MACHITO & ORQUESTA: MERICANA#110 ('72) Rare GREATHEAR
$
36
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Description
REMARKS: VERY HARD TO FIND.....(WELL, FANIA HAD A "QUASI-MONOPOLY AT THE TIME)
MACHITO (Frank Grillo)....ONE OF THE THREE NEW YORK PALLADIUM "MONSTERS" (THE OTHER TWOs WERE THE 2 TITOs....PUENTE & RODRIGUEZ) TRULY ORIGINATORS OF THE EARLY SALSA ERA!
"Machito’s (along with his brother in-law Mario Bauza & her sister Graciela)) music influenced many of the Latin bandleaders that followed and many American musicians as well. Charlie Parker, Buddy Rich, and Flip Phillips recorded with the Machito Orchestra. Dizzy Gillespie consulted with Mario and Machito when he was looking for a conga drummer for his own Afro Cuban Jazz (or Cubop) experiments. Machito and Mario suggested Chano Pozo to Dizzy and history was made again. Stan Kenton openly stated his affection for the orchestra and he named one of his compositions “Machito.” Tito Puente, who played with Machito as a youngster, often said that his mentors were Mario and Machito. In later years, Jazz musicians like Dexter Gordon, Cannonball Adderly, Joe Newman, Eddie Bert, Curtis Fuller, Herbie Mann, Johnny Griffin, David Amram, Jorge Dalto, Dizzy Gillespie, Buddy Morrow, Mario Rivera, Mickey Roker, Mauricio Smith, Harry Belafonte, and many others all performed and recorded with Machito. Leonard Bernstein even used Machito’s music as an example of real Jazz on his famous television broadcasts in the 1950’s."
Arrangements by by Chico O'Farrill; This same ensemble band backed Tito Rodríguez at his last public appearance in 1973
TRACKS SIDE A: 1- Masacote
2- Como Quieras
3- Cuando Te Fuistes De Mi
4- Rumbantela
5- Tibiri Tabara
TRACKS SIDE B:
1- Yo Tengo Un Mate
2- Buena Noche, Che, Che
3- Si Me Pudieras Querer
4- Chango Ta Beni
5- Dale Jamon A La Jeva
VOCALS: MACHITO & GRACIELA
TRUMPETS: Nilo Argudin, Victor Paz, Larry Moses, Chocolate Armenteros, Anthony Cofresi & Mike Lawrence
SAXOPHONES: Pin Madera, Monyo Leslie, Danny Tenner, Mario Bauza & Chombo Silva
PERCUSSION: Joe Madra (Timbales), Julian Cabrera (Conga), Alberto Valdez (Conga), Mario Grillo (Bongo), Mike Del Rio (Piano) & Victor Venegas (Bass)
WEB REMARKS: IMPORTANTE!!! THE OLD TIMERS (Los Palmieris, Los Titos, Machito se encuentran con el gigante FANIA: Es curioso que personajes como Charlie Palmieri (Tito Rodriguez cuando aun estaba dando "candela") o Tito Puente, protagonistas en los 50's y 60's, tuvieran que asociarse en una productora independiente para seguir subsistiendo a comienzos de los 70s, ya que se trataba de músicos de alrededor de 50 años de edad con facultades intactas para seguir creando, pero que al pertenecer a disqueras "antiguas" como Alegre o Tico, ya no tenían la difusión a su obra con la que contaban los artistas de la avasallante Fania. Aunque todos ya sabemos cuál fue la solución: en la segunda mitad de la década (FANIA) Massucci adquirió ambas disqueras y Puente, más que Palmieri, recobraron protagonismo.
No pasó lo mismo con otro estelar de décadas anteriores, el cubano Francisco "Machito" Grillo, cuya discografía se redujo bastante empezada la década del 70. Recordamos su disco con Graciela de 1972 para Mericana (MYS-110) y algunos discos que re-editó la Tico pre-Fania en 1973 (Latin Soul Plus Jazz, Tico 1314) y 1974 (Lo Mejor de Machito con Graciela, Tico 1328).
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* We offer a money back + shipping costs guarantee on our records (unless otherwise noted) if you feel the LP was not graded properly. We will issue a full refund upon its return, once our mistake has been verified. We are not responsible for items that get damaged or lost during shipping. Althouh this seldom happens (damage of lost) we have available the insurance option.
Record Grading: Standard guidelines for grading records comes down to a subjective judgment that may vary from person to person. We grade records and LP covers visually AND (when possible) play-tested. We make every effort to give full disclosure (remember that the LP has at least 12 tracks and the grading may vary between each other) and your satisfaction is guaranteed. Don't assume that our vinyl determination of "Very Good+" is the same as yours!
RECORD OR COVER GRADED VG or LESS WILL BE "SOLD AS IS"
MINT: Unplayed, still sealed.
NM RECORDS: are shiny, with no visible defects, they might have one or 2 minor superficial scuff and they should play without any noise. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must not be present; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)
NM COVERS:
have no creases, ring wear or seam splits of any kind.
Picture Sleeves: should look as if they never housed a record. This is a great reason to remove your 45s from their picture sleeves and keep them separate. Just keeping the 45 inside the sleeve will cause damage than can reduce the grade of the sleeve.
VG++ (Excellent) RECORDS:
Barely noticeable play wear and background noise. May have surface scuffs and/or superficial marks, which will be inaudible or indiscernible from the background, no scratches. Very nice, flaws noted.
VG++ COVERS:
Artwork is still as close to perfect as can be. Some impression to the cover (minor outer ring wear) but no ink wear! Some slight creases to the corners, but not wrinkled and obtrusive to the eye. The corners can show white (where the artwork pasted slick was) meaning, slight wear. No seam splits or writing on the cover or taped repairs can make this grade.
VG+ RECORDS:
may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable.
VG+ COVERS:
should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint.
VG+ PICTURE SLEEVES:
might show some very light creasing where it is obvious that a record once resided (or still does reside). A VG+ picture sleeve might have some very minor seam wear or a split (less than one inch long) at the bottom, the sleeve’s most vulnerable location.
VG RECORDS:
They have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape, or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape.
VG COVERS and PICTURE SLEEVES:
will have many signs of human handling. Ring wear in the middle or along the edges of the cover where the edge of a record would reside, is obvious, though not overwhelming. Some more creases might be visible. Seam splitting will be more obvious; it may appear on all three sides, though it won’t be obvious upon looking. Someone might have written or stamped a price tag on it, too.
RECORDS GRADED VG OR BELOW WILL BE "SOLD AS IS"
Items are to be paid within 7 days (if not paid by that time it will be subject for relisting) of auction close and will be shipped within 48 hours of receipt of payment. Paypal is the preferred method of payment.
Carlos A. Flores 25830 Crippen Dr. Land O' Lakes, FL 34639
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