MILES DAVIS Miles Smiles Wayne Shorter 45 rpm 180 gram vinyl MFSL SEALED 2 LP
  $   130

 


$ 130 Sold For
Mar 2, 2021 Sold Date
Sep 17, 2020 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
save auction  

Description

MILES DAVIS QUINTET

Miles Smiles

SEALED limited numbered edition 45 rpm 180 gram Vinyl 2 LP set. Columbia/Sony/Mobile Fidelity Sound Lab MOFI MFSL 2-486. Stereo, limited numbered edition reissue. COVER & VINYL: MINT still sealed, never played, heavy gatefold cover.

*** LIMITED GOLD-FOIL NUMBERED EDITION No. 002451. ***

Limited edition 180-gram 45 RPM 2LP set

Strictly limited to 4,000 numbered copies!

Mastered from the original master tapes and pressed at RTI!

The clarity afforded by history proves Miles Davis' second great quintet vying for the unofficial honor of being the finest small jazz combo to ever record to tape. Originally released in 1966, Miles Smiles is largely responsible for the feat, as it commences a series of five groundbreaking albums — chronologically rounded out by Sorcerer, Nefertiti, Miles in the Sky, and Filles de Kilimanjaro – guided not by chordal patterns but open responses to melodies. Music would never again be the same. Neither will experiencing Miles Smiles once you hear this definitive-sounding vinyl reissue.


Mastered from the original master tapes, pressed at RTI, and strictly limited to 4,000 numbered copies, Mobile Fidelity's 180g 45 RPM 2LP set takes the landmark effort into rarified sonic territory. Davis and company play against coal-black backgrounds that serve to illuminate every detail, texture, and nuance. Superb separation and plentiful air allow instruments to fully blossom, effectively taking you back to October 1966 at Columbia's 30th Street Studio in New York to watch the legendary combo transpire before your eyes.

Like the other iconic Davis titles in Mobile Fidelity's reissue series, this analog version also puts a premium on tonality and preservation of individual notes, which arc and decay with uncanny realism. The brilliance of Ted Macero's original production springs forth from every passage. Never before has this standard-setting record burst with as much palpable verve, energy, and spirit. Davis and Wayne Shorter's horns crackle with electricity. Ron Carter's bass attains unprecedented fluidity and dimensionality. Tony Williams' drums burst, splash, and swing with terrific fervor. Herbie Hancock's 88s dance with a communal dynamic.

Even with all the headway the ensemble made on its subsequent albums together, many jazz cognoscenti and Davis diehards strongly feel Miles Smiles remains the apex of their vast accomplishments. The piles of evidence lay within the thrills, adventurousness, and curiosities staked to every composition. At once accessible and unpredictable, songs reflect an ever-changing mentality, an edgy moodiness, and a triumphant will — with each corner the band rounds a new opportunity to integrate and interact, anticipate and respond, investigate open spaces and establish if not fully lock into contagious, broad, striding grooves.

For Davis – and the music world at large – the significance of Miles Smiles cannot be overstated. "The synthesis of complete abstraction with more or less straightforward blues-playing was to sustain [Davis] right through the darkness of the 1970s bands to the later period," write experts Richard Cook and Brian Morton. To their point, everyone from DownBeat to Q to TIME have deemed "Footprints" as one of the greatest compositions of the latter 20th century.

Everywhere you turn, genius abounds. Right out of the starting gates, "Orbits" swirls with hard-driving rhythms and Davis' untethered soloing. "Delores" likewise steams and cooks, retaining a tuneful allure all the while speaking with a streetwise swagger. Anchored in part by Hancock's radiant piano lines, the ballad "Circle" moves gently and expresses a romantic elegance via its superb lyrical poise. On Miles Smiles, the band simply has and does it all. This is a record you want to feel as much as hear.

Features:
• Numbered, limited edition
• Strictly limited to 4,000 numbered copies
• 180-gram 2LP
• 45 RPM
• Production and Mastering by Mobile Fidelity Sound Lab
• Specially plated and pressed on 180 grams of High Definition Vinyl
• Special static free - dust free inner sleeve
• Heavy duty protective packaging
• Mastered from original master tapes
• Pressed at RTI

Musicians:
Miles Davis
Wayne Shorter
Ron Carter
Tony Williams
Herbie Hancock


A1 Orbits 4:35 A2 Circle 5:52 B1 Footprints 9:44 C1 Dolores 6:20 C2 Freedom Jazz Dance 7:11 D1 Ginger Bread Boy 7:40


***FACTORY SEALED***NEVER PLAYED***


 

PLEASE READ BEFORE PURCHASING:

WE ACCEPT PAYPAL ONLY

*** PLEASE WAIT FOR AN INVOICE IF YOU ARE BUYING MORE THAN ONE ITEM AT A TIME. ANY MULTIPLE ITEMS PAID FOR SEPARATELY (INSTEAD OF GROUPED TOGETHER AND PAID FOR ON ONE INVOICE FOR COMBINED SHIPPING DISCOUNT) WILL BE SHIPPED IN SEPARATE PACKAGES. NO EXCEPTIONS. NO REFUNDS!

OUR SHIPPING COSTS INCLUDE COST FOR PACKAGING, TRANSPORTATION, AND FREIGHT.

We can NOT bear responsibility for packages lost or damaged by the Postal System.  If you do not agree with this Please DO NOT purchase or bid!

GRADING. Grading is visual only unless otherwise stated. I go by Goldmine standards and try to be conservative. I will play grade on certain items only - it is just impossible for me to play grade everything I put on EBAY.

RECORD GRADING:

MINT (M) ---- It should be SEALED and appear to be brand new. Mint means STILL SEALED, NEVER PLAYED.
NEAR MINT (NM or NM-) ---- OPENED or UNSEALED. Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident.
VERY GOOD PLUS (VG++ or strong VG++ or VG+++) The record or cover that all but the most particular collector would say looks outstanding. Cover may have insignificant manufacturers defect such as notch hole or cut corner.
VERY GOOD PLUS (VG+ or strong VG+) The record has been handled and played infrequently or very carefully.  On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptable  for most collectors.  Cover has most of its original gloss and has been well taken care of.  Minor seam splits may be acceptable.
VERY GOOD (VG or strong VG) ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, non-feelable marks that might or will affect the sound as mild occasional surface noise or periodic pops/clicks. Usually a cover is VG when one or more of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
VERY GOOD- (VG- or G+) Record will show signs same as VG with heavier wear including noticeable groove wear and feelable marks that will likely pop or click.  Popping or clicking will be most evident through quieter passages.  Record should play all the way through, but may skip.
GOOD (G) ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping, but may skip. Several cover flaws will be apparent, but should not obliterate the artwork.  Filler copy until a better one can be found.
POOR (P) ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Only the rarest of records should ever be graded as Poor while the others should go to the trash heap.


DISCLAIMER. Due to the number of frivolous returns which were unwarranted, and due to the nature of sound recorded products that can be easily copied, there will no longer be a free return policy. I will charge a $10.00 return fee for all returns - this amount will be deducted from the Paypal refund of the returned item. If item is truly defective the entire purchase amount will be refunded as long as the item is in the same condition as it was sent. 

***BUYER PAYS FOR ALL RETURN SHIPPING FEES.***

                                                                                    ATTENTION!!

INTERNATIONAL BUYERS: USPS has done away with Surface and Air mail. Replaced with First Class International (FCI) which is supposed to be Air Mail.  Also, FCI cannot be tracked.  Bidders must agree to take full responsibility if they select FCI. We can NOT bear responsibility for packages lost or damaged by the Postal System.  If you do not agree with this Please DO NOT purchase or bid! If you want protection it is available using Priority Mail. Any package over 4 pounds (4 or more LPs) it is automatically sent Priority.  Please wait for an invoice when purchasing 4 or more LPs so that we may get an exact shipping quote from the Post Office. Media and Priority still in effect in US..  

                                                                                                       SHIPPING FEES (USA only):

US MEDIA MAIL (USA customers only):$ 6.00 (LP) plus $1.00 per each additional LP purchased:

US PRIORITY MAIL (USA customers only): $18.00 (LP) plus $1.00 per each additional LP purchased.  

 

INTERNATIONAL SHIPPING ONLY...........................................

 

CANADA ONLY (USPS First Class Mail International): $30.00 (LP) plus $4.00 per additional LP. 

FIRST CLASS MAIL INTERNATIONAL: (All non-USA overseas buyers) $40.00 (LP) plus $8.00 per each additional item purchased.

PRIORITY MAIL INTERNATIONAL: $60.00 (LP) plus $8.00 per each additional item purchased. This shipping method will be used when shipping weight exceeds 4 pounds (4 or more LP records).

All other combinations are actual weight and can only be provided after packing. ***SHIPPING & HANDLING COSTS ARE INCLUDED IN THESE PRICES.  NOTE: I combine shipping! So buy more and save on shipping!!   

 

WE ACCEPT PAYPAL ONLY! 

 



price rating