MASSIVE ATTACK "BLUE LINES" WILD BUNCH ORIGINAL 1ST PRESSING 1990 UK WBRLP-1
£
16
$
22
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Description
MASSIVE ATTACK
"BLUE LINES"
WILD BUNCH ORIGINAL 1ST PRESSING
1990 UK - STEREO
FRONT LAMINATED SINGLE SLEEVE
Catalogue Number: WBRLP-1
Matrix Numbers:
Side One:- WBRLP 1 A-1U-1-2
Side Two:- WBRLP 1 B-1U-1-2
Condition:
***please see end of listing
for grading system definitions
before ordering***
Cover:- EXCELLENT
ORIGINAL VIRGIN & HMV STICKERS ON THE FRONT
Vinyl:- EXCELLENT
Labels:- EXCELLENT
WE WANT YOU TO BE HAPPY
WITH YOUR PURCHASE
IF, FOR WHATEVER REASON, YOU ARE NOT HAPPY WITH THE RECORD
(EVEN IF YOU DECIDE YOU DON'T LIKE THE MUSIC!)
PLEASE CONTACT ME TO RETURN THE RECORD
FOR A FULL REFUND PLUS RETURN POSTAGE.
**THE RETURN ADDRESS IS ALWAYS ON THE BACK OF THE PACKAGING**
Tracklist
A1Safe From Harm Vocals – Shara Nelson 5:16 A2
One Love Vocals – Horace Andy 4:48 A3
Blue Lines Vocals – Massive Attack 4:21 A4
Be Thankful For What You've Got Vocals – Tony Bryan 4:09 A5
Five Man Army Vocals – Horace Andy 6:04 B1
Unfinished Sympathy Vocals – Shara Nelson 5:08 B2
Daydreaming Vocals – Massive Attack, Shara Nelson 4:14 B3
Lately Vocals – Shara Nelson 4:26 B4
Hymn Of The Big Wheel Vocals – Horace Andy 6:36
Credits
- Arranged By [Additional Arrangement] – Neneh Cherry (tracks: B4)
- Arranged By [Strings Arranged By], Conductor [Strings Conducted By] – Wil Malone (tracks: B1)
- Artwork, Design – 3d-del Naja*, Michael-Nash*
- Backing Vocals – Mikey General (tracks: B4)
- Bass Guitar – Paul Johnson (11) (tracks: A3)
- Engineer – Kevin Petri* (tracks: A3, A5)
- Engineer [Mix Eng] – Bryan Chuck New* (tracks: A2, B3), Jeremy Allom (tracks: A1, A3, A4, A5, B1, B2, B4)
- Engineer [Strings Eng] – Hayden (2) (tracks: B1)
- Executive-Producer – Booga Bear
- Leader – Gavin Wright* (tracks: B1)
- Management – Cherry Bear Organisation, The
- Mixed By – Johnny Dollar*, Massive Attack
- Other [Blame] – Judy
- Photography By [Back Cover] – Jean Baptiste-Mondino*
- Photography By [Single Faces] – Eddie Monsoon
- Producer – Johnny Dollar*, Massive Attack
- Written-By – A. Thaws* (tracks: A3, A5, B2), A. Vowles* (tracks: A1 to A3, A5 to B4), W. Cobham* (tracks: A1), C.J. Williams* (tracks: A2, A5), F.E. Simon* (tracks: B3), G. Marshall* (tracks: A1 to A3, A5 to B4), G. Redmond* (tracks: B3), H. Andy* (tracks: A2, B4), J. Simon* (tracks: B3), J. Sharp* (tracks: B1, B3), L. Brownlee* (tracks: B3), N. Cherry* (tracks: B4), R. Del Naja* (tracks: A1 to A3, A5 to B4), S. Nelson* (tracks: B1, B3), W. Badarou* (tracks: B2), W. de Vaughn* (tracks: A4)
************************************************
Please note that my sales will be posted recorded and must be signed for on arrival.
The cost of this is the current Royal Mail charges whether Domestic or International
SIGNED FOR POSTAGE + PACKING IS OFFERED ON THIS ITEM
PRICES AS FOLLOWS:-
U.K. £4.50 E.U. / UKRAINE £11.50 REST OF THE WORLD** £15.50
**INCLUDES:-
AUSTRALIA - BRAZIL - CANADA - JAPAN - KOREA - NEW ZEALAND - USA
please note that
***GENEROUS COMBINED POSTAGE WILL BE OFFERED
FOR MULTIPLE ORDERS***
**************************************************
All items will be posted in custom made mailers in plastic sleeves and using two card liners.
**************************************************
PLEASE NOTE THAT THE PHOTOGRAPHS DISPLAYED
ARE OF THE ACTUAL ITEM LISTED FOR SALE ABOVE
**************************************************
My records are described according to “The Record Collector’s” grading system.
This was originated by “The Record Collector” to assist people buying or selling records.
Their seven standard condition categories and a description of what each one means are given below.
I hope you find this helpful.
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT: The records shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
POOR: The record will not play properly due to scratches, bad surface noise etc. The cover and contents will be badly damaged or partly missing.
Bad: The record is unplayable or might even be broken and is only of use as a collection-filler.
price rating
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