MICK RONSON (DAVID BOWIE) 2d ALBUM SEALED ORIG PROMO LP
$
28
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· MICK RONSON – PLAY DON’T WORRY - ORIGINAL 1975 RCA RECORDS STEREO LP APL-1-0681
· ORIGINAL U.S. PRESSING
*** STILL SEALED GUARANTEED ORIGINAL FIRST PRESSING ***
· *** PROMOTIONAL COPY; THE RECORD HAS STOCK LABELS; HOWEVER, THE PROMOTIONAL PRESSURE STAMP ON THE COVER CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***
· BELIEVED TO BE PRESSED ON ORIGINAL ORANGE LABEL, EARLY 70’s STYLE
· THE THICKNESS OF THE VINYL, THE APPEARANCE AND THE CONSTRUCTION OF THE COVER, LABEL’S LOGO AND OTHER PERIPHERAL ELEMENTS OF THE COVER, ARE ALL PERFECTLY CONSISTENT WITH THE ORIGINAL, FIRST PRESSING OF THIS TITLE.
· TWO “BREATHE” (AIR) HOLES NOTED ON THE SHRINK WRAP
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE)
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Released one full year after Slaughter on 10th Avenue, Mick Ronson's second solo album, Play Don't Worry, was partially recorded during his brief tenure with Mott the Hoople, and it is no coincidence that the finished item reflected only half of what was really intended. Pair it with bandmate Ian Hunter's own eponymous solo debut, however, and it is not only that duo's own entwined future which spreads out before you, it is also an indication of just how powerful Mott could have been if that combination of players had worked out. Ronson's epic recounting of the Pure Prairie League's "Angel #9" was already part of Mott's live set when they split; so was Hunter's "Lounge Lizard" (from his solo set), and live recordings from the first Hunter-Ronson tour, promoting both Play Don't Worry and Ian Hunter. Those two albums blend with one another seamlessly, to the point that only occasionally, today, do either of them actually live up to either of their makers' reputations.
Play Don't Worry certainly has its highlights, however. "Billy Porter," the psycho-on-the-street opening track; the guitar-lick magnificence of "Angel #9"; a killer version of "White Light White Heat," left over from David Bowie's Pin Ups sessions, and the yearning Italian melodrama "Empty Bed"; all echo the highlights of Slaughter on 10th Avenue, but never duplicate them. That album was Ronson finding his way; this one is him knowing precisely where he is, and there's a fiery rendition of Little Richard's "The Girl Can't Help It," rearranged with all the twistingly nostalgic elán which the participants (a pseudonymous Hunter included) could muster, astounds as much for its audacity as for its delivery. But elsewhere, Ronson's own dislike of the solo game shows through, and only gets louder once the album ends and the bonus tracks (appended to the 1997 reissue) kick in. Only two of those tracks date from the Play Don't Worry sessions themselves: a dense and despairing version of Annette Peacock's "Seven Days," and a lifeless alternate take on the regular album's closing "Woman." The remaining tracks were taken in the main from the aborted sessions for a third album which Ronson had no intention of completing. They are interesting for a solo rendition of Bowie's "Soul Love," and a studio version of the coincidentally (but otherwise utterly un-Bowie related) titled "Is There Life on Mars?" which was Ronson's contribution to Dylan's Rolling Thunder Revue. But compared to what Ronson had long since shown himself capable of doing, they are weary and weak, and compared to the live cuts appended to the similarly reissued Slaughter on 10th Avenue
(EXCERPT FROM AN ONLINE REVIEW BY DAVE THOMPSON, ALL MUSIC GUIDE /ALLMUSIC.COM/)
The PROMOTIONAL, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed among the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals", which is to say the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.
THIS IS A NO-RESERVE AUCTION!
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) THE ALBUM IS STILL FACTORY SEALED AND IS BELIEVED TO BE PERFECTLY MINT. Please note: sealed items are assumed to be mint and are sold as-is, as we have no way of inspecting them. For our policy on still sealed records ►click here (PLEASE READ BEFORE PLACING A BID).
(b) The record is believed to come in its original stock inner sleeve.
(c) The record is apparently pressed on a RELATIVELY thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type), vinyl, but not the thickest, most rigid vinyl, either.
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
COVER IS STRONG NEAR MINT, STILL SEALED AND COVERED IN ITS ORIGINAL ►SHRINK WRAP
NO IMPERFECTIONS ON THE COVER:
- No split seams
- No ring wear
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No wrinkles or creases
- No yellowing from aging
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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OUR REFUND POLICY :
WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 7 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►Click here for the full text of our policy
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