MICKEY BAKER WILDEST GUITAR INSANELY RARE ORIG '58 ATLANTIC STEREO LP GREEN LBL
$
107
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Description
WE CURRENTLY HAVE NEARLY 1,000 LISTED ITEMS
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· MICKEY BAKER – WILDEST GUITAR – ORIGINAL 1959 ATLANTIC RECORDS STEREO LP 8035
· ORIGINAL U.S. PRESSING
· ORIGINAL LIME-GREEN ATLANTIC STEREO LABEL WITH BLACK PRINT
· DEEP GROOVE PRESSING
· EXTREMELY RARE ORIGINAL STEREO PRESSING, MANY TIMES RARER THAN MONO
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· ORIGINAL LAMINATED COVER
· THICK, HEAVY VINYL PRESSING
· CLEAN, WEAR-FREE LABELS
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Despite Baker's well-deserved reputation as one of the most influential guitar players of early rock & roll, The Wildest Guitar was one of the few chances he really got to strut his stuff as a solo artist. This entirely instrumental set features keening, sharp, bluesy riffs in much the same distinctive style that gained him fame on "Love Is Strange" and other tunes with Mickey & Sylvia. The choice of material, though, is a bit surprising, favoring some surprisingly cornball standards: "Third Man Theme," "Autumn Leaves," "Lullaby of the Leaves," and Cole Porter's "Night and Day." Baker (who also arranged the album) manages to invest all of these with a snazzy R&B feel and biting solos. And he does actually write four of the 12 tunes himself, on which he fashions the kind of straightforward R&B that one would more likely to expect. This is a pretty good showcase to hear Baker's unadorned virtuosity. But he's really better-appreciated within the context of stronger material, either as half of Mickey & Sylvia or on the innumerable '50s R&B cuts (many on Atlantic) that feature his session work.
(EXCERPT FROM AN ONLINE REVIEW BY RICHIE UNTERBERGER, ALL MUSIC GUIDE /ALLMUSIC.COM/)
For additional historical information on this album, including track listing ►click here
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(d) Stereo pressing of this title is much rarer, and by far more preferable to its mono counterpart. The mix is more graphic, the sound resolution more precise, and the channel separation (which does not exist on mono version) adds a whole new dimension to the music. Also, the stereo mixes are (by definition) somewhat different than on the mono version. We estimate that mono copies of this album outnumber stereo copies by a ratio of at least 10:1.
(e) The record comes in the original stock inner sleeve.
(f) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):
THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++.
The following flaws or imperfections are noted on the cover:
- Cover has a tiny, barely visible cutout hole in one of the corners
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 1 (front side) and 3 (back side)
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover shows some light yellowing on back side, apparently from aging (nothing significant).
- Cover has two corners slightly worn (nothing significant)
- Tiny water stain noted on the spine (less than ¼ square inch in size) (VISIBLE ON BACK SIDE ONLY)
- Cover has a minor 'bump' (dent) on the opening side (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No cut-out corners
- No saw-marks or indents
- No wrinkles or creases
- No writing
- No stamps
- No peel-off marks
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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