MILES DAVIS LP COLUMBIA “Sketches of Spain” 6-eye DG stereo 1D/1D NM
$
95
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Description
Artist: MILES DAVIS
Title: “Sketches of Spain”
Label: COLUMBIA ~ # CS 8271. Stereo pressing on medium weight vinyl. Label is red/black with black text, has “six-eye” logo with deep groove.
Matrix numbers are as follows:
XLP49958-1D
XLP49959-1D.
Year: 1962
Condition:
DISC: Vinyl is NEAR MINT with 100% of original gloss, as clean as can be found. Appears to have been played one or two times at most, and handled with care. Labels are clean. Fidelity is superb. A gorgeous disc you will never need to upgrade!
JACKET: Jacket is NEAR MINT with flawless front and back panels. Nice seams, spine and corners; bit of rubbing at right side of bottom seam. No writing, stickers, or other issues. A beautiful jacket worthy of display.
Track Listing:
Side One:
- Concerto de Aranjuez
- Will o’ the Wisp
Side Two:
- The Pan Piper
- Saeta
- Solea
Review:
“Along with Kind of Blue, In a Silent Way, and Round About Midnight, Sketches of Spain is one of Miles Davis' most enduring and innovative achievements. Recorded between November 1959 and March 1960 -- after Coltrane and Cannonball Adderley had left the band -- Davis teamed with Canadian arranger Gil Evans for the third time. Davis brought Evans the album's signature piece, "Concierto de Aranjuez," after hearing a classical version of it at bassist Joe Mondragon's house. Evans was as taken with it as Davis was, and set about to create an entire album of material around it. The result is a masterpiece of modern art. On the "Concierto," Evans' arrangement provided an orchestra and jazz band -- Paul Chambers, Jimmy Cobb, and Elvin Jones -- the opportunity to record a classical work as it was. The piece, with its stunning colors and intricate yet transcendent adagio, played by Davis on a flügelhorn with a Harmon mute, is one of the most memorable works to come from popular culture in the 20th century. Davis' control over his instrument is singular, and Evans' conducting is flawless. Also notable are "Saeta," with one of the most amazing technical solos of Davis' career, and the album's closer, "Solea," which is conceptually a narrative piece, based on an Andalusian folk song, about a woman who encounters the procession taking Christ to Calvary. She sings the narrative of his passion and the procession -- or parade -- with full brass accompaniment moving along. Cobb and Jones, with flamenco-flavored percussion, are particularly wonderful here, as they allow the orchestra to indulge in the lushly passionate arrangement Evans provided to accompany Davis, who was clearly at his most challenged here, though he delivers with grace and verve. Sketches of Spain is the most luxuriant and stridently romantic recording Davis ever made. To listen to it in the 21st century is still a spine-tingling experience, as one encounters a multitude of timbres, tonalities, and harmonic structures seldom found in the music called jazz.”
(review courtesy of Thom Jurek, allmusic.com)
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