MARVELETTES PLEASE MR.POSTMAN ULTRA-RARE '61 TAMLA MONO LP GLOBES LABEL NR MINT

$

394

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·       MARVELETTES – PLEASE MR. POSTMAN – 1961 TAMLA RECORDS MONO LP TM-228

·       GENUINE U.S. PRESSING

·       ULTRA-RARE TRANSITIONAL 1962 PRESSING ON  YELLOW TAMLA LABEL WITH TWO SMALL  PURPLE “TOUCHING GLOBES”  ON TOP OF THE LABEL (EVERY BIT AS RARE AS THE WHITE LABEL PRESSING, PERHAPS EVEN MORE SO!)

·       THIS IS NOT AN IMPORT, RECORD CLUB RELEASE OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1…'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       As far as we know, this album is currently out of print and unavailable on Compact Disc, or in any other format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Clearly the focus of Please Mr. Postman (1961) -- the Marvelettes' debut long-player -- is the title track. However, fans of the early Motown sound will be interested not only in the vocalists' soulful and swinging leads, but contributions from burgeoning songwriters Berry Gordy, William "Smokey" Robinson, and Brian Holland as well. Although the Marvelettes personnel changed several times during their early-'60s prime, the lineup featured here includes co-leads Gladys Horton (vocals) and Wanda Young (vocals), along with Georgeanna Tillman (vocals), Katherine Anderson (vocals), and Juanita Cowart (vocals). By the time this album became available in late 1961, three months had passed since "Please Mr. Postman" concluded its seven-week run atop the R&B singles chart. In the interim, the record label mined the ladies' talent for a suitable follow-up. The closest to hail from the bunch would be the midtempo Wall of Sound-alike "I Want a Guy" which was relegated to the B-side of their next single, "Twistin' Postman." That certainly isn't to intimate the remainder of the effort is subpar, but rather that lightening had yet to strike twice as Motown was continually refining the label's sound. The uptempo "Angel" is clearly rooted in then-recent R&B styles with more than a passing resemblance to another successful all-girl group. Specifically, the Chantels' and their Top 20 crossover ballad "Maybe." To much the same end is the languid and bluesy doo wop-influenced "So Long Baby," as well as the ballads "Whisper" and "Oh I Apologize." The melodic "I Know How It Feels" joins Smokey Robinson and Berry Gordy's danceable "Way Over There" and the slightly Latin-tinged rave-up "You Don't Want Me No More." Although Please Mr. Postman has been difficult to locate on compact disc, it is among the contents of Forever: The Complete Motown Albums, Vol. 1 (2009) box set from the Hip-O Select online audio boutique.

 (EXCERPT FROM AN ONLINE REVIEW BY LINDSAY PLANER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Stereo pressings of this album are not known to exist.

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++.

The following flaws or imperfections are noted on the cover:

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2.

-         The cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows JUST A HINT of yellowing on both sides, apparently from aging.

-         Cover has a small cutout hole in one of the corners

-         Cover has a few tiny wrinkles along the spine  (VISIBLE ON BACK SIDE ONLY)

-         Minor shelf wear noted on the seams (nothing significant)

-         Cover has a light "wrinkle" (crease)  in one of the corners.

-         Front cover has a TINY peel-off mark, probably from the careless removal of the price sticker  (less than 1/8 square inch in size).

-         Back cover has a small white sticker /label in one corner (less than 1/4 square inch in size), which may be possible to remove with a little effort (we did not attempt to)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out corners

-        No saw-marks or indents

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No stains

-        No mold or mildew spots

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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