MFSL LP QUEEN day at the races SEALED numbered 1-256
  $   106

 


$ 106 Sold For
Jul 28, 2009 Sold Date
Jul 21, 2009 Start Date
$   10 Start price
13   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

 

ARTIST: Queen

TITLE: A Day At The Races LP

LABEL: Mobile  Fidelity Sound Lab (MFSL 1-256) 

COVER CONDITION: MINT (factory loose bag seal)

VINYL CONDITION: MINT unplayed

TRACKS:
* Please see pic for a complete track listing.

DETAILS: This is a mint, factory sealed audiophile LP from MFSL! A limited, numbered edition (#0288- see pic. Low number!!), this was half speed mastered, pressed on 200 gram virgin vinyl, and is part of the Anadisc series. Nice!

"In every sense, A Day at the Races is an unapologetic sequel to A Night at the Opera, the 1975 breakthrough that established Queen as rock & roll royalty. The band never attempts to hide that the record is a sequel — the two albums boast the same variation on the same cover art, the titles are both taken from old Marx Brothers films and serve as counterpoints to each other. But even though the two albums look the same, they don't quite sound the same, A Day at the Races is a bit tighter than its predecessor, yet tighter doesn't necessarily mean better for a band as extravagant as Queen. One of the great things about A Night at the Opera is that the lingering elements of early Queen — the pastoral folk of "39," the metallic menace of "Death on Two Legs" — dovetailed with an indulgence of camp and a truly, well, operatic scale. Here, the eccentricities are trimmed back somewhat — they still bubble up on "The Millionaire Waltz," an example of the music hall pop that dominated Night, the pro-Native American saga "White Man" is undercut somewhat by the cowboys 'n' indians rhythms — in favor of a driving, purposeful hard rock that still could have some slyly hidden perversities (or in the case of the opening "Tie Your Mother Down," some not-so-hidden perversity) but this is exquisitely detailed hard rock, dense with minutiae but never lush or fussy. In a sense, it could even function as the bridge between Sheer Heart Attack and Night at the Opera — it's every bit as hard as the former and nearly as florid as the latter — but its sleek, streamlined finish is the biggest indication that Queen has entered a new phase, where they're globe-conquering titans instead of underdogs on the make." -Stephen Thomas Erlewine, allmusic guide

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