MFSL JOHN KLEMMER SEALED AUDIOPHILE ORIGINAL MASTER

$

29

MOBILE FIDELITY SOUND LAB

ORIGINAL MASTER RECORDINGS

These LP’s are one of the most sought after collectors items ever produced.  They paid homage to a wide variety of music and did it with style.  To own one of these LP’s is to hold a true masterpiece of reproduction.

ARTIST:      JOHN KLEMMER

TITLE:         TOUCH

LABEL:       MOBILE FIDELITY SOUND LAB

VINYL:        SEALED  

SLEEVE:     NM

STILL SEALED quality recording – LIMITED

 EDITION RELEASE.

The Mobile Fidelity titles are becoming more

difficult to obtain, so take the opportunity

to add this one to your collection.

  NO RESERVE AUCTION

I FIGURED THAT IT WAS TIME TO OFFER THE DUPLICATES IN MY COLLECTION TO OTHER COLLECTORS.  OUTSIDE OF THE ONE CORNER PUSH AT THE BOTTOM LEFT THIS COPY IS IN GREAT LOOKING CONDITION.

NO TEARS, CUTS OR SPLITS TO THE SLEEVE AND THE OUTER THIN POLY SEALED BAG IS IN EXCELLENT CONDITION WITH ALL THE PERFORATIONS STILL INTACT.

A STILL SEALED QUALITY MOBILE FIDELITY VINYL THAT WOULD BE A GREAT ADDITION TO YOUR COLLECTION.

John Klemmer is an American instrumental pop saxophonist, composer, song writer and arranger.  He was born on July 3, 1946 in Chicago, Illinois. He began playing guitar at age 5. His other early interests & ambitions were in graphics and visual art, writing, dance, puppetry, painting, sculpting and poetry. He studied at schools that include The Chicago Institute of Art. He began alto sax at age 11 touring with various local midwest "ghost big bands" [Les Elgart, Woody Herman] big bands & local jazz & rock small groups. Switching to tenor sax in high school he participated in the active small groups jazz scene as well as commercial small group & big band work while leading his own groups in the Chicago area & touring.

He had extensive studies, choosing private lessons in piano, conducting, harmony, theory, composition, arranging, clarinet, flute & classical & jazz saxophone that continued through college. He studied saxophone & jazz improvisation with noted Chicago saxophonist and teacher Joe Daly. He attended the prestigious Interlochen's National Music Camp. Within the same year as graduating from high school, Klemmer was signed by Producer Esmond Edwards at Cadet/Chess Records, recording five plus albums, including, his innovative hit album, considered by many the first of the jazz/rock fusion genre, "BLOWIN GOLD", [co-produced by ex-Rolling Stones producer Marshall Chess] and the albums following introducing rock rhythms, sounds & production techniques & his electronic effects use with the saxophone where he debuted his now trademark "delay" sound.

After one of his many controversial sabbaticals, he changed musical direction by then moving to ABC/MCA Records briefly returning to his early R&B & pop roots. Klemmer then went on to earn massive crossover appeal with his now landmark series of the classic "TOUCH" recordings. Klemmer & the "TOUCH" Series of recordings are regarded by many as paving the way & being "the founder" of the current "Smooth Jazz" genre some anointing him "The Ambassador of Cool". His continuous fast changing of musical directions throughout his career created some controversy, confusion & false speculative motivational assumptions & judgments from his primarily earlier jazz purist audience, primarily, with the now historic "TOUCH" series of recordings.

TRACK LISTING

"Touch" 

"Glass Dolphins" 

"Waterwheels" 

"Free Fall Lover"

"Sleeping Eyes"

"Body Pulse" 

"Tone Row Weaver" 

"Walk With Me My Love & Dream" 

ALL BIDS WILL BE CANCELLED BY THOSE WHO HAVE THEIR FEEDBACK LISTED AS PRIVATE.

PLEASE SEE MY OTHER AUCTIONS FOR

 ADDITIONAL QUALITY RECORDINGS.

PLEASE SUBMIT ALL QUESTIONS AT LEAST 24 HOURS

PRIOR TO THE END OF THE AUCTION

 GRADING

Record conditions are determined using the tried and true "Goldmine" grading scale found in Tim Neely's Goldmine Record Album Price Guide. For your reference the grades are reprinted here:

Mint (M): Absolutely perfect in every way - certainly never played, possibly even still sealed. Should be used sparingly as a grade, if at all.

Near Mint (NM or M-): A nearly perfect record. Many dealers won't give a grade higher than this, implying (perhaps correctly) that no record is ever truly perfect. The record should show no obvious signs of wear. An LP jacket should have no creases, folds, seam splits or any other noticable similar defect. No cut-out holes, either. And of course, the same should be true of any other inserts, such as posters, lyric sleeves and the like. Basically, an LP in Near Mint condition looks as if you just got it home from a retail store and removed the shrink wrap. Near Mint is the highest price listed in all Goldmine price guides. Anything that exceeds this grade, in the opinion of both buyer and seller, is worth significantly more than the highest Goldmine book value.

Very Good Plus (VG+): Generally worth 50 percent of the Near Mint value. A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that don't affect the sound are OK. The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play. LP inner sleeves will have some slight ring wear, lightly turned-up corners, or a slight seam split. An LP jacket may also have slight signs of wear and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable. A synonym used by some collectors and dealers for "Very Good Plus" is "Excellent."

Very Good (VG): Generally worth 25 percent of the Near Mint value. Many of the defects found in a VG+ record will be more pronounced in a Very Good disc. Surface noise will be evident on playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However it will not have all of these problems at the same time, only two or three of them.

Good (G), Good Plus (G+): Generally worth 10-15 percent of the Near Mint value. Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear (on a styrene record, the groove will be starting to turn white). A jacket or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object.

As no two individuals will grade the same record the same way, I put an honest effort on all grading.  As grading is an approximation, please view and consider each selection carefully.  Realize that vinyl listed as used is so and verify the grading it is given before placing a bid.  All grades given are visual unless otherwise noted as I do try to play grade the record if time permits.

If the record is STILL SEALED then I have no way of verifying the condition of the disc itself and can not guarantee its playability other than noting it is in a sealed state. 

SHIPPING & INSURANCE

Shipping cost figured based on Zip Code

Location at the end of the auction

Combined shipping is available for

All items won within a 7 day period

From the date of the first item won.

Shipping cost for all other locations

 figured at the end of the auction

Item will be shipped to winning

bidders address only.

NO EXCEPTIONS!

**PayPal Payment Only**

**Winning bidder must

contact me within 3 DAYS and

Payment must be received within 7 DAYS of the sale

NO EXCEPTIONS

IF THE ABOVE TERMS ARE NOT ACCEPTABLE

IN ANY WAY, PLEASE DO NOT BID.

International Buyers – Please Note:

Import duties, taxes and charges are not included in the item price or shipping charges.  These charges are the buyer's responsibility.  These charges are normally collected by the delivering freight (shipping) company or when you pick the item up – do not confuse them for additional shipping charges.  Please check with your country's customs office to determine what these additional costs will be prior to bidding/buying.