled, unbroken LP sides although these are broken down and officially titled on the CD reissue, it should be kept in mind that these are merely edited excerpts of performances which can last for hours, and thus they offer only a taste of the live event. Although the first part in particular builds and builds in relentless energy to whirling climaxes, there are discrete and different performances here, some featuring female chants, others less intense male vocals, and others passages of unaccompanied instruments which sound like flutes credits and details on the original release are sparse. While this music had been performed in this fashion for a long time before Jones documented it, this was among the first of such recordings to receive reasonably wide exposure although it was released after Jones' death in Europe and North America. Thus this recording anticipated the wider popularity of trance-like music among both electronic rock and progressive African musicians later in the 20th century.
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Vinyl Record Care and Maintenance
Cleanliness is absolutely mandatory if the optimum sound capability of the vinyl record is to be realized. A clean record will not only sound better, but last longer. It has been shown that repeated playing of dirty records can cause permanent damage to the vinyl. Preservation of valuable or irreplaceable records requires careful cleaning. Further more, stylus wear is greatly accelerated by playing dirty records, and with cartridges costing what they do these days, playing soiled records can lead to significant and unneeded expense.
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Vinyl records were introduced and marketed as the unbreakable record, unlike its shellac counterpart of days gone by, that would break at the drop of a hat and becomes more brittle over time. Vinyl records are made from polyvinyl chloride (PVC) which has been proven to be a most stable material for sound recording. As a practical matter, vinyl records provide excellent sound quality when treated with care.Vinyl Records were the music source of choice for radio stations for decades, and the switch to digital music libraries by radio stations has not produced a noticeable improvement in sound quality..., as a note most radio stations severely reduce the dynamic range of their broadcasts and the allowed frequency bandwidth for a radio station is less than the bandwidth on a well-made record. Casual ears cannot detect a difference in quality between a CD and a clean new LP.
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Store your collectible vinyl records in our "poly sleeves" and protect them from dust, dirt, finger oils, and other airborne pollutants. Our polyethylene bags hold size and thickness tolerances and have passed the Photo Activity Test certifying that they are safe for long term storage.
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Unless noted, every record is an original issue for the label and catalog number given. Here is a brief explanation of our grading system, followed by an overview of abbreviations you may encounter for cover and or label.
- SS Still Sealed - in factory-fresh condition
- M Mint - I don't use this grade.
- M- Mint Minus - a near perfect, probably unplayed record
- VG+ Very Good Plus close to like new with only superficial signs of use that don't affect play. Only well cared for records will grade out to VG+. Will satisfy all but the most demanding collector.
- VG Very Good - a used, reasonable copy. There will be obvious signs of wear and the possibility of light surface noise between tracks or during quiet passages, but still quite nice.
- VG- Very Good Minus - significant wear and marks and usually quite noticeable surface noise.
- G+ Good Plus. In the record world, 'Good' is not good! From here on down (Fair, Poor), we're talking about beat-up records.
- co = drill hole in label or jacket (or saw mark/cut corner on cover)
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- es = electric stereo (the record industry's attempt at giving stereo-like sound characteristics to mono recordings)
- lbl = label
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- woc = writing on cover
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- #ol = number on label
- oc = on cover
- obc = on back cover
- promo stamp = usually gold embossed notice on jacket indicating that item intended for promotional use
- split seams, 4" split, 8" taped seam, etc... = all refer to cover damage
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