MFSL audiophile LP SUPERTRAMP “Breakfast in America” Orig Master Rec TAS NM
$
95
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Description
Artist: SUPERTRAMP
Title: “Breakfast in America”
Label: Mobile Fidelity Sound Laboratories ~ MFSL 1-045.
Audiophile pressing, specially plated and pressed on High Definition Super Vinyl by VICTOR Company of Japan, Ltd.
From the original stereo master tape under license from A&M Recording Corporation. Label is white with black text.
Year: 1979.
Condition:
DISC: Vinyl is NEAR MINT with 100% of original gloss, as clean as can be found. Appears to have been played one or two times at most, and handled with care. Labels are clean. Fidelity is superb. A gorgeous disc you will never need to upgrade.
JACKET: Jacket is NEAR MINT with flawless front and back panels. Nice seams and corners. No writing, stickers, or other problems. A beautiful jacket worthy of display.
Record is enclosed in original rice paper sleeve. Folded cardboard inner sleeve is included in top condition. Printed color lyric insert is also included in top condition.
Track Listing:
Side One:
- Gone Hollywood
- The Logical Song
- Goodbye Stranger
- Breakfast in America
- Oh Darling
Side Two:
- Take the Long Way Home
- Lord Is It Mine
- Just Another Nervous Wreck
- Casual Conversation
- Child of Vision
Review:
“With Breakfast in America, Supertramp had a genuine blockbuster hit, topping the charts for four weeks in the U.S. and selling millions of copies worldwide; by the 1990s, the album had sold over 18 million units across the world. Although their previous records had some popular success, they never even hinted at the massive sales of Breakfast in America. Then again, Supertramp's earlier records weren't as pop-oriented as Breakfast. The majority of the album consisted of tightly written, catchy, well-constructed pop songs, like the hits "The Logical Song," "Take the Long Way Home," and "Goodbye Stranger." Supertramp still had a tendency to indulge themselves occasionally, but Breakfast in America had very few weak moments. It was clearly their high-water mark.”
(courtesy Stephen Thomas Erlewine, allmusic.com.)
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